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Max Ernst: A Retrospective

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NEW YORK CITY
: One of the most innovative and influential artists of the Twentieth Century, Max Ernst (1891-1976) was a seminal figure in the Dada and Surrealist movements. Through paintings, collages and sculptures filled with Freudian overtones, mythology and childhood memories, he played a central role in the invention of modern artistic styles and techniques.

"Max Ernst: A Retrospective" at The Metropolitan Museum of Art through July 10 utilizes some 180 works to explore this remarkable artist's stylistic, thematic and technical achievements. On view are important Ernst paintings, as well as collages, frottages, drawings, sculptures and illustrated books. They are drawn from a wide range of public and private collections in Europe and the United States.

Organized by Ernst scholar Werner Spies and Sabine Rewald, a curator in the Met's department of Nineteenth Century, modern and contemporary art, the exhibition traces Ernst's peripatetic career, which began in Germany before World War I, moved to France between the wars, shifted to America during World War II, and concluded in France.

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