:The hunt was on at Brent and Derek Johnson's spring edition of
the Greenwich Antiques Show.
Saturday morning, March 4, dawned brisk but sunny and dry, a far
cry from last mid-October's event, at which the promoter/brothers
had to scramble to deal with roof leaks and inundated parking
lots following the near-biblical torrents of rain that preceded
the show.
The imminent demise of Old Man Winter and the lure of rarities
brought shoppers out of their houses and into the Greenwich Civic
Center for two fine days of antiquing.
"The gate was a bit softer than last October," said Derek Johnson
in a postshow phone interview, "but sales were very good."
Benefiting the Kiwanis Club of Greenwich, the show presented a
wide range of merchandise, everything from country to formal or,
as Derek Johnson put it, "something for everyone." It's important
that people find a worthwhile object for their money - no matter
the price point.
In the four years that the show has been under the Johnsons'
management - the Kiwanis gave them the show to run in the fall of
2002 - the brothers have continued to tweak it in order to ensure
that the merchandise offered is both of high quality and that the
dealer roster is varied.
At Martin Chasin Fine Arts, Fairfield, Conn., was the earliest
Queen Ann muffineer, 1704, that the dealer has ever seen. A
pair of 1750s columnar candlesticks and a gorgeous cream-ware
platter, also from 1750, were among the British Eighteenth
Century treasures.
"We try to make it eclectic, along with providing price
points that appeal to both the knowledgeable collector and the
first-time buyer," said Derek Johnson. "Frankly, I love to see
young mothers with strollers come through the door."
Dealer turnover is low - among the show's approximately 50
dealers, only a half dozen were new - and there is an
unmistakable "family" ambiance with both Derek and Brent helping
dealers with last-minute setup issues, their mother, Barbara,
making sure dealers get fed and their father, Bruce, helping as
well.
The brothers' love of antiques was nurtured at a young age when
they accompanied their parents on buying trips throughout New
York State - Derek Johnson's collecting passion turned out to be
doorstops - and later in Maine, when the family moved there in
1986. That thrill of the hunt and finding the unknown rarity has
formed the foundation of their show philosophy, said Derek
Johnson. "We have tried to get people you don't see every time.
For example, we have a dealer from Atlanta, [Ga.] at this show -
Butte's Antiques - and this is the only show he comes north for."
Another non-Yankee, Peter Nee of Millwood Home, Millwood, Va.,
offered gleaming pieces of European furniture, including a
fabulous and very rare 1930s "martini" bar of satinwood that was
fitted with glasses and barware. Another highlight in his booth
was a Russian round pedestal table with classical urn inlays and
specimen woods on top with gilded mounts and stars on the base.
The table was surrounded by six classical Russian maple side
chairs, circa 1840.

Dana Kraus of Regalia Estate & Fine Jewelry, Sharon, Conn.,
displays a compact by Paul Flato, legendary jeweler to the
Hollywood stars.
As usual, Donald Heller of Heller-Washam, Woodbury, Conn.,
and Portland, Maine, took up a double booth space up front
displaying his top-shelf furniture, including a Connecticut Queen
Anne cherry wood highboy of "diminutive proportions yet potent
country charms," circa 1770. Its form, fit and warm honey color
apparently appealed to a Greenwich couple, who purchased it from
Heller on Sunday. It was a good day for furniture, reported Heller,
as he also sold a Chippendale serpentine front desk from coastal
Massachusetts, circa 1790, featuring a shell carved lid and robust
ball and claw feet, an unusual pair of English Queen Anne brass
candlesticks, circa 1760 and a sculpture of a horse.
Stonington, Conn., dealer Roberto Freitas, who was added as
another major Americana dealer last year, was also displaying
some furniture gems in his booth. Having previously worked for
other dealers, Freitas is relatively new, having entered the
business as an independent in 2002. When he opened his shop in
Stonington, he said, business really took off. Among the
furniture offered was a Boston, Mass., Queen Anne block front
kneehole dressing table, circa 1750, with original brasses and
old refinish and a Queen Anne mahogany dressing table from
Philadelphia, circa 1745. Freitas said the carver of the legs is
believed to be Samuel Harding, who was later carpenter of
Independence Hall in Philadelphia.
David Salkin of Philadelphia was one of two dealers offering
Orientalia, with a late Eighteenth or early Nineteenth Century
credenza from the south of China, a very old survivor with
decorative elements.

