: A feather in the cap for Wendy Management, The Spring
International Art and Antiques Show was a highly successful
upscale event of unprecedented quality that captured the eye of
retailers, decorators and collectors from throughout the region.
The show, now in only its second year, took place at the Seventh
Regiment Armory over a six-day period from April 28 to May 3.
More than 50 dealers from England, France, Italy, Belgium,
Switzerland, Canada and the United States exhibited a wide range
of material including antiquities, Seventeenth to Twenty-First
Century European, American and Asian furniture, Oriental rugs,
tapestries, rare books and autographs, clocks, silver, estate,
antique and contemporary jewelry and other objets d'art.
The show got off to a grand start with a benefit cocktail party,
followed by an exclusive dinner party preview on Thursday, April
27. A benefit for the Lenox Hill Neighborhood House, the sold-out
event was lavish with 35 different tables sumptuously decorated
in themes of "time" by internationally recognized interior
designers.
Galerie Pierre M. Dumonteil, Paris
As the cocktail preview party wound down, dealers and regular
preview attendees departed the show floor, leaving behind 350
dinner guests that were seated at elaborately designed tables. The
event, chaired by Bunny Williams and John Rosselli, was termed a
huge success. At a rumored price of $1,000 per seat for the dinner
party, and with a portion of proceeds from sales in numerous booths
donated to the charity, Lenox Hill was pleased with the evening.
A couple of noteworthy table designs included the Tiffany &
Co.-sponsored table designed by Robert Rufino titled "Classical
Drama in Black and White" and the Michael Graves
Architect-sponsored table designed by Frank de Biasi and titled
"Dinner with Dali."
The show opened to the general public on Friday morning with an
enthusiastic crowd making its way onto the floor. Elaborate
stands greeted viewers with a large classical bronze of Heracles
battling the three-headed hound Cerberus flanking the arched
entrances to the display of Parisian dealer Steinitz. Once inside
the booth an enticing display of classical gilt carved
furnishings, bronzes and carved marble accoutrements dazzled the
eyes of shoppers.

Iliad Antik, New York City
Across the aisle, items of a different sort were also
elaborately displayed by London dealers Two Zero C Applied Arts. In
darkened and compacted room settings, a pair of walnut chairs with
copper and pewter inlay chairs by Carol Bugatti were offered, along
with a wrought iron and cane chase by J.C. Moreaux. A pair of
wrought iron andirons and fire irons by Edgar Brandt were
attracting attention in the booth as was a pair of Model 37 easy
chairs and a Paimio table by Alvar Aalto.
Galerie Pierre M. Dumonteil offered a superb selection of
figurative sculpture of the Twentieth and Twenty-First Centuries
including pieces by artists such as Georges-Lucien Guyot. A
life-size bronze brown bear by Guyot, 1885-1973, cast at the
Deroyaume foundry was featured in the booth, as was an animal
form bronze titled "Maki" by Daniel Daviau, and a large abstract
bronze titled "Large Elephant 'Akirokio'" by Jacques Owczarek.
Pre-Columbian artifacts in lively forms and colors and an
assortment of Second to Sixth Century textiles were offered by
Santa Fe dealer William Siegal Galleries. Highlighting the
assortment of terra cotta pieces was an elaborately formed and
decorated snake mask from the Calima culture of southwestern
Columbia 200 BC-600 AD, and a terra cotta figural piece from the
same region of a seated dignitary.

