:The Modern Show opened at the 69th Regiment Armory with a gala
preview party on Thursday evening, February 24, in the midst of
yet another winter snow storm. A moderate sized crowd of die-hard
shoppers braved the snow to attend the preview, a benefit for the
69th Regiment Family Support Group, which aides the families of
enlisted soldiers from the armory that are currently serving in
the Middle East.
The evening proved to be an emotional one for many in the crowd
as troops from the armory that were home on temporary leave
appeared at the show to express their gratitude to management,
supporters and dealers alike.
Despite the snow, the opening went well and business seemed to be
good for many of the dealers. A host of decorators made their way
into the show for preview with management commenting that they
were pleased to have seen so many sold tags around the floor as
the evening came to a close.
This is the second time during the past three Stella events that
snow has hampered a show, yet this time, unlike January, the
inconvenience presented by Mother Nature was temporary. By Friday
morning, when the show opened to the public for a three-day run,
the snow was but a memory and it was business as usual at The
Modern Show.
Management reported a "nice crowd" on Friday, and Saturday and
Sunday were really busy. "There was a steady stream of people
right from the time we opened at 11 on both Saturday and Sunday
and the floor was nicely populated straight through till
closing," commented the Stellas. Management also reported taking
in a record number of credit card transactions totaling more than
$100,000; this aside from the normal cash and check business that
dealers normally do.
One dealer had sold to the bare walls shortly after opening on
Saturday morning as Closeout, a specialty dealer from Kerhonkson,
N.Y., that sells vintage commercial binoculars from the tops of
buildings and ships, had moved all of its 20-plus large-scale
looking devices.
Art Deco seemed to be selling well with furniture and glass
moving briskly from the show.
Abstracta, an Alabama dealer that was new to the show, offered a
wonderful selection of Scandinavian glass from the "golden age of
Scandinavian Modernism" from the 1950s and 60s. The dealer
offered an assortment of artist designed pieces from Orrefors and
Kosta including a face vase designed by Ingabor Lundin in 1969
that was executed in the "Ariel" method. Another of the
interesting items in the booth was a Vicki Lindstrand vase by
Kosta titled "Autumn Leaves."
Jeffrey Winter Fine Art, Long Beach, Calif.
Chicago dealers Modbag and Moderntimes once again combined
their booth to feature cutting-edge materials from the 1950s and
1960s with a good selection of designer handbags appealing to the
women in the crowd, while the men seemingly gravitated toward the
streamline selection of furniture and lighting offered.
Long Beach, Calif., dealer Jeffery Winter Fine Arts had a booth
filled with fine art that ranged from modern figurative paintings
to a selection of pastels by American modernist Virginia
Berresford executed while she was studying in Paris under the
direction of Amedee Ozenfant. The dealer offered a collection of
19 well-executed pastels, all done circa 1925.
Ars Longa Gallery, Hillsborough, N.H., filled its stand with
attractive abstract art that ranged from an interesting oil on
canvas from the New York School of abstract expressionism that
was executed by Lillian Ross Richmond, circa 1955, to a geometric
abstraction by Omer Lassonde, circa 1940. A nice selection of
pottery by Schier was also offered along with a contemporary
pottery sneaker by Lillian Dodson and a nice plaster torso by
Mina Harkavy.
Pottery and porcelains were featured in the booth of Leonard
Davenport including a robust offering of Italian pottery from the
1950s and 60s. Highlighting the selection were three carved and
glazed pottery lions by Guido Gambone, with one particularly
attractive in a multicolored geometric pattern red, blue, brown
and white glaze. The dealer also offered a wonderful porcelain
"imaginary" piece with a flower being supported by winged dragons
by Tom and Sue Benesch titled "Winged Creatures."
Janet Drucker and her son Bill, Drucker Antiques, Mount Kisco,
N.Y., offered their usual stunning assortment of Georg Jensen
silver, yet for this show the dealers were particularly pleased
with the assortment of jewelry offered. Standouts in the booth
included two pieces designed by Astig Fog in the late 1960s, a
rare eight-drop adjustable necklace and a "hard edge" bracelet.
"I just love her work," stated Bill Drucker of Fog. "It is always
large and flowing."
Assioson20 offered a great selection of pottery from the Arts and
Crafts period to Modern. Among the assortment was a Grueby vase,
several pieces of Newcomb, Martin Bros, Clarice Cliff and
Amphora.
New York State dealer Freeform LLC offered a stunning assortment
of Swedish pottery from the 1940s and 1950s with several pieces
by Wilhelm Kage attracting attention. The pieces in the Farsts
style were produced for Gustavsburg and featured cascading forms
with brilliant glazes. Pieces by Axel Salto were also offered
including an unusual vase that was in a Danish ox-blood glaze.
Other vases in budding form by Salto were also available in both
Sung and Fang glazes.
Mode Moderne reported a good show with a nice selection of
furniture lighting and accessories finding new homes. Included in
the booth was a nice Finn Juhl desk that was attracting a great
deal of attention, as were a chair and ottoman by Robsjohn
Gibbings, and a server by the same designer.

Moderntimes, Chicago.
Bridges Over Time, Walden, N.Y., offered a good assortment of
fun items including a large pair of ameba-form wall lamps that had
been used in the Paris Café Brigalle. With a red-painted metal-mesh
free-form grill and brass supports holding individual glass tubes,
the lights were quite interesting. The dealers also offered a rare
set of furniture by a designer that is coming into the limelight,
Ernst Schwadron. The Vienna designer from the 1940s executed a
commission for the American Crayon Company in 1945 and all of the
furniture was constructed in the shop of Vladimir Kagan. The
dealers offered a settee and chair pictured in the American Crayon
showroom as well as a cabinet and other case pieces.
Kimcherova Gallery also featured a good assortment of furniture
including a Vienna Secession console by Kolman Moser that was
produced, circa 1902, by J.J. Kohn. A Carlo Bugatti hanging
corner cupboard with three shelves and decorated with metal inlay
and embossed copper and bone applications was another item ion
the booth attracting attention.
Westport, Conn., dealer Glen Leroux offered a plush line of
modernist furnishings and a grand selection of jewelry; however,
it was a Paul Frankl cork-top table that was garnering the loin's
share of attention from the booth.
Stella Management is currently planning a November Modern show
based on the strength of this past one. The next Stella show will
be at the Piers on March 12 and 13.