Jeff Smith.
Part One of our conversation last week examined
the Internet's impact on the auction industry. Such effects as an
increase in the buyer base for auctions, greater access to a
wider range of items online, and a resulting upward trend in
prices were noted.
By Lisa W. Romano
The Internet may have revolutionized the auction
industry as a whole, but not all categories have been lifted by
the e-commerce tide.
"You can see certain areas are doing better online
than others." Jeff Smith, AuctionWatch.com's vice president of
auction services, cites collectibles such as sports cards, dolls
and vintage clothing as particularly hot commodities online. "The
collectibles area drove [the industry's move online] and that's
when the fine art area paid attention to it and saw the
possibilities."
As former vice president and director of the
furniture and decorative arts departments at Butterfield &
Butterfield (now Butterfields, owned by eBay since April 1999) -
where he oversaw all furniture and decorative arts auctions as
well as Asian art, silver and rugs - Smith is well aware of the
logistical considerations that determine what will sell
online.
"Size is an issue," he points out. "Although there
has been some success with highly specialized sales - such as
Twentieth Century furniture - on the whole, because of shipping
limitations, it is difficult if you are bidding on, say, a
cabinet, to factor in shipping. That area needs some work. eBay
has addressed that with their regional auctions that they began
this year, with the understanding that it's close at hand and
people can bid on that item and just go pick it up."
The shipping issue is far more complex when items
are sold online than when they were offered in a brick-and-mortar
auction house. Online objects are typically shipped from the
previous owner's location rather than making a stop at the
auction house.
"The big question now is 'How do you get the
property to people once they buy it?'" Smith says. "That seems to
be working itself out as auction houses forge partnerships with
shipping companies and insurance companies. They've had to
develop a whole network of partnerships to facilitate
this."
Problems like this seem like small potatoes,
however, considering the changes the major auction houses have
had to make to their most fundamental business operations and
strategies.
"Auction houses are traditionally very, very
conservative institutions that are slow to change. They're an
ancient profession. It would have taken an incredible visionary
to envision that a Pez seller would have such an incredible
impact in five years," says Smith.
All auction houses that have gone online have
experienced the growing pains that come along with the rapid
growth of being on the Internet, although each has dealt with the
Internet invasion slightly differently, he notes.
Sotheby's and sothebys.com are two separate
operations, he explains. "They're the same company but they have
two different staffs. What they've done is moved away from their
arcade auctions - stuff that never ended up in full color in the
catalog but still had merit. They're putting that online."
The objective of this approach is to "maintain an
online presence" and to "develop a much larger buying audience
for Sotheby's," Smith says. Sellers can consign their items
through Sotheby's 2,500 member/dealers, or directly on
sothebys.com.
A different tactic has been taken by Smith's
former employer. "There's online, then there's live online
bidding," he explains. "Butterfields just set up so you can be at
home and bid as if you're in the auction room."
Butterfields also has an exclusively online
auction area, called Great Collections, on eBay. Its strategy is
similar to Sothebys.com - you won't see a Picasso painting
offered here.
Even more options are available at Christies, he
says. "You can be there in person, you can bid online without
being there live, or you can register to bid live online."
Potential buyers may be concerned about trying one
of these new ways of bidding, and buying an item without having
seen it in person, but Smith says they need not worry.
"Removing eBay from the formula - and amazon.com
and Yahoo! - [and] moving into Sotheby's and [others like it], an
object is pretty much guaranteed as described, as it's put up
there. You have a much greater likelihood of receiving what you
bid on. There is a vehicle on the site if something arrives and
is not as described," he says. In other words, the traditional
auction houses, in their move online, are still taking the same
care in consigning items.
Smith adds: "The majority of bids that are placed
in a traditional auction are placed in abstentia anyway. A huge
percentage of successful buyers have not even attended the
preview."
On a site that allows direct transactions between
buyers and sellers, however, a buyer needs to do a little more
homework, he says.
"It's important to educate yourself," Smith says.
With the low fees at some two-party sites, the background
checking is not done for the buyer.
It is at sites with this type of operation where
fraud, in the form of selling fakes, can most easily occur,
"whether it's intentional fraud or lack of knowledge on the part
of the seller," Smith says. He notes that one of the most common
areas for fraud is in porcelain.
"Everyone wants the Eighteenth Century [pieces],
and they can be easily $50,000 to $75,000. There's lot of it
around because they were produced over a number of decades," he
explains. "There were a lot of factories in the Ninteenth Century
that copied them, and still do. They even copy the dates on them.
If it's on one of the sites that guarantees, it's not an issue.
If it's not, you have to ask a lot of questions."
Potential buyers should ask where the seller got
the piece, and get a detailed photo of the marks on the piece of
porcelain.
"If someone can't answer those questions, they
either don't know what they're selling or are not telling the
truth," Smith says. "The really good copies [represent a very
difficult area]. You just have to stay away from it unless you
are absolutely sure."
Ironically, given its relative lack of success in
online sales, furniture is another common area for fakery. "I see
chairs that are no more than 40 years old being offered as
200-year-old Windsor chairs," Smith says. The difference is
obvious to an expert, but a neophyte would be fooled.
Although the technology of buying online may make
it easier to be fooled, new technologies also offer buyers
opportunities to learn more about the items they have interest
in.
Consider digital cameras, says Smith. Certain
techniques, such as varying the levels of flash used, can reveal
color variations and other characteristics of a piece, almost
like an X-ray. The result? "You can sometimes see more through a
digital image than with the naked eye," he explains.
And just as it's easy to buy online it's also easy
to determine what an item is worth. AuctionWatch.com offers
online appraisals for just $19.95 - using digital images. Because
"there's a limitation to what you can do online," Smith says. If
the site's experts determine that an item may be valuable, they
will advise the owner to bring it to an appraiser who can inspect
it in person.
This service has been extremely well received, he
says.
"Most of the tens of thousands of clients we've
had in online appraisals are clueless about where to go to find
out what their item is worth. A lot of people are grateful to
have a first step."
AuctionWatch.com also offers assistance in its
content area, which contains articles (including an archive),
site reviews of online auction venues, and columns on bidding
tips and tactics. The writers are specialists in their areas,
Smith says, and an in-house editorial staff does daily news
articles. The site gets 4 million unique hits a month and has
500,000 registered users.
"You don't have to register to use the site,"
Smith adds.
From his vantage point, with all of his site's
resources at his disposal, Smith says he foresees some less
seismic, though still significant, changes on the online auction
horizon.
"There will probably be a lot of partnerships in
the future between mid-level auction houses to allow them to
offer their items in a common area, at a cost savings, while
maintaining their own identity."