: Top lot of Skinner's record-breaking $2.7 million sale of
European and Asian furniture and decorative arts was a dark green
jade mountain carved intricately with pavilions, granaries,
figures, water buffalo and foliage. The Ch'ien Lung period piece
brought $182,000 against its estimated $20/30,000 from a London
dealer bidding in the room. The piece was consigned by a private
Connecticut collector who traded in China and Japan in the 1930s.
Speaking two days before the sale, James Callahan, director of
Skinner's Asian art department, reported an "ominous silence"
about the piece, neither a whistle nor a whinny. He said that
mutterings against a piece during the preview is generally
reassuring. Bidders hopeful of acquiring a particular piece
frequently denigrate it to discourage bidding competition.
The sale previews were packed, the catalog was bulging, the
gallery itself was jammed with the nearly 2,000 lots on offer,
and Skinner staff put in many long hours before it was all over.
Even the six emergency medical technicians responding to a
medical emergency during the preview took a look around and took
a catalog with them. The sale total was $2,733,265, and the
buy-in rate was less than 9 percent. After the sale, department
director Stuart G. Slavid expressed deep pleasure at the sale
results. "It's a good sign," he said, adding "there was no
category that was weak."
An elegant pair of Tou Tsai covered jars of the Ch'ien Lung
period and from the same consignor as the mountain was estimated
at $4/6,000 and fetched $49,350. The jars had a blue underglaze
with crisp green enamel and were decorated with the imperial
dragon design.
Vases were highly appealing to bidders who drove their final
prices to exponential levels. A bottle vase of the Yun Ch'eng
period in an elegant blue Chun-type glaze with a long neck above
a compact body sold for $31,725 against its estimated $6/8,000.
A Meiji period cloisonne vase was a real surprise when it raced
past its estimated $6/800 to a stunning $28,200. The vase had
silver mounts over a dark blue ground decorated with a landscape
that was covered with flowers and was signed on the base by
Hayashi Kodenji.
The next lot was an early Twentieth Century Japanese
plique-a-jour vase with silver mounts on a bright sea green
ground with a floral design that was estimated at $4/600 and sold
for $12,925.
Then there was the Nineteenth Century Chinese vase in red
underglaze bearing designs of the Buddhists' eight precious items
that was estimated at $3/500. It sold for a hearty $18,213.
A delicately colored Chinese empress dowager type bottle vase of
the Kuang Hsu period had a pale turquoise ground with peaches and
ling chih and sold for 10 times the estimate at $10,575.
Another surprise was a 9-inch Eighteenth Century Chinese bronze
image of the goddess Kuan Yin holding a scroll signed Shih Sou
that was estimated at $6/800 and sold for $25,850.
An Eighteenth Century (or earlier) amber colored rhinoceros horn
cup with early European metal mounts brought $18,800.
The highlight of the European section of the sale was a gem of a
Minton majolica fountain in brilliant blues, greens and yellow
that brought $36,425. Stuart Whitehurst of Skinner's European
department first saw it during the taping of the Antiques
Roadshow in Hartford, Conn., last summer. It was consigned by
a western Massachusetts family and sold to two collectors who
will restore it and use it in an atrium.
Nineteenth Century English Wedgwood ceramics brought consistently
strong prices. An early 18-inch green Jasper dip covered vase
depicting the Apotheosis of Homer brought $6,463 on the
telephone. A late bronzed and gilded creamware vase and cover was
$1,528, and a very pretty late 14-piece pearlware Nautilus
service with pale pink trim and pale yellow shading was nearly
triple the estimate at $1,116. A late dark blue Jasper dip
Portland vase brought $2,115. Pieces with jazzy designs were of
interest, with a three-color Jasper dip strap ware plate going on
the telephone for $5,758 and a lemony yellow Jasper dip jug with
applied black classical figures also selling on the phone for
$1,116.
Wedgwood medallions from the A. Monnie Kanter collection brought
good money too. Competition for a late Eighteenth Century black
basalt medallion of Benjamin Franklin flickered around the sale
room until it went to a dealer for $5,875 against its modest
estimate of $6/800.
