:Due to the growth of the show the three galleries at Green Valley
Auctions, Inc could not hold all of the offerings for the firm's
11th annual Fall Glass & Lighting Auction, September 21-25.
President Jeffrey S. Evans and his proficient staff pulled
together more than 10,000 pieces for this sale which has become
an annual pilgrimage for many collectors and dealers from across
North America. This auction featured three large collections from
Florida, two from Virginia plus others from California, New York
and Massachusetts. Evans was pleased with the turn out of 375
bidders for the five-day, five-session event and the auction
total at $600,000-plus including the ten percent buyer's premium.
Things kicked off with Wednesday's session which spilled out onto
the back parking lot. This newly added discovery session was
uncataloged and consisted of 140 box lots of various glass. It
was well received with most boxes selling between $22 and $88
(all prices include the ten percent buyer's premium). Thursday's
and Friday's session both began at 9 am and the staff proceeded
very quickly through 6,000 pieces of early American pressed
glass. Both sessions were sold by Green Valley's trademark
bidder's choice block and table lot method. Selling similar items
in this manner allows bidders the opportunity to purchase the
more desirable items singularly while also dispersing the less
valuable material in multi-item lots at the end of each block.
Green Valley publishes simple listings for these sessions which
provide bidders with an organizational guide in order to keep up
with auctioneers Jeff & Greg Evans' rapid selling pace. Final
bids ranged from $5 to $330.
Early thumbprint spherical compotes, 18 ½ inches tall for
$15,400 and 16 inches tall for $13,750
Saturday's session started with the Internet catalog of more
than 480 lots of vaseline, custard, chocolate and Victorian novelty
glass. First up was the Andrews collection of late Nineteenth and
early Twentieth Century vaseline glass which included a barrel-form
whiskey set for $522 and a McKee #412 electrolier lamp, $495. Next
was a selection of chocolate glass, the most desirable lot being a
Sultan child's four-piece table set for $1,430.
Victorian novelty glass, a collection of Jo & Bob Sanford,
included many examples illustrated in their book "Victorian Glass
Novelties." The top examples were a "Perfumery" Daisy and Button
type pattern store display stand in blue, $577, a vaseline Daisy
& Button wall comb tray, $363; an unusual bird on nest with
snake covered dish, $357; and a blue airplane condiment holder,
$330.
Session #4 continued with 780 lots of historical, early American
blown and pressed glass and early period lighting. The first big
surprise came when a rare milk glass sphinx on platform statue,
($100/150) drew fierce bidding, finally selling for $8,525 to an
advanced collector from Michigan who was in attendance. The
statue had received numerous inquiries and the underbidder had
driven from Kentucky specifically to add this piece to his
collection. Evans admitted later that he could not locate a
reference for the statue and decided to give it a low estimate
and plenty of exposure through the auction brochure, website and
newspaper ads. Evans explained, "It was a last minute consignment
from a Virginia estate. I knew that if it was truly rare, it
would be recognized by the right collectors in our immense
customer database; although I was still surprised at the final
selling price."
The flint early American pressed glass category featured many
outstanding examples including a pair of bellflower quart
decanters with rare original stoppers, $2,970; two seemingly
common bellflower water tumblers which were actually previously
unrecorded variants, each with a large star in its base, $2,860
and $1,980; and a diamond thumbprint rare quart jug, $2,530.
Then, with three phone bidders poised and ready, it was show time
for one of the most anticipated lots of the sale, an early
thumbprint spherical covered compote in possibly the largest size
produced (181/2 inches tall overall). After intense bidding, the
lot finally sold to a New York City phone bidder for $15,400, far
surpassing the estimate of $4/6,000.

Tumbler or spill holder engraved with an image of the Bank of
Pennsylvania, Philadelphia, $9,625.
Another early thumbprint spherical covered compote, just
slightly smaller at 16 inches high, had two battling phone bidders
drive the final selling price to $13,750, again going well beyond
the $2/3,000 estimate. A lattice and ovals flat diamond and panel
goblet with applied handle sold for $2,860; the only recorded
example of this extremely rare handled goblet is in the collection
of the Bennington Museum where it was cataloged as "unique." Evans
was quick to point out that this goblet without a handle is fairly
common and sells for less than $100.
Noteworthy non-flint early American pressed glass included a
dragon goblet to an absentee bidder for $2,200 and a three face
hollow stem champagne went to a phone bidder from California for
$2,530. Thanks to the same California phone bidder, two
additional three face lots also performed very well - an 11-inch
high kerosene period stand lamp with rare patterned font at
$4,180 and a 12-inch high elliptical covered compote, $3,520.
Anticipation began to build as the final lots of pattern glass
were being sold and the staff secured the phone bidders for the
star lot, lot 1441, a circa 1845-1865 Boston & Sandwich tulip
vase in brilliant deep violet blue with white striations/marbling
and in near proof condition. The consignor's amazing $15 thrift
store discovery had received much presale publicity and was
estimated to bring $8/12,000. Two respectable absentee bids
caused the bidding to open at $9,500 and it quickly became a
battle between five very eager phone bidders. After approximately
45 seconds, Evans knocked the lot down to one of the phone
bidders for a record $22,000 and the crowd broke into a round of
applause.
Department head Karen Reed, who immediately phoned the consignor
to give her the good news relayed, "Needless to say the consignor
was stunned at the selling price. She had been delirious when I
initially called her with Jeff's presale estimate; I think the
final figure just knocked her out."

