:Sotheby's sale of the Laurance S. Rockefeller estate on October
11 and 12 offered a privileged glimpse into the private world of
one of the country's great art collecting dynasties, the
Rockefellers. The pioneering Rockefeller family helped build The
Metropolitan Museum of Art, the Museum of Modern Art and Colonial
Williamsburg, among many other institutions.
Abby Aldrich Rockefeller, the patriarch's daughter-in-law, stands
out among the clan as an individual of refined aesthetic
judgment. She passed her love of art to her son Nelson,
especially. Her son Laurance, the fourth of six children of Abby
Aldrich and John D. Rockefeller, Jr, inherited the family love of
place, a sensibility permeating the diverse, 690-lot consignment
that was peppered with nostalgic allusions to Maine and Hawaii,
both favorite vacation spots, and home and work.
In an essay accompanying the sprawling catalog cum family album,
Sotheby's Vice Chairman James G. Niven describes Laurance
Rockefeller, who died in July 2004 at the age of 94, as "a
visionary philanthropist, a pioneering venture capitalist, a
legendary conservationist, a questioning philosopher and, above
all, an optimistic humanist."
Just under a foot tall each and immensely appealing, two pairs
of Kangxi famille verte can-dle holders fashioned as laughing
boys fetched $192,000 ($50/80,000) and $168,000 ($50/70,000)
respectively. Both pairs sold to anonymous bidders.
Perhaps best known for his work in conservation and the
environment, says Niven, Laurance Rockefeller played a pivotal role
in the development of several national parks, including Grand Teton
National Park in Wyoming. In 1956, he founded RockResorts,
developers of a luxury hotels in spectacular natural settings. The
Rockefellers sold the brand in 1986.
Drawn from Laurance Rockefeller's Fifth Avenue apartment, which
recently sold to media tycoon Rupert Murdoch for a record $44
million, his residence in the family compound at Pocantico in
Westchester County, N.Y., and homes in Vermont and Wyoming,
Property From The Estate of Laurance S. Rockefeller realized
$7,834,630, more than $2.5 million above the presale high
estimate of $5.5 million. Porcelain accounted for more than half
of the total.
Some of the Rockefeller property was slated for other sales. In
September, Sotheby's auctioned an early blue and white Ming vase
for $3,936,000 ($300/400,000.) Still to come in Sotheby's Prints,
Impressionist and Modern Art, and Contemporary art sales are
works by Toulouse-Lautrec, Odilon Redon and George Rickey. There
will even be a few Laurance Rockefeller pieces in the January
Americana sale. Sale proceeds benefit the Laurance S. Rockefeller
Fund.

Laurance Rockefeller inherited his father's taste for famille
noire porcelain, a favorite of wealthy collectors at the turn
of the Twentieth Century. Famille noire pieces in the sale
included this Qing yen-yen vase, sold to an anonymous buyer for
$156,000 ($40/60,000).
Interest centered on Rockefeller's collection of Eighteenth
Century Meissen birds, said to be the best selection to come to
auction since Sotheby's sold the Nelson Rockefeller collection in
1980. Collecting the birds, some of which were modeled from life
and are full size, has always been a princely pursuit. Augustus the
Strong, Elector of Saxony, King of Poland and founder of the Royal
porcelain manufactory at Meissen, made the pastime fashionable. In
the 1730s, he began transforming a small palace in Dresden into the
Japanese Palace, a setting for his huge porcelain collection. He
commissioned 600 life-sized figures of animals and birds to be
modeled by Johann Gottlieb Kirchner and his assistant, Johan
Joachim Kaendler.
Most of the European porcelain in the sale was acquired through a
favorite Rockefeller family dealer, the Antique Porcelain
Company. Called the Joseph Duveen of antique porcelain, the late
Hanns Weinberg founded his company in London in 1946 and soon
opened galleries in New York and Zurich. The business is
continued by Weinberg's granddaughter, Michelle Beiny Harkins,
who started her own gallery in 1987. Harkins was in her early
twenties when she sold Laurance Rockefeller a Meissen reticulated
basket of flowers, circa 1755, that resold at Sotheby's for
$30,000 ($9/10,000) including buyer's premium.
"All things go through waves of fashion, but Meissen birds have
always been very desirable. Kaendler was just inspired when it
came to these figures," says Harkins.
Sotheby's top price was $508,800 ($80/120,000), paid by an
anonymous phone bidder for a pair of circa 1732 bantam cocks. The
birds, each measuring roughly 71/2 by 91/2 inches, are thought to
have been modeled by Kaendler after a Japanese Arita prototype
and may have been made for the French market. A smaller pair is
in the collection of The Metropolitan Museum of Art in New York.
From The Antique Porcelain Company and attributed to Kaendler, a
pair of circa 1750 Meissen herring gulls brought $192,000
($20/30,000), again from an anonymous buyer. A pair of bitterns
of the same date fetched $144,000 ($40/60,000) and an assembled
pair of cockatoos mounted in ormolu sold for $132,000
($60/80,000).
Of French Sevres manufacture and dating to1792-93, a 92-piece
Beau Bleu armorial part-dinner service with ornithological
decorations inspired by a French print source sold to Albert Amor
Ltd, a London specialist in Eighteenth Century English porcelain,
for $251,200 ($350/450,000). The service was originally
commissioned by an Englishman, M. Sudell, and bears his family
arms.

Made by Sevres in 1792-93 for Englishman M. Sudell, a 92-piece
Beau Bleu armorial part-dinner service with ornithological
decorations sold to Albert Amor Ltd, a London specialist in
Eighteenth Century English porcelain, for $251,200
($350/450,000).
The other category of note was Chinese porcelain. From the
estate of Martha Baird Rockefeller, the second wife and widow of
John D. Rockefeller, Jr, two pairs of famille verte Kangxi
candleholders fashioned as laughing boys, each one unique, charmed
bidders. Both pairs sold anonymously: the first pair for $192,000
($50/80,000), the second pair for $168,000 ($50/70,000).
Rare famille noire was all the rage among the wealthiest American
collectors of the Edwardian age. In 1914, John D. Rockefeller,
Jr, spent 72,000 pounds for 25 pieces of Chinese porcelain, most
of it blue and white Hawthorn jars or famille noire.
Among nine lots of famille noire in the Laurance Rockefeller
sale, a Qing dynasty yen-yen vase achieved $156,000 ($40/60,000).
A pair of famille verte baluster vases left the block at $132,000
($60/80,000) and a Tobacco Leaf soup tureen, cover and stand that
once belonged to Nelson Rockefeller left the room at $30,000
($15/20,000).
Twenty-seven Navajo rugs, some of which once ornamented the
Rockefeller Plaza offices in New York, include a Second Phase
man's wearing blanket, $132,000 ($60/90,000).
"The pieces that achieved the strongest prices were clearly the
things that Mr Rockefeller felt strongly about, had a connection
with and interested him the most," said Sotheby's specialist
Elaine Whitmire, pronouncing the sale a success.