:Intermittent drizzle dampened the verdant grounds skirting
Ridgefield's historic Lounsbury House, but that did not take the
starch out of the hardy band of antiques dealers who came to show
and sell at the outdoor 44th Ridgefield Antiques Market on June
3. "The rain held off until about 1:30, and by then most business
was done," said Corinne Burke, the show's manager and an antiques
dealer based in Ridgefield. Burke said that approximately 70 of
the 89 exhibitors who had signed up for the show were set up and
doing business throughout the day at the Community Center at 316
Main Street.
The higher ground afforded by the Community Center venue was a
good thing. In earlier years, when the show took place on the
playing fields below the Community Center, there was at least one
occasion when it rained and a tow truck was required to extract
the exhibitors at day's end. Burke, in fact, recalled that she
was one of them.
This pair of Edwardian satinwood drum tables with mahogany
inlay was being offered by Eric Stang of Portland, Maine.
This year, only four dealers had to be towed out, including
first-time show participants Slocum & Schaffner Antiques of
West Tisbury, Mass. They ended up setting down their wares on the
Market Street field south of the Community Center. Despite the muck
around them, Bruce Schaffner and Sue Slocum Angeley cheerfully
displayed a nice selection of American antiques, including a Queen
Ann maple lowboy from the mid-1700s and a Chippendale cherry
four-drawer chest, circa 1760-80. The dealers are new to the
antiques show circuit, having closed their shop in Martha's
Vineyard and taken their "show" on the road beginning this past
January.
Another newcomer was Eric Stang, who had motored down from
Portland, Maine. Among his American and Continental furniture
treasures was a pair of Edwardian satinwood drum tables with
mahogany inlay.
It was not her first show, but the first Ridgefield outing for
Connie Brown of Norwalk, Conn., who specializes in vintage
quilts, linen and lace. She also set up in a different spot than
she had reserved, but only by a few feet in order to avoid having
her sizable tent poked by the overhanging branches of a large
tree on the grounds. And, after wrangling with a portable
generator, Brown was even able to light a brass chandelier to add
sparkle to a bedroom tableau inside the tent. Her settings are so
winsome, customers sometimes demand that she sell them the
display bed, which means she must go out and find a new one.
The bravery of textile dealers at an outdoor show is matched only
by that of print dealers, and there were two intrepid purveyors
in this category at the show - Anne Hall Antique Prints of
Sturbridge, Mass., and Maile's Antiques, Poughquag, N.Y. Hall's
display was highlighted by several rooster prints, and Maile
Allen added a selection of charming John James Audubon prints
from the Viviparous Quadrupeds series of 1846 to her usual
inventory of historical maps and prints. Featured were the
American Black Bear, Little Harvest Mouse, Common Mouse and The
Couger/Female and Young.

Among Maile Allen's selection of charming John James Audubon
prints from the Viviparous Quadrupeds series, 1846, was the
Common Mouse.
"I love the Ridgefield show for its country feel, friendly
people and nice mix of dealers," said Allen, who has been a show
regular for 15 years. At the show's midpoint she had already sold
local maps, some small botanical prints and some New Yorker
covers.
Other longtime dealers included Jonathan and Iris Oseas of Van
Deusen House, Hurley, N.Y., who specialize, respectively, in
antique tools and English and Continental porcelain. The Oseases
are virtually charter dealers of the Ridgefield show, having
participated in the event for more than 40 years.
Some of the dealers were lined up in a parking lot next to the
Community Center. In a reserved spot just in front of the center,
conservator John Edward Clark advertised his Westport,
Conn.-based antique furniture restoration business with a 1790s
chest that was partially restored on top and untouched on its
bottom half.
"There is a such need for museum-level restoration," said Clark,
who early in his teen years displayed a generational talent for
working with wood, and who has more than 25 years of experience
restoring furniture using old European and museum methods. He
counts among his clients high net worth individuals and families
in Greenwich and Darien, Conn., who avail themselves of his
services of finishing, repair, in-home restoration and antique
reproductions.
A Hong Kong platter by Charles Meigh, circa 1845, was a highlight
in the booth of Splendor in the Glass, Harrison, N.Y. Proprietors
Peter Raleigh and Stephen Nelson specialize in American
Depression glassware, Flow Blue, transfer ware, American art
pottery and china.

Iris Oseas of Van Deusen House, Hurley, N.Y., sets up her
display of English and Continental porcelain. She and her
husband Jonathan, who specializes in antique tools, have been
dealers at the show for more than 40 years.
Also in the reserved dealer area blessed with a solid asphalt
base were Ron and Marilyn Saland of Scarsdale, N.Y. They had a
six-board sea chest, circa 1810, in blue paint with its original
rope beckets, rosehead nails and dovetail construction.
"I spoke to the dealers after the show and all of them were very
pleasant," said Burke, who also praised the center's executive
director Stephanie Pelletier and the 15 or so volunteers for
helping to stage the show and feed the dealers. "The dealers I
spoke with all pointed out that I had no control over the
weather, and one of them who did not come this year said, 'but I
definitely want a contract for next year.'"
Next year, indeed - rain or shine - the show will take place on
the first Saturday in June. For information, 203-894-1921 or
203-438-6962.