Cleveland Adds Hallucination and Reality to Its Schedule

CLEVELAND, OHIO

:The Cleveland Museum of Art (CMA) has added "Michaël Borremans: Hallucination and Reality" to its 2005 exhibition schedule. This exhibition is part of the Project 244 series and will be on view from May 22 to September 4. Admission to the museum and this exhibition is free.

The CMA is the first solo museum exhibition of work by Mr Borremans (Belgian, born 1963) and the only US venue showing this exhibition. The exhibition opened in Kunst-museum Basel, Museum für Gegenwartskunst, Switzerland (October 16, 2004, to January 9, 2005) and traveled to Belgium's Stedelkjk Museum voor Actuele Kunst, Ghent (February 5 to April 17), before arriving in Cleveland.

Comprising approximately 63 small drawings and paintings on cardboard created between 1995 and 2004, these images are cinematic in their reference and intimate in scale. As Jeffrey D. Grove, Weiland Family Curator of Modern and Contemporary Art at the High Museum of Art, Atlanta, and a curator of the exhibition noted, "Michaël's drawings are truly free of nostalgia or sentiment. They cunningly engage the tradition of caricature, with its tragicomic observation of social customs and behaviors and withering indictment of society moribund but unaware."

The essence of Borremans's work transforms complex postwar political ideologies into clever ruminations on the human condition. His work comments humorously on middle-class etiquette and restraint, and the position of the artist in contemporary society. Many of his drawings are proposals for public monuments.

Since the mid-1990s, Mr Borremans has employed reproductions of newspapers and photographic work from the early Twentieth Century through today as source material. Rather than referring to the material in its entirety, however, he zooms in on elements, modifying and alienating his imagery from its original source. They maintain a fascinating and mysteriously distanced relationship to the viewer and even create the impression of being spectral, dreamlike images.

Mr Borremans's pieces recall the pure technique of master draftsmen throughout time, including Hans Holbein (Dutch, Sixteenth Century), Leonardo da Vinci (Italian, 1452-1519) and Hilaire-Germain-Edgar Degas (French, 1834-1917). Like these masters, Borremans's drawings often deal with the serial, with one element considered and reconsidered within one drawing. The precision of his work recalls the Flemish portraitists. Squarely grounded in the tradition of unimaginably beautiful technique, Mr Borremans departs from the age-old masters in genre. His images are of a world that is both dark and compelling.

He uses conflicting elements of scale, juxtapositions of disparate elements and repetitive use of cryptic motifs to engage the viewer. With the use of "marginalia" or seemingly unconnected imagery dissolving on the edges of many of the paintings, the viewer is also given the sense that they are party to a private, arcane world, only heightening the viewer's compulsion to view the images.

The fully illustrated 120-page exhibition catalog Michaël Borremans: Tekeningen/Zeichnungen/Drawings will be available at the museum for $38.

There will be a free public reception on Friday, May 20, 8 to 10:30 pm, in the exhibition and a free public lecture on Saturday, May 21, at 2 pm.

The CMA is at 11150 East Boulevard. For information, 216-421-7340.