This diminutive Connecticut Queen Anne cherrywood highboy,
circa 1770, was purchased by a Greenwich, Conn., couple on
Sunday from Heller-Washam, Woodbury, Conn., and Portland,
Maine.
"It's a provincial piece from the merchant class," explained
Salkin, who also showed a pair of Ming-style meditation stools of
oak from the Eighteenth Century that would not have looked out of
place in a modern décor. Hanging on the booth's walls were
interesting ancestor portraits, including one of a Mandarin
official, his wife and concubine that dated from the mid-Nineteenth
Century.
A William and Mary Pennsylvania cupboard, circa 1730, made of
walnut with three interior shelves, flat top and trestle feet
held Chinese Export ware and was flanked by French and Italian
artwork at Bonsal-Douglas Antiques, Haddam, Conn. A Haley Lever
(American, 1876-1958) oil on panel, "The Outing," 13 by 33
inches, was a highlight on another wall of the booth.
Nancy Prince and Phyllis Sommer of Portland and Searsport, Maine,
created a corner tableau that featured lamps that had been
fashioned from Nineteenth Century Persian water canteens, a
mahogany roundup cheese stand on casters, circa 1800, atop a
period American Federal sofa table. One of the coolest -
literally - items in the booth was a framed pair of hand screens
from the Eighteenth or early Nineteenth Century decorated with
watercolor designs and bits of mica, which the dealers explained
kept milady's lead-based makeup from melting when sitting close
to the hearth.
American period furniture, folk art and fine art are specialties
for Richard Smith of Portland Antiques and Fine Art, Portland,
Maine. Smith had artfully arranged four early New England Indian
baskets from the 1850s atop an early Eighteenth Century
four-drawer New Hampshire painted chest. Also drawing admiring
looks was a very rare form mahogany Boston Queen Anne birdcage
tilt top tea table with piecrust top and a sweet little Pembroke
table with a single drawer and false drawer in the back. The
table sold early in the show on Saturday.

John Dennison Fine Art, Myrtle Beach, S.C.
Lovers of Eighteenth Century English silver and porcelain
could find much to admire at the booth of Martin Chasin Fine Arts,
Fairfield, Conn. Chasin was showing what he believed was the
earliest Queen Ann muffineer that he had ever seen, crafted in 1704
by Samuel Welde and beautifully marked. Other treasures included a
pair of 1750s columnar candlesticks, a gorgeous creamware platter,
also from 1750, an early Wooster potpourri and one of the earliest
English teapots by Spode.
Michael Haskins from Palmyra, N.Y., quickly sold a pair of
Anglo-Irish George III crystal sconces from his eclectic booth
filled with furniture, decorative accessories. A Charles I
English oak armchair, circa 1650 and a French astronomical
telescope atop a wooden base from Portland, Maine, were among the
interesting items on offer.
At Fine Arts Ltd, Greenwich, Conn., shoppers could find both
paintings and jewelry - the former being the purview of James
Vatell and the latter the specialty of his wife, Susan. Paintings
on view included works by California plein air artist Clement
Metivier (1910-1996) and Scandinavian Impressionist Finn
Wennerwald (1896-1969), while a jewelry highlight was a set of
early Victorian rose cut diamond and pearl day/night earrings.

Apadana Fine Rugs, New York City and Cos Cob, Conn.
A pristine coxcomb in urns quilt, circa 1890, from Lima,
Ohio, was front and center at Amy Parsons Quilts, Bedford Hills,
N.Y., and a windmill log cabin quilt, circa 1890, was a portrait of
light and dark fabrics. Parsons, who was participating in the show
for the first time, was not unhappy that she was the only textiles
dealer there. Although specializing in quilts, Parsons also had a
good selection of pillow covers from the early 1900s that were in
great condition and affordable.
No antiques show is complete without Oriental rugs and both A.E.
Runge Jr from Maine and Apadana Fine Rugs, New York City and Cos
Cob, Conn., were on hand with many fine examples.
Pennsylvania primitives and accessories are always abundant at
the booth of Edward and Sheila Hylan, Southbury, Conn., and this
show was no exception. Examples included a Pennsylvania dry sink
in pine, circa 1850; a server with dovetail case and bootjack
ends, circa 1860; a bench from a Mennonite school in pine, circa
1850-60; and a pair of cherry one drawer stands, circa 1840-50.
The Hylans sold the server, along with a blanket chest, some
shelves, two oil paintings, a lamp and some smalls. They also had
a callback on a beautiful salmon and indigo blue Oriental area
rug, circa 1840-50. Sheila Hylan said that while the couple had
participated in the show a few years back, this was the first
time they had done it under the Johnsons' management - and they
were delighted at the result.
The Greenwich Antiques Show, under the management of B&D
Johnson, will return to the Civic Center again on October 14 and
15. For information, 203-618-0009.