Extremely rare milk glass sphinx statue, $8,525.
The next lot was another Boston & Sandwich tulip vase
from the same period, but this time in a more common amethyst
color, which sold to the same phone bidder for $3,575. This was
followed by several fiery opalescent lots including a pair of
previously unrecorded bull's-eye and fleur-de-lis vases for $8,140
to an in-house New York collector who out dueled two phone bidders.
Two fiery opalescent pieces in the colonial pattern included a
goblet with exceptional color, $3,300 and a compote formed from a
footed sugar bowl (recently discovered in the Northwest) to a
Florida collector, $2,860.
Other outstanding lots of early glass were a Sandwich heart
cologne in deep cobalt blue that went to a Virginia collector for
$3,850; a circa 1825-1830 heavy pressed colorless Staffordshire
form covered sugar in remarkable condition, probably made by the
New England Glass Company, $3,080; and a very rare BT-8
Lafayet steamboat pressed salt in fiery opalescent medium
blue, $1,980 to a phone bidder in Connecticut.
An extremely rare Lee rose No. 227-B cup plate in brilliant deep
green that was recently discovered on a tray lot at a
Pennsylvania auction rose above its $3/5,000 estimate to sell for
$6,600 to a California bidder.
Another recent bargain discovery was a colorless pressed and cut
tumbler or spill holder featuring an engraved view of the Bank of
Pennsylvania in Philadelphia which was purchased in a table lot
at a mid-Atlantic auction gallery. The elated consignor was in
the gallery when the tumbler sold to New York City dealer Gary
Stradling on the phone for a record $9,625, tripling its high
estimate.
A selection of early lighting included a Sandwich cranberry
overshot font kerosene lamp on brass stem and marble base,
pursued by two floor bidders, causing it to more than double the
high estimate and sell for $2,200; a circa 1810-1835 colorless
free-blown candlestick, $1,375; and an opaque white whale oil
fluid lamp with blown font on pressed lions head and basket of
flowers base, $1,210.
Sunday's session, comprised primarily of kerosene era lighting,
had its entire catalog posted on the website, with a text-only
catalog available at the auction. Included was the 30-year
collection of L.T. "Larry" Darby of Richmond, Va. The session
started with a slightly translucent powder blue Sandwich Eaton
onion stand lamp ($2/3,000), sold for $4,840 to an in-house
bidder.

Extremely rare Lee rose No. 227-B brilliant deep green cup
plate, $6,600.
Cut overlay lamps were highlighted by an especially fine
amethyst to colorless cut punty example at $1,650. Competition was
also strong between an absentee and a phone bidder for an urn-form
font stand lamp with a white and green alabaster font and double
step black marble base ($500/800), which ultimately sold to a
Canadian phone bidder for $1,815. Victorian opalescent lamps
received considerable interest with the best of three cranberry
opalescent seaweed stand lamps bringing $1,870. Other opalescent
lamps included a cranberry Hobbs' snowflake stand lamp, $1,155; a
blue Hobbs' snowflake finger lamp, $1,100; a cranberry Hobbs' coin
dot stand lamp, $1,155; and a cranberry Hobbs' coin dot finger
lamp, $990.
Miniature lamps included a blue opalescent font Hobbs' coin dot
stand lamp at $2,145; a pink and yellow satin banquet style lamp
with polychrome cherry blossom design and original dome shade,
$1,210; and a green shading to colorless rib optic lamp with
original umbrella shade, $770.
After the sale, Evans commented, "It takes months to prepare for
this sale and then it's all over in five days; Green Valley is
truly blessed to have such a dedicated and efficient staff, I
don't think there is anyone else in the country that could pull
this (auction) off."
Later Evans offered the following observations: "The market for
upper level early American glass continues to expand. We picked
up several new, younger collectors who are looking for quality
glass from the early and mid Nineteenth Century to compliment
their furniture and Americana collections. The middle and lower
levels continue to be somewhat soft, I think primarily because of
the overabundance of material on Internet auction sites. Overall
we were very satisfied with the results of the sale."
He added, "Wait until you see next spring's early glass sale. We
have four major collections lined up, all of which contain
exceptional rarities covering every category imaginable. It's
going to be an all-time record breaker."
Visit www.greenvalleyauctions.com to order past sale catalogs
or to access the 2006 auction dates and other information.