Minor League umpire George Sosnak (1924-1992) decorated around
800 baseballs with intricate scenes and lettering in India ink.
A number of his commemorative balls are included in the
exhibition, among them this one celebrating the 1944 All-Star
game. Collection of Paul Reiferson and Julie Spivack.
Cooperstown eventually was very helpful in providing
background photographs and lent a fantastically detailed Where's
Waldo-type of drawing by George H. Sosnak commemorating the
Professional Baseball Centennial in 1969. His work was exactly what
the curator was seeking. Self-taught as an artist, Sosnak
(1924-1992) had devoted his life to the game as a fan, player and
minor league umpire, even when that meant holding a day job as
well. His best-known works are actual manufactured baseballs
intricately decorated for a special occasion with India ink and
then hand colored. Among those included in the show -- he made
around 800 during his lifetime -- are examples commemorating the
1944 All-Star Game, the 1962 New York Mets and Orlando Cepeda's
1967 MVP award.
Self-taught or "outsider" artists are often driven by religious
devotion, but "The Perfect Game" proves that baseball could
produce the same fervent inspiration, clearly seen in the
colorful "Homage to Hank Greenberg" by Malcah Zeldis (born 1931)
or "Night Game - Yankee Stadium" by Ralph Fasanella (1914-1997).
Other famous names in this field who have their baseball moments
on display are Thornton Dial, Sr (born 1928), "Remembering the
Road"; Rev Johnnie Swearingen (1908-1993), "The Baseball Game";
Sam Doyle (1906-1985), "Jackie Robinson in the Outfield"; and
Jimmy Lee Sudduth (born 1910), "Jackie Robinson."
While many of these more recent works appear in show segments
devoted to the "Stars of the Game" and "Playing Fields," a
section of the exhibition devoted to "The Historic Game" takes us
back to the Nineteenth Century when baseball's rules were still
under construction. A watercolor painted by an unidentified
artist around 1870 shows a leisurely game between two amateur
clubs, the Liberty Nine of New Brunswick, N.J., and the Baltics
of Brooklyn, N.Y., watched by well-dressed spectators in top hats
and bonnets. The idyllic setting with a clubhouse veranda and no
fixed seats is reminiscent of English cricket field pictures of
the same period. A scorer and referee are seated at a small table
on the first base line; the frock-coated umpire at the plate
would have been supplied by the home team from reserve players or
the spectators on hand.
The historical development of the sport is of principal
importance to some collectors. Warren notes, "Dr Mark Cooper has
a collection of every baseball game that was ever made." Cooper,
a radiologist at Methodist Hospital in South Philadelphia, lent
one of his best games to the exhibition: an 1878 Parlor Baseball
Game played with a giant spinner. Also on display is the original
patent drawing for the board game created by Edward B. Peirce of
Lowell, Mass. The collector also owns the winter sled in the show
decorated with a folk art painting of 1880s baseball star Mike
"King" Kelly in his catcher's outfit.
The doctor says, "My collection is predominantly but not
exclusively baseball games -- board games, card games, arcade
games. As games evolved in the 1840s and 1850s, they reflected
the way in that American society was changing. When baseball
became our national pastime, board games were produced which
reflected the evolution of baseball. The rules of baseball were
very different in the Nineteenth Century from what they are
today. Pitchers had to throw underhanded back then and sometimes
eight balls were a walk and four strikes were an out, or if you
caught the ball on a bounce, that was an out."
The exhibition does not include equipment memorabilia of the Babe
Ruth's bat or Hank Aaron's uniform variety but there is a display
of painted and carved "Bats and Balls." In addition to the Sosnak
baseballs, these include a presentation bat with lodge symbols
from West Lynn, Mass., a grain-painted bat from the early
Twentieth Century, a Kentucky bat and ball whimsy carved around
1930. Many of the bats are on loan from the private collection of
David Hunt, an auctioneer of historical sports memorabilia in
Exton, Penn., who also provided an early Twentieth Century walnut
folk art carving of a player.
One of Warren's greatest discoveries during her exhibit-hunt was
a beaded baseball made by the Lakota Sioux at St Francis Mission
in South Dakota, which led to more information about early Native
American players of the game. "I found an archivist at Marquette
University in Milwaukee and discovered that they had this beaded
baseball in their collection which they weren't even aware of,"
she remembers. "Then he got interested in the subject and started
turning up all these photographs of teams, which we included as
background for the beaded baseball and the Baseball Star Quilt,
also made by the Lakota."

This stylish box office sign with baseball imagery in the "O"
was created around 1890 by immigrant sign painter Theodore I.
Josephs. The Gladstone Collection of Baseball Art.
Because she is such a fan, Warren has many favorites in the
show: "I love the Charles Conlon photographs -- the closeups of the
hands and faces are so moving. Here's somebody who had just taken
up photography as a hobby, who worked as a proofreader for a New
York newspaper and freelanced for the Spalding baseball guide. He
went out with his camera around 1904 and he was just hooked. He
photographed everybody -- players, fans, managers -- until about
1942. You can tell by photographs of the eyes and the hands what
trust the players had in him and how close he was able to get."
She continues, "I also love the 1844 portrait of the boy with the
baseball and bat in his hands, and I love the Lewis Smith drawing
of the Maximo Bloomer Girls Baseball Club -- I wanted it to be
the exhibition T-shirt! The section on the women's game was the
first chapter I wrote. I did that as a sample for the editor. And
the All Girls Softball Game carved by Earl Eyman of Oklahoma was
clearly done at that period in the 1940s when the women's league
was big, particularly in the Midwest."
Collectors will enjoy the exhibition catalog, The Perfect
Game: America Looks at Baseball (Abrams 2003; $29.95) by
Warren with an introduction by sportswriter Roger Angell,
available through booksellers or directly from the museum. For
children 8-12, Baseball for Everyone: Stories from the Great
Game (Abrams 2003; $16.95) by Janet Wyman Coleman with Warren
offers a colorful tour of baseball history.
In conjunction with the exhibition, the American Folk Art Museum
is presenting a busy schedule of gallery talks, lectures, films
and other events. On November 7, a special program, "Catch the
Fever: Baseball Collectors Share Their Passion for Folk Art and
the Game," will feature collectors Bill and Millie Gladstone,
David Hunt, Richard Merkin and Paul Reiferson.
The American Folk Art Museum is at 45 West 53rd Street and is
open Tuesday through Sunday 10:30 am to 5:30 pm., Friday until
7:30 pm. For more information, call 212-265-1040 or visit .