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Sculpting Nature: The Favrile Pottery of L.C. Tiffany

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WINTER PARK, FLA.
: While Tiffany windows, Tiffany lamps and Tiffany silver are widely known, few scholars and collectors have made a study of Tiffany ceramics within the context of the art pottery movement. Louis Comfort Tiffany (1848-1933) was blessed with the creativity of a Renaissance master and considerable commercial success in many media. Yet, this very success in glass, silver and small objets d'art has overshadowed a unique body of around 2,000 pieces of artistic pottery made during the decade 1904-1914.

"Sculpting Nature: The Favrile Pottery of L.C. Tiffany," the current exhibition at the Charles Hosmer Morse Museum of American Art through January 9, 2005, displays approximately 100 ceramic examples from the institution's permanent collection, including pieces newly acquired in preparation for this show. The Morse Museum has also extended through 2004 "The Illuminated Vision: Tiffany Lamps and Lighting from the Morse Collection," which presents more than 40 lamps of every type, also drawn from the museum's holdings.

The museum was founded in 1942 by Jeannette Genius McKean (1909-1989), who named the institution after her grandfather, Charles Hosmer Morse, a wealthy Chicago industrialist who retired to Winter Park. Her husband, Hugh F. McKean (1908-1995), was director of the museum for 53 years, as well as president of nearby Rollins College from 1951 to 1969. The couple enthusiastically partnered in collecting and together acquired the museum's comprehensive collection of Tiffany objects as well as American art pottery and paintings from the late Nineteenth and early Twentieth Century.

Many collectors are familiar with Hugh McKean's The "Lost" Treasures of Louis Comfort Tiffany, first published in 1980 and reprinted in 2002 by Schiffer Publishing as part of its Classic Reference Book series. As a young artist in 1930, McKean had studied at Tiffany's Laurelton Hall estate in Oyster Bay, N.Y., and his book includes a wealth of material on architectural and interior design projects and a rare chapter on the pottery illustrated with examples from the Morse Museum collection.

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