:The Pennsylvania Academy of the Fine Arts, America's oldest
museum and fine arts school, is concluding a yearlong celebration
of its 200th anniversary with a splendid exhibition, "In Private
Hands: 200 Years Of American Painting." The paintings, drawn from
private collections, showcase the diverse achievements of
American artists. It is a fitting coda to a year in which the
academy's proud history and significant contributions to
America's cultural life have been recalled and its future
examined.
This truly remarkable institution was founded in 1805, not long
after the establishment of the American Republic and while
memories of the American Revolution were still fresh. In large
part due to the tireless leadership of the irrepressible Charles
Willson Peale (1741-1827), the fledgling academy survived shaky
early years, during which it assumed a role of national
importance as both a teaching and collecting and exhibiting
institution.
The audacity and significance of the founding of the academy are
suggested by its status as not only the oldest art institution in
this country, but as one of the oldest in the world. The Louvre
had opened in Paris in 1796, but the academy is older than the
National Gallery in London and the Prado in Madrid. The
Metropolitan Museum of Art in New York and the Museum of Fine
Arts in Boston did not open their doors until 1870. The Art
Students League in New York dates to 1875, the Philadelphia
Museum to 1876 and the Art Institute of Chicago to 1879.
One of the most famous paintings in the academy's permanent
collection is Winslow Homer's "Fox Hunt," 1893, depicting a
group of crows menacingly circling a lone red fox plowing
through deep snow.
As the first in the field, for decades the Pennsylvania
institution played a pioneering role in training artists and
promoting the fine arts in America. Over the years, a distinguished
faculty has tutored a significant number of prominent painters and
sculptors, while the museum side of the academy hosted a variety of
important exhibitions.
Among its most influential instructors have been Thomas Eakins,
Thomas Anshutz, William Merritt Chase, Cecilia Beaux and Arthur
B. Carles. Among notable alumni of yesteryear are Rembrandt
Peale, William Harnett, Mary Cassatt, Eakins, Beaux, Henry O.
Tanner, Maxfield Parrish, Robert Henri, John Sloan, Violet
Oakley, John Marin, Carles, Charles Sheeler and Charles Demuth.
More recent students have included such contemporary standouts as
Bo Bartlett, Vincent Desiderio, Jody Pinto and Sarah McEneaney.