:When most of us think of Gilbert Stuart, we envision iconic
portraits of George Washington and other leaders of the new
republic. This greatest of early American portraitists certainly
did create enduring likenesses of our first group of presidents,
and other prominent figures of the day. As a wonderful exhibition
at the National Gallery documents, however, Stuart's artistic
legacy also includes splendid images of lesser-known figures in
both America and England. For pure aesthetic enjoyment, the
latter sometimes outshine his portraits of statesmen.
"Gilbert Stuart," which opened last fall at The Metropolitan
Museum of Art and will be on view at the National Gallery through
July 31, is the artist's first retrospective in four decades.
With more than 90 works from all periods of Stuart's long career,
the show documents his genius at capturing the appearance and
character of his sitters through his choice of pose and
expression.
Organized by the Met and the National Portrait Gallery, the
exhibition is curated by Carrie Rebora Barratt, curator of
American paintings and sculpture at the Met, and Ellen G. Miles,
chair of the department of painting and sculpture at the Portrait
Gallery. Since the latter is closed for renovations until next
year, the exhibition is displayed at its nearby sister
institution, the National Gallery. An outstanding catalog
underscores the beauty of this show and why Stuart (1755-1828)
was the most successful American portrait painter of his day.