The American Folk Art Museum's Gerard C. Wertkin has
announced his retirement.
Gerard C. Wertkin, director of the American
Folk Art Museum since 1991 and assistant director from 1980 to
1991, has announced to the Board of Trustees that after serving the
museum for almost 24 years, he plans to retire from his
position within the next 12 months. In December 2001, the American
Folk Art Museum inaugurated its widely admired headquarters at 45
West 53rd Street. "Now that the new building is in its third year
and so many of the museum's long-held objectives have been
realized, I feel that it is time for a new generation of leadership
to chart the museum's future for the coming decades. The years that
I've spent at the museum have been the most rewarding of my life,
and I am deeply grateful for the opportunity to have led the
institution through a period of great transformation," said
Wertkin. In addition to serving as director of the American Folk
Art Museum during a period of dramatic growth and development,
Wertkin has been an adjunct associate professor of art and
architecture at New York University, where he has taught graduate
courses in American folk art since 1982. Recognized as an expert on
the art and culture of the Shakers, he is the author of The Four
Seasons of Shaker Life (Simon & Schuster, 1986) and other
books and is a frequent contributor to folk art publications and
exhibition catalogs. Most recently, he was a contributor and wrote
introductions to the major books published in conjunction with the
museum's inaugural exhibitions in its new building. Long interested
in the spiritual dimension in American vernacular culture, he has
organized exhibitions exploring this theme, such as "Millennial
Dreams: Vision and Prophecy in American Folk Art," 1999-2000.
The Ormond Beach, Fla., Police Department arrested
Lawrence Stone, 43, of Lebanon, N.H., on April 25 on a
charge of being a fugitive from justice. Stone is wanted
in Pembroke and North Hampton, N.H., on burglary charges
involving the theft of antiques from across the state and
out of state. The police responded to an anonymous report of a
broken window at a residence in their town. Officers found Stone
at the rear of the building. He was arrested for loitering and
possession of a narcotic drug. Subsequent computer checks showed
him to be wanted in Pembroke for three counts of burglary. He was
held in the Volusia County Jail in Daytona Beach overnight, and
was scheduled to be arraigned on Monday, April 26. Detective
Christopher Currier at the New London Police Department, New
London, N.H., said that as soon as they can determine the extent
of the property recovered, authorities will provide photographs
and/or descriptions of the items in order to help return them to
their rightful owners. Police are asking that any dealers or
collectors that may have bought items since September 2003 from
Stone should contact their local police or Detective Currier at
the New London Police Department at 603-526-2626.
A Georgia O'Keeffe painting stolen four months ago
from the New Mexico Museum of Fine Arts, Santa Fe, is
featured on the FBI's art theft program website, reports
the Associated Press. The painting, entitled "Special 21, Palo
Duro Canyon," has been valued at between $500,000 and $1 million.
It was stolen from the museum in Santa Fe on December 16, 2003.
The painting also was featured for two months on the Interpol art
theft website. Interpol is an international police organization
headquartered in Paris, with 181 member countries. The FBI
considers the illicit trade in art and cultural artifacts a major
category of international crime. This includes theft of
individual works of art, illegal export of objects protected by
international laws and pillaging of archaeological sites. The FBI
website is www.fbi.gov/hq/cid/arttheft.

Fugitive Lawrence Stone was arrested in Florida, wanted on
charges involving the theft of antiques in New Hampshire.
LiveAuctioneers.com, a Manhattan-based company that
provides real-time Internet bidding capability to more than 130
auction houses, has signed an agreement with Sotheby's New
York branch to provide Internet bidding services for selected
Sotheby's sales. Julian R. Ellison, LiveAuctioneers' chief
executive officer, said his company's working association with
Sotheby's would commence with the April 20 Arcade Jewels sale.
LiveAuctioneers provides Internet bidding services for the
Washington, D.C., auction house Weschler's, as well as
Doyle New York.
Toni Laxson of the East Valley Tribune, via AP, writes
that looters are plucking more ancient Indian
pottery from dwellings and graves across the Phoenix area and
Arizona, encouraged by a growing market for the wares over the
Internet. "It opened up an opportunity for people who were
selling - on this gray market at best -to people in Japan and
anywhere else," said Jerry Howard, curator of anthropology at the
Mesa Southwest Museum. "And because of that, we have seen a rise
in the amount of vandalism and pot hunting. Howard has seen rare
Hohokam artifacts for sale on the Internet auction site
eBay. The items were reportedly excavated from private
land in Queen Creek before being sold to a Scottsdale dealer. In
Arizona, landowners may do whatever they like to archaeological
sites on their property, provided they do not disturb human
remains. The problem, said Howard and others, is the most
valuable items typically are found in graves, the desecration of
which is a serious concern to American Indian cultures. It is
difficult to prosecute vandals because authorities rarely can
prove an artifact came from public land.
What is causing the Mona Lisa to deteriorate so
quickly? Jamey Keaten of the Associated Press reports that
Leonardo da Vinci's portrait of the unknown woman with the
enigmatic smile, is sparking a new kind of mystery. The thin,
poplar panel on which 'Mona Lisa" is painted in oil has changed
shape since conservation experts last evaluated it, the Louvre
Museum said. Leonardo's masterwork - now nearly 500 years old
- is inspected every one to two years. The Louvre said the "state
of conservation" of the most famous artwork in France's most
famous museum "has aroused some worry." The state-run Center for
Research and Restoration of Museums of France will conduct a
study to better determine what materials the painting is made of
and evaluate its vulnerability to temperature changes.