: "It's not like it used to be; we have too many dealers on the
fairgrounds at one time," Jim Burk said as his Greater York
Antiques Show was about to open in the Expo Center's West Hall on
Friday, May 7. By 10 am that day a good crowd had gathered to
shop the 111 booths in his show, but again, it was "not like it
used to be." Jim reported the gate down 50 percent on opening
day.
It certainly was not the lack of good things to by, the
presentation by the exhibitors or the overall look of the show,
this year with wider aisles, that slowed down the gate. When the
show opened it was evident that everyone had worked hard and
there was considerable buying across the floor, mostly small
objects and not a great deal of furniture. But it was all there
to be had.
At the front of the show an articulated artist's model of good
size, with blue painted eyes, looked over the show from the booth
of Kelly Linzle of New Oxford, Penn. It measured about 31/2 feet
tall and had a dark original patina. An inlaid mahogany
sideboard, circa 1790, was from Alexandria, Va.
Painted furniture dominated the booth of Olde Hope Antiques, New
Hope, Penn., including two American armchairs, one with yellow
decoration, the other in the same pattern but blue. The pair
dated circa 1840 and was probably from a lodge. A New England
cupboard, pine with painted and smoke decoration finish, 481/4
inches high, dated circa 1840, and a grain painted corner
cupboard, circa 1830, was of Pennsylvania origin. The door in the
upper portion retained the original 12 pieces of glass.
A transitional William and Mary Queen Anne highboy, circa 1750,
was among the case pieces in the display of James Kilvington of
Dover, Del. It was of Massachusetts or Rhode Island origin, flat
top, and retained the original brasses. Two side chairs were also
shown, one Queen Anne, American or English, circa 1750, the other
in walnut, Queen Anne, circa 1750, Delaware Valley.
"I have never had one of those before," Harry Hartman of
Marietta, Penn., said of his child's barber chair mounted on a
metal base. The chair was actually a reduced version of a
carousel horse, with tall back saddle to keep the youngster in
place during the hair cutting. Spatter and redware were offered,
and among the hooked rugs was one with a large running horse,
while another had a pair of black facing roosters. A pair of
cast-iron urns was displayed, each filled with spring flowers.
Charles Wilson of West Chester, Penn., weighed in with the
heaviest decorative items in the show, including a grouping of
windmill weights. The rooster varieties included a Rainbow Tail,
circa 1880; a large "U" base, circa 1880-1920; and a Mogul, circa
1880, the largest one made. A circa 1880 Uncle Sam mail box
holder was also in cast iron, as was a collection of doorstops
and shooting gallery targets.
An eye-catching item in the booth of Barry and Lisa McAllister of
Clear Spring, Md., was a zinc vending machine for eggs in the
form of a large sitting hen. It was made in Chicago, circa 1870.
Among the pottery was a piece by John Bell, dated 1874, lidded
jar with blue decoration.
Newsom & Berdan, Hallowell, Me.
Lots of furniture was in the booth of Tom Brown of McMurray,
Penn., such as a Pennsylvania tall-case clock with walnut carved
case, white painted dial decorated with flowers, circa 1790,
measuring 7 feet 8 inches tall, and a New York State two-piece
cupboard in old yellow paint, circa 1860. Of English origin was a
circa 1770 four-drawer bureau with shaped corners and writing
slide.
A large Eighteenth Century New Hampshire dresser with H hinges
and raised panel doors, stripped down to the original green,
651/2 inches wide and 82 inches high, was shown by Marie Plummer/
John Philbrick of North Berwick, Maine. Among accessories of the
same period was a courting mirror, pine frame.
John Stroup, Jr, of Bellville, Penn., had sold a little bit of
everything. "Yes, we did well," Sally Stroup said, naming sales
that included an antiques crop duster, dough tray, three-quarter
bed, advertising picture, clay doves, two painted spice boxes, a
baseball glove and ball, and an 1880 calico quilt. Bob Conrad,
who shares a booth with the Stroups, has been doing the show for
about six years and finds it very good. Among the mix of things
he had sold were a store sign, a Lehn ware bucket and a miniature
blanket chest.
