Pair of Louis XV marquese,
$47,150.
Northeast
Continental Sale Totals $2.5 Million
PORTSMOUTH, N.H. - Although Northeast Auctions is known as one of
the leading auction houses selling Americana and folk art, they
continue to maintain a strong presence in the English and
Continental market, with annual sales scheduled in March, May and
November. The May sale took place in Portsmouth, with competitive
bidding on the floor and via telephone.
The sale featured French furniture from the collection of Ailsa
Mellon Bruce, deaccessioned by the Carnegie Museum of Art, and
the strong prices realized reflected the exceptional quality and
condition of this collection. The auction's top lot was a pair of
Louis XV carved giltwood marquese, stamped "Falconet." The pair,
with crisply carved crests and excellent proportions, fetched
$47,150. A great deal of interest was expressed in the seating
furniture overall.
A pair of Louis XV carved giltwood bergères sold for $34,500; a
pair of Louis XV carved giltwood side chairs, stamped "P. Remy,"
sold for $11,500; a similar pair of Régence carved walnut
fauteuils à la reine fetched $19,550; and an Empire
gilt-bronze-mounted mahogany revolving desk chair sold for
$23,000.
Additional strong selling pieces from the collection included a
Louis XVI gilt-bronze-mounted black lacquer and parcel-gilt
bouillotte table, stamped "E. Levasseur" and with "JME" mark. The
frieze was divided into panels depicting chinoiserie landscape
scenes flanked by cast acanthus leaf mounts. Bidding was
intensely competitive and the table brought $41,400.
Other offerings included a Louis XVI gilt-bronze-mounted
fruitwood parquetry bureau plat, stamped "C.C. Saunier," $40,250;
a Louis XV gilt-metal-mounted fruitwood marquetry table en
chiffonniere, $17,250; a Louis XVI fruitwood marquetry secrétaire
à abattant, $26,450; a pair of Louis XV carved giltwood
tabourets, $37,950; and a Continental gilt-bronze-mounted stained
green horn clock and barometer, $14,950.
Louis XVI Levasseur bouillotte table, $41,400.
The sale also included property from the collection of Adrienne
and Milton Porter of Pittsburgh. Over a 50-year period the
Porters filled their ten-room apartment with a diverse selection
of furniture and decorative arts, and their discerning eye was
reflected in the prices achieved from this fresh to the market
property.
An Eighteenth Century Chinese Ninghsia carpet sold for $34,500;
an English Chippendale painted and carved giltwood chest of
drawers, decorated overall with flowers and exotic birds on a
faux tortoiseshell ground, brought $18,400; a George II carved
walnut camelback sofa upholstered in chinoiserie needlework
fetched $12,650; and a pair of Italian carved pale rouge marble
benches sold for $18,400
Decorative arts from the Porter collection also performed well. A
pair of Continental marble relief-carved oval plaques depicting
horses fetched $17,250; a pair of Italian Neo-classical carved
marble busts of Apollo and Aphrodite sold for $10,350; a pair of
Neo-classical style gilt-bronze and cut glass two-light sconces
fetched $12,650; a pair of cut glass shell-form bowls within
gilt-metal leafy mounts brought $10,925; and a Spode five-part
covered supper set sold for $8,050.
Clients competed for additional Continental, English and American
furniture and decorative arts, including a pair of Italian
Baroque inlaid-walnut commodes, $46,000; a pair of American
inlaid-mahogany, parcel-gilt and églomisé mirrors, $17,250; a set
of 12 Chippendale style carved mahogany dining chairs, $18,400; a
pair of Neo-classical style terra-cotta black-painted urns,
$6,325; a pair of carved veined white marble figures of lions,
$10,350; a pair of Limoges enamel plaques, attributed to Nicholas
(Couly) Novaillier, $10,350; an extensive Coalport porcelain
dinner service,$34,500; and a pair of English pearlware
equestrian figures, $12,650.
Art glass was represented with examples by Louis Comfort Tiffany,
Handel, Thomas Webb & Sons, Gallé and Daum Nancy. A Thomas
Webb & Sons cameo glass vase, carved with morning glory
vines, butterflies and bees and inscribed "Tiffany &
Co./Paris Exhibition 1889," brought $5,750; a Daum Nancy and
Louis Majorelle center bowl, in cranberry with gold foil
inclusions and blown into a wrought-iron frame of scrolling
tendrils, fetched $3,220; a Tiffany Favrile glass 14¾-inch vase
sold for $2,530; and a Pairpoint lamp with reverse-painted
"Seville" shade depicting a forest scene fetched $2,645.
Italian Baroque walnut commodes, $46,000.
Art pottery offered included a group of Doulton Lambeth stoneware
pitchers, vases and a ewer, and included a pitcher decorated by
Hannah B. Barlow incised with a group of grazing, standing and
trotting horses. A Rookwood scenic vellum plaque titled "Evening"
by Frederick Daniel Henry Rothenbusch, depicting a twilight
forest scene and in the original oak frame, sold for $4,312.
The sale also included a significant amount of English and
American silver tablewares. A George III hot water kettle,
Charles Wright, London, 1770-71, brought $2,990; and a Gorham
hammered silver water pitcher, cast with raspberries, leaves and
branches, fetched $4,312.
There was also a selection of American Arts and Crafts silver
including tablewares by Lebolt & Company, Gorham, Tiffany, F.
Porter, Arthur Stone and L.H. Vaughan. Other Twentieth Century
makers were represented, and a pair of silver-gilt leaf-form
sauceboats by George W. Shiebler & Company brought $3,450.