Rachel Prater and Richard Fiore with the largest Georg Jensen
candelabra ever made, The Silver Fund, London.
Other pieces included a ball player from the Kjalisco
culture, and a seated Shaman from the Calima culture. Of particular
note among the textiles was a 41-by-67-inch mantle in brilliant
square colored blocks from the Nasca Culture of the South of Peru,
200-600 AD, and a cushma from the same people decorated with bright
reds and yellows.
New York City dealer Guy Regal Ltd offered a stylish selection of
furnishings and accessories befitting his name with a monumental
Russian neoclassical brass and mahogany mirror, $45,000, hanging
over a pair of Napoleon III marble inset and ebonized cabinets,
circa 1850, with pietra-dura panels that were marked $85,000.
Rounding out the display was a pair of J&W Cary celestial and
terrestrial library globes on mahogany stands that were stickered
at $98,000.
Iliad Antik, New York City, also offered an impressive selection
of furnishings including an unusual neoclassical recamier in
walnut veneers and fruitwood inlays with brass detailing. The
attractive piece, made in Berlin circa 1800, was marked $42,000.
The highlight of the booth, however, was a spectacular Art Deco
credenza in walnut with exotic veneers and inlays depicting a
tropical motif. With cascading fitted drawers of burled walnut,
the attractive piece was getting quite a few looks with its
$125,000 price tag. Accessories in the booth included a pair of
Murano blown glass wall sconces in clear glass with gold flecks
that were marked $12,000.

Paris dealer Frank Laverdin, Boccara, with his $1 million
Sixteenth Century tapestry.
Silver was featured in a couple booths with The Silver Fund
presenting a remarkable display of Georg Jensen that included two
pair of highly unusual candelabra. An oversized pair of Art Deco
six-light candelabra, designed by Harald Nielsen, design 751, circa
1930, was thought by dealers Rachel Prater and Richard Fiore to be
unique. Another monumental pair, designed by Jensen in 1929 and
produced in 1940, design 562C, was said by the dealers to be the
largest ever made by the firm.
Capturing the eye of everyone that passed through the show was a
Japanese silver seven-piece tea and coffee service with a
two-handled tray that sat at the forefront of the booth of London
dealer Marks. The elaborately chased service was profusely
decorated with koi swimming about a variety of aquatic plants.
Other items on the booth attracting attention included a pair of
Francois Gilber designed French 12-branch candelabra by
Jean-Baptiste-Gustave Odiot, Paris, circa 1870, and a pair of
George III silver gilt two-handled vases with covers by William
Frisbee, London, circa 1810.
Zurich dealer Brenske Gallery exhibited an exclusive selection of
religious icons including two panels that depicted the beheading
of St John and the incredulity of Apostle Thomas. "They are of
outstanding quality," commented the dealer of the Greek panels
dating from the first half of the Nineteenth Century. Another
Greek panel featured the virgin Hodegetria with Stem of Jesse
that had been executed in Macedonia during the second half of the
Eighteenth Century.
An interesting display of portraits was presented by The
Nineteenth Century Shop, Baltimore, Md., that began with a carved
and painted wooden ship's figurehead of a woman in a green dress
with shawl and red brooch, juxtaposed against a selection of
silver gelatin photographic portraits by Marcel Sternberger that
included Albert Einstein, Frida Kahlo and George Bernard Shaw.

Steinitz, Paris
The dealers were offering Sternberger's entire photographic
archive consisting of more than 300 original prints and more than
37,000 negatives. Other items of note included a 1632 version of
William Shakespeare's second folio Comedies, Histories and
Tragedies and a first edition signed copy of Thoreau's
Walden.
Other items of note seen on the floor included a monumental wall
tapestry, "The Crowning of Bethsabee," circa 1520, that was
priced in excess of $1 million, according to dealer Frank
Laverdin of Boccara, Paris. "The one on the back wall," he said
in reference to another large tapestry, "Africa, Les Quatres
Continents" by Albert Auwercx, circa 1680, "is also close in
price."
Art was also popular in the show with a selection of Man Ray
solarization photographs and oils by Milton Avery highlighting
the booth of ProArte Gallery, Miami. Highlighting the selection
was Avery's 1955 oil on canvas "Double Wave" that had been
exhibited in a retrospective at the Whitney in 1962, and again
exhibited there during a 1982 exhibition on the artist. Also
attracting attention in the booth was Andrew Wyeth's striking
1947 watercolor titled "Flour Mill."