"I asked Jim for more space this year," Greg Kramer said, "and we
worked out this area in the center of the show." When it came to
the design of the booth, Greg's son Eric stepped in and did the
whole thing. Several walls in the center were constructed to
allow a free flow of people and several focal parts of the booth
were visible at the same time from the aisles. "I am really
pleased with what he did and have received a great many
compliments," Greg said. John Newcomer, who was on hand to help
at the show, noted that "this arrangement gave Greg the chance to
bring more things to the show, and with his inventory he could
still fill the booth another six or seven times."
Lots of painted furniture was available in the booth, including a
decorated blanket chest with a leaping stag in the front center
flanked by dogs in pursuit. It was in shades of salmon paint,
mid-Nineteenth Century, and from Centre County, Penn. A
Pennsylvania paint-decorated dower chest, ex Titus Geesey
Collection, was done in the manner of the Jonestown School, Berks
or Lebanon County, dating to the first part of the Nineteenth
Century. A corner cupboard, Juniata County, was paint decorated,
poplar, circa 1835-45, with a 12-light door over three short
drawers and two paneled doors. The height was 851/2 inches.
Grain paint was featured in the booth of Russ and Karen
Goldberger of Rye, N.H. It was evident on a sponged one-drawer
blanket chest, circa 1820-30, Vermont origin, 371/2 inches wide,
and also on a hanging cupboard with raised panel doors, New
England, circa 1830. This piece measures 39 inches high, 23
inches wide and 91/2 inches deep and "is one of favorite things
in the booth," Russ said.
Redware, silhouettes, portraits, iron pieces, treen and lighting
all filled the booth of Lewis Scranton of Killingworth, Conn.
Furniture was also plentiful, including a chair table from the
Mohawk Valley, N.Y., that was surrounded by a set of four Windsor
bow back side chairs, circa 1800.
Jane Wargo of Wallingford, Conn., echoed the feelings of many of
the exhibitors, responding, "I am doing OK" as far as sales were
concerned. A plant stand, perfect for spring sprouts, was of
wood, four tiers, late Nineteenth Century and in old red paint,
and a two-handled splint basket was of large size, New England,
dating from the Nineteenth Century. A sold tag was attached to a
pair of tiger maple beds with scrolled headboards and finial
topped posts.

R.E. Van Anda, Lititz, Pa.
James and Nancy Glazer of Villanova, Penn., offered a nice
New England clock dial with clock shelf, eagle and shield design on
the face over a yellow ground, and a Chippendale corner cupboard
with scrolled shelves, dentil molding green painted surface, with
nine-light door in the top section. A decorated dower chest left
the booth, as did a couple other pieces of furniture and many
smalls as witnessed by empty shelves in the lighted case.
"That's my best, an important piece," Eve Wilson said, pointing
out a plantation desk from Waynesboro, Va., with flame
decoration. Two doors in the top section covered three shelves,
and two long drawers were in the lower part. This McLean, Va.,
dealer also offered a step back cupboard, red with blue interior.
A long bench against the side wall of the booth had been sold.
An outstanding carving of a fish hung in a large open space
against the back wall in the booth of Tim Hill, Birmingham, Mich.
The salmon, carved by Mallock Bros, London, June 9, 1904, was a
trophy for the salmon caught by Francis Scott Smith at
Coulcomauch Pool. "This came out of a collection in Michigan,"
Tim said, "and the collector lets one go every so often. He has
about 40 of them, and this is one of the best."
Ron and Penny Dionne of West Willington, Conn., had fewer
weathervanes than usual, but were not at a loss for interesting
things. A large hooked rug showed a farm scene with fence and
barn, two horses and two dogs, while a trade sign in the shape of
a watch advertised repairs and dated from the late Nineteenth
Century. A bold figured tiger maple country Sheraton table, with
old surface, dated circa 1840 and was from West Virginia.
Van Tassel & Baumann of Malvern, Penn., had several walls
filled with early needlework including a large example by Mary S.
