Fragment from a ceremonial panel, detail, from Peru, Huari
style, AD 750-800.
Iconic Pre-Peruvian Tapestries At The Textile Museum
"Gods and Empire: Huari Ceremonial Textiles," an exhibition
featuring 12 tapestry-woven objects drawn from the museum's
collection of Huari textiles, is on view at The Textile Museum
through January 15. The Huari Empire, which flourished during the
Seventh and Eighth Centuries, was based near the modern city of
Ayacucho, Peru. The powerful empire conquered a vast area that
included most of the coast and highlands of what now constitutes
Peru.
"Gods and Empire" explores what textiles and other evidence can
tell about Huari religious practices. Textiles on display include
garments such as a mantel, headband and several tunics, as well
as two nongarment textiles featuring a colorful and distinctive
ceremonial iconography. The exhibition is curated by Ann Pollard
Rowe, the museum's curator of western hemisphere collections. She
has published articles on Huari-style textiles, including mantels
and tunics depicting musicians, for The Textile Museum and for
Dumbarton Oaks.

Tunic, Peru, Huari style, AD 750-800, acquired by George Hewitt
Myers in 1952.
Archaeological evidence of the Huari Empire includes
ceramics, found primarily in tombs, with Huari secular designs or
religious iconography. Textile preservation is rare in the
highlands because of seasonal rainfall. Because the Huari Empire
conquered such a vast area, however, fine tapestry-woven textiles
with designs similar to those found on Huari ceramics have been
found in the coastal desert. The museum possess an outstanding
collection of these Huari-style textiles.
"Gods and Empire" features a large textile measuring eight feet
in length and two feet in height, with repeating sections
depicting a rayed deity head, staff-bearing, winged figures and a
scene of two men making fire with a fire drill. The fragmentary
textile was given to the museum in 2002 and has been
painstakingly reassembled by the museum's conservation
department. A full-scale reconstruction, depicting what the
textile may have looked like when originally created, is
exhibited alongside the conserved fragment. It is clear from its
nongarment format and from the representation of the principal
Huari deities that the textile must have had some ritual use,
perhaps display or sacrifice or some combination of the two.
The museum is at 2320 S Street, NW. It is open Monday-Saturday,
10 am to 5 pm, and Sunday, 1 to 5 pm. Admission is free;
suggested donation is $5.
For information, www.textilemuseum.org or 202-667-0441.