:These days, every Americana consignor wants his property sold in
January. The result is that spring Americana sales at Christie's
and Sotheby's have dried up. Or so it seems.
There were never more than a few dozen people in the salesroom at
Christie's spring sale of Fine American Furniture, Folk Art,
Silver and Prints, but bidders, many participating in absentia,
pushed the tally in this 250-lot auction to $1.8 million. One lot
stood out above the rest.
"It might have done even better than it would have in January,"
said Massachusetts dealer David Wheatcroft, who underbid a 32
1/4-inch carved and painted wood sculpture of Abraham Lincoln.
Estimated at $60/90,000, the piece sold to Woodbridge, Conn.,
dealer Allan Katz on behalf of a client for $240,000.
Standing tall with his hand over his heart, the black-clad,
bearded figure has been widely known to collectors of American
folk art since 1974, when it was included in the landmark
exhibition "The Flowering of American Folk Art" at the Whitney
Museum of American Art. Jean Lipman and Alice Winchester even
devoted a page to its illustration in their accompanying catalog.
"I bought it privately, more than 30 years ago. I kept it in my
collection for a while and loved it," said Litchfield, Conn.,
dealer Peter Tillou, who sold Lincoln to Howard and Catherine
Feldman, who lent it to "The Flowering of American Folk Art."
Lincoln was auctioned at Sotheby's in 1988 for $55,000, said
Katz, in the first of two sales of property from the Feldman
collection. The sculpture was in a corporate collection until it
was recently consigned by the Royal and Sunalliance insurance
company, confirmed Christie's Americana department head Margot
Rosenberg.
"It's just a wonderful sculpture with impeccable provenance and
great lineage," Katz said after the sale.
Wheatcroft also underbid a 16-inch-tall bird tree with six carved
and painted birds. Attributed to Schtockshnitzler Simmons, the
Pennsylvania folk sculpture went to the phone for $36,000
($3/5,000). The Westboro, Mass, dealer was successful in his bid
for a Nineteenth Century pastel on paper portrait of two children
with their dog, $16,200.
Colchester, Conn., dealer Arthur Liverant was on the phone but
did not win this pair of Queen Anne side chairs with Israel
Sack, Inc, provenance. Possessing their original white oak
slip-seat frames and old or original leather upholstery, the
chairs went to another phone bidder for $102,000, well over the
$20/30,000 estimate. The chairs, which have unusual carved
rondels on their seat rails, are from a set that descended in
the Punderson family of Connecticut. The Connecticut Historical
Society owns an important group of Punderson embroideries
acquired from Nathan Liverant and Son years ago.
Folk sculpture continued its robust performance with a
41-inch-tall cigar store figure attributed to Philadelphia carver
William Rush selling to an absentee bidder for $96,000. A
56-inch-tall cigar store Indian, possibly by Thomas Brooks, crossed
the block at $66,000. Also from the Feldman collection, an
eagle-decorated fire hat illustrated on the catalog's back cover
passed at $6,000, as did an eagle decorated Pennsylvania tavern
sign, estimated at $40/60,000, owned by Joe Kindig in the 1930s and
later by John Walton.
Silver, most of it late Nineteenth or early Twentieth Century,
accounted for 40 percent of the sale. Two Gorham of Providence,
R.I., pieces garnered top honors.
"It was made for the 1893 Columbian Exposition. Gorham never sold
it, so it remained, pristine, in their collection," Spencer
Gordon of Spencer-Marks, Ltd, said of the 14 1/2-inch-tall
silver-gilt mounted and amethyst, garnet and moonstone-set claret
jug that the East Walpole, Mass., silver dealer underbid for
stock. The claret jug sold to an absentee bidder for $38,400
($5/8,000). Brown-Forman Corporation, Gorham's parent company
until 2005, consigned pieces from the Lenox-Gorham sample
archive. After Lenox purchased Gorham in 1991, the company
donated 2,000 silver pieces and drawings to the Rhode Island
School of Design in Providence.
Another piece associated with an important exposition was a
Haviland & Co., glazed, bronze-mounted and gilt-decorated
porcelain urn surmounted by the bust of George Washington and
winged figures of Victory and Fame. It sold in the room for
$24,000 ($8/12,000). The 23 1/2-inch-tall vessel is fashioned
after a pair of 12-foot-high originals shown at the Philadelphia
Centennial exposition in 1876.
Also Gorham, but not from company archives, was a salver of
historical interest. The circa 1857 chased and engraved platter,
$102,000 ($12/18,000), was a gift from the Sephardim Congregation
Beth Israel of Baltimore to German-born Isaac Leeser of
Philadelphia. Leeser was an important translator and publisher of
Jewish scripture in the United States.

An absentee bidder claimed this circa 1857 Gorham silver
presentation salver for $102,000 against an estimate of
$12/18,000. The Sephardim Congregation Beth Israel of Baltimore
gave the salver to German-born Isaac Leeser of Philadelphia,
who translated and published in English important works of
Jewish scripture.
Leading furniture sales was a pair of Queen Anne side chairs
with their original white oak slip-seat frames and old or original
leather upholstery. Ex-Israel Sack, Inc, the chairs, sold the phone
for $102,000 ($20/30,000), are associated with the Punderson family
of New Haven, Conn., and feature unusual carved rondels on the
center seat rail.
A set of four New York Chippendale mahogany side chairs more than
quadrupled estimate, selling to the phone for $48,800. Eleven
Maryland shield -back dining chairs dating to circa 1815 left the
room at $36,000.
A New York Federal desk and bookcase with restorations doubled
high estimate, selling for $28,800. Ex-Israel Sack, a Salem,
N.H., Federal mahogany secretary desk fetched $19,200.
Estimated at $30/40,000, a Dunlap school New Hampshire figured
maple tall chest-on-frame went to an absentee bidder for $28,800.
A Philadelphia Queen Anne walnut dressing table was passed at
$48,000.
Christie's closed out the session with two Renaissance Revival
bronze-mounted and marquetry-inlaid rosewood cabinets attributed
to New York cabinetmaker Alexander Roux. Inset with Neo-Egyptian
porcelain plaques, the first brought $18,000 ($10/15,000). The
second, with Renaissance-style plaques, made $10,800.
For more information, www.christies.com.