Smith, born February 15, 1829, with houses and trees and a floral
border. Complementing the samplers were a New York State carved
mahogany Chippendale side chair, circa 1770, old finish with ball
and claw feet, and a walnut Chippendale tilt-top candlestand with
dish top and tapered shaft, suppressed ball and snake feet, circa
1770, of Pennsylvania origin.
Odd Fellows Antiques of Mount Vernon, Maine, had a number of
pieces that had come from a lodge including a snake staff, a
teaching tool that symbolizes wisdom, circa 1860, and a heart and
hand staff, circa 1880, carved and painted. A large oil on canvas
showed several cows, a work signed by Suzie, dated 1903, 29 by 42
inches, and a wood box dating from the Nineteenth Century was of
large size and in old red surface. Buzzy, the four-legged partner
in the business, was a bit under the weather at one point in the
show, having eaten too many of the cookies offered to him by
nearby exhibitors. He gave some back.
Phil and Jane Workman of New Boston, N.H., displayed a large
hooked rug showing six deer in a mountain setting, a trade sign
for "McCarthy the Tailor for Men and Women, Room 5, One Flight,"
and a red bucket bench that held a selection of three round
pantry boxes and a tole decorated pot.
A small Pennsylvania Dutch cupboard, original blue paint, found
in the Port Royal area, was shown by Meredith Schuibbeo of Camp
Hill, Penn. She also offered an Eighteenth Century child's ladder
back side chair, painted with rush seat, high back and low seat.
A Lancaster county hanging corner cupboard, circa 1770, was in
the original blue painted surface with a "holy cross" door.
Two large signs were in the booth of R.E. van Anda, Lititz,
Penn., one for A.D. Gransden, general Blacksmith, with two
horses, black on a yellow ground, pictured at the right hand end
of the board. Another sign was for John Mullen's Boot and Shoe
Store.
A large two-piece cupboard in oak, with three central drawers,
old gray paint, narrow shelves, found in a music store in Western
Pennsylvania, was against the back wall in the booth of Jeff and
Cathy Amon, Jamestown, Penn. A Pennsylvania grain painted wood
box, scrolled cutout sides, 511/4 inches wide, had a
compartmented interior.
Pennsylvania furniture was represented by Don and Pat Clegg, East
Berlin, Penn., with a dark red grain-painted jelly cupboard in
poplar, mid-Nineteenth Century, Huntingdon County, ex Zettle
Collection. A painted dry sink, pine and poplar with the original
hardware, circa 1830, was from Lehigh County.

Thomas G. Thompson, Carlisle, Pa.
Making the trip from Asheville, N.C. was Charlton Bradsher
with a boldly painted and decorated Windsor bench with fruit
compotes and floral motifs, attributed to the shop of William F.
Snyder, Mifflintown, Penn., circa 1860. A paint decorated blanket
chest in red and blue with tall turned legs, mid-Nineteenth
Century, yellow pine was from western North Carolina.
Medina, Ohio, dealer Marjorie Stauffer offered a small-size
wardrobe in the original mustard paint from Marrietta, Ohio, and
a settle bench with two storage bins, Hudson Valley, in pine and
all original.
Last fall, after the three York show closed, Jim Burk evaluated
the situation and announced, "I will not be the last show to open
again." True to his word, this spring he opened at the same time
as Frank Gaglio, 10 am on Friday. This fall, when four shows will
be at the York Fairgrounds at the same time, Jim plans to open
his Greater York Antiques Show on Thursday, November 4, running
from noon to 8 pm. He will then continue for the next two days.
When the others will open is still in the cards.
A year from now, when the spring edition of the York shows
returns, Jim Burk will not be on the same dates as the others. "I
am moving my show back to its original dates, Memorial Day
weekend," he has said. At this point the other three show
promoters, Frank Gaglio, Barry Cohen and Bob Goodrich, have made
no indication they will follow.
It is known that Mark Twain said, "If you don't like the weather
in New England, wait a few minutes." The way it is now, we might
very well substitute dates/times and Pennsylvania for weather and
New England.