Another medallion of interest was a circa 1775 solid blue Jasper
portrait of Franklin from the Oster collection that fetched
$4,700 from a phone bidder. A circa 1775 Black basalt encaustic
plaque with an encaustic painted portrait of Socrates fell within
estimate at $3,995 from a phone bidder, who also bought a
Wedgwood and Bentley solid blue Jasper portrait medallion of
George Washington for $3,055. Despite a chip to the back edge, a
circa 1788 solid blue Jasper oval medallion of James Wyatt was
quadruple the estimate at $4,113 from a phone bidder.
Wedgwood fairyland lustreware also found favor as a circa 1920
bowl in pinks and scarlet sold for $5,288. Other fairyland lustre
fell within estimate.
Three modern (1973-1977) black basalt Egyptian plaques drew
lively phone and room action and sold for $940, not a lot of
money, but more than quadruple the low estimate. A 1976
three-color Jasper dip dice ware Athena vase and cover was also
well above estimate when it sold for $1,528.
Seven late Eighteenth Century Leeds creamware pieces with green
underglaze carried an estimate of $150/250 and sold to an
absentee bidder for $3,290.
An impressive Nineteenth Century silver epergne with Lincoln
family provenance sold for $18,800.
Top lot of the silver was a very grand late Nineteenth
Century Gorham silver nine-arm epergne on which bidding opened
mid-estimate at $13,000 and ended at $18,800. The piece was
consigned by the grandchildren of the couple to whom it was
presented in 1889. It was reportedly used in Christmas displays at
Hildene, the Manchester, Vt., home of Robert Todd Lincoln.
London and New York silver dealers competed openly for choice
English Georgian silver. Bidding on a set of 18 George III
service plates by London silversmith Paul Storr opened above
estimate at $17,000 and settled at $31,725 from a New York dealer
in the room who was a big buyer of silver and Asian objects. He
also took a George III silver sugar basket for $499
Another dealer bought an Irish George III regimental silver
stuffing spoon made in Limerick between 1800 and 1820 by William
Fitzgerald. Estimated at $2/300, it sold for $3,819.
A very busy dealer in the room bought a handsome set of five
graduated George III silver platters made in London in 1768 by
Septimus and James Crespell for $21,150.
Twentieth Century silver was represented by a Georg Jensen silver
flatware service for 12 in the Acorn pattern. Bidding opened at
$5,500 above the estimated $1,5/2,500 and ended at $8,225. A late
Nineteenth Tiffany silver flatware service in the Chrysanthemum
pattern was above estimate at $17,625.
Dominick & Haff silver made in about 1879 was also of
interest, as a tea set brought $2,585 and a mixed metal tea caddy
realized $4,406, while an early Twentieth Century pair of
convertible rococo revival candelabra was $6,169, five times the
high estimate.
Bidding on a very stylish George II giltwood and marble-top
console table on an eagle-form base, which came from a
Manchester-by-the-Sea, Mass., estate, opened above the high
estimate at $7,000 and escalated until it ended at $31,725 from a
telephone bidder.

Minton majolica fountain, $36,425.
A Steinway ebonized and lacquered Model B grand piano had an
estimate of $7/9,000 and sold for $22,325.
A fancy George III rococo giltwood looking glass opened at the
low estimate of $3,000 and sold to a phone bidder for $14,100.
Another Georgian piece, a late Eighteenth Century chinoiserie and
fine bracket clock in red japanning and made in London by James
Melvill brought $10,575
A lot of great interest was the ornate Renaissance Revival gilt
bronze and Ivorine humidor that sold on the phone for $3,819. The
lot that Whitehurst called "as good as they come" was a pair of
Bohemian mantel lustres in white cut to clear enamel with
portrait busts that went to an absentee bidder for $1,528, triple
the low estimate.
Several bidders really wanted a Twentieth Century Chinese famille
verte vasiform porcelain lamp base that was estimated at $4/600.
They drove the final price to $5,288.
All prices quoted reflect the buyer's premium of 171/2 percent of
the first $80,000 of the selling price and 10 percent thereafter.
For information, 978-779-6241 or www.skinnerinc.com.