:While the Connecticut Spring Antiques Show is, as one buyer so
aptly put it, "not the show that it once was," this 32nd running
of the Hartford show was proof once again that it continues to be
one of "America's premier" shows of "period American furniture
and appropriate accessories."
Hartford has certainly felt its aches and pains over the past few
years, and happily, we can honestly report that the show has
weathered to storm and is healthy. The show can no longer be
considered just a "brown furniture" show, a longstanding and once
popular rap.
That is not to say that there is no longer a wide variety of
period "brown furniture" on the floor, as there certainly is, or
that there is no longer an interest for that type of material, as
there certainly is. It is just to say that there has been an
infusion of color into Hartford that has created a welcome and
vibrant Americana atmosphere. Paint decorated furniture and
accessories are as prevalent as original finish highboys and
slant fronts. And often times they are displayed side-by-side.
The Hartford show, which took place on March 12 and 13, has grown
over the past decade under the management of Linda Turner. It has
matured and stayed as hip as possible, all the while remaining
true to its roots. It has adapted to the different trends and
styles of the business and is still widely regarded as a
perennial favorite among old-time Americana collectors and a host
of new shoppers.
There was a time in years past when participating dealers kept a
tally of the available types of merchandise that were prevalent
on the floor of the show. Old-time Hartford dealers such as
Arthur and the late Nathan Liverant, Harold Cole and Peter Eaton
could tell you right off the bat that there were x-number of
slant front desks on the floor, x-number of highboys, x-number of
chest-on-chests, and x-number of four-drawer chests. They could
also recite, when called upon, how many Chippendale versus Queen
Anne examples there were, how many of the highboys were shell
carved, had flat-tops or bonnet-tops, and how many of the chests
had Boston, New York or Connecticut pedigree. While these numbers
are still tabulated, they are not as critical as they once were.
Painted furniture, snappy accessories, stylish displays and,
naturally, a good selection of great period furniture, complete
the recipe that is keeping Hartford alive and well.
There was an excitement on the floor that had been felt during
setup with many of the dealers commenting that preshow business
had been good. "I hope it is a sign of things to come," said one
dealer, who further commented that preshow sales had been so
good, that anything else that happened with the public would just
be "icing on the cake."
Several items on the floor were a hot topics, including a step
back cupboard that had come out of the recent Kennedy auctions at
Sotheby's and bounced from Hollis Broderick's booth to Sam
Herrup's booth and was quickly sold again. A sailor's valentine
was discovered by Charley Adams on its way into the show. Mr
Adams, who termed it "one of the best," quickly snapped it up and
had barely made his way back to his booth before it sold again.
While being hung in the booth of the next owner, it was quickly
sold again.
While the crowd awaiting the opening of the show on Saturday
morning was less than stellar in size, it can easily be blamed on
the weather. Snow hampered drivers throughout Friday afternoon
and heavier than predicted snowfall overnight and into Saturday
morning kept all but the diehards off of the roads. Forecasters
promised clear skies by noon on opening day, and, for once, they
were true to their word. As the skies cleared, so to did the
roads, and it was not long before the extra-wide aisles and
spacious booths were filled with shoppers.
Management was satisfied with attendance stating that the gate
was up from last year. "People are realizing that we are an
Americana show and not as eclectic as a lot of the other shows.
They are realizing that Hartford is the source now."
The majority of the dealers reported good to excellent sales
overall. Some reported a poor showing on Saturday and a great day
on Sunday, other voices echoed the opposite, and yet others
commented that both days were good. Some, as is most always the
case, were not so pleased with either day.
"Saturday was a bloody disaster," exclaimed Don Buckley, "and
Sunday was a big success. Unfortunately the weather kept our
Northern customers away from the show on Saturday."
The Salisbury, Conn., dealer commented that Sunday sales
included, amongst other things, a "1720 Massachusetts gate leg
table, a carved crested Connecticut banister back armchair, a
Seventeenth Century pewter candlestick, and right now I've got a
be-backer, what Harold Corbin used to call an 'afterburner,' a
client who had looked at our ball-foot chest and had passed, now
they're interested and they are coming back to probably buy it.
So, all in all, it was a good show."
Colchester dealer Arthur Liverant commented, "The crowd didn't
seem to be bothered all that much by the snow; by the afternoon
on Saturday there was very good attendance and it was very steady
all day Sunday.
"The Hartford show is up on the rise of the bell curve," stated
the dealer. "A lot of really good dealers joined the show and
rejoined the show which shows that there is an added dimension.
People are starting to realize that the show, which might have
had a small decline for a while, is back and in. People realize
and appreciate that Hartford is a wonderful venue, that the
dealers come prepared with good things. It is a really nice venue
to look at stuff - nothing flashy, just solid material."
Mr Liverant was one of the dealers that posted an early sale from
the determined crowd on Saturday morning selling a Queen Anne
tilt-top tea table from his booth, probably Norwich, circa 1780.
"It was completely original with a bold early surface and
wonderful construction featuring a chip carved pedestal, ball and
claw feet and a unusual sliding dovetailed cleat."
Samuel Herrup Antiques, Sheffield, Mass.
Sales for Peter Eaton also started right off the bat on
Saturday and continued throughout the weekend. A formal Queen Anne
dumbwaiter that was attributed to the Goddard/Ives family of
Providence, circa 1770, was sporting a sold tag within moments of
the show opening to the public. Other items that sold from the
Newbury, Mass., dealer's booth included a Hepplewhite New Hampshire
lolling chair frame, a pair of early chairs and an octagonal-top
candlestand. Also sold was a Wethersfield Queen Anne highboy with a
bold carved fan, circa 1780, in cherry with an old finish, that
caught the fancy of a Wethersfield collector and stayed in the
region.
Joan Brownstein, who had recently married the dealer just across
the aisle from her, Peter Eaton, commented that she also had a
"great show. I sold paintings, miniatures and furniture. Things
sold from every category that I deal in." The Newbury dealer was
hush-mouthed about one sale, however, terming it "something
major" that will be in the news soon as it went to a major
institution.
Dan and Karen Olson have been knocking them dead in Hartford for
the past couple years. The Newburgh, N.Y., dealers first began
displaying there in 1984, took a few years off and returned to
the floor of the show nine years ago. "We did good again," stated
Dan Olson, who further commented that Hartford has "a lot of
strength on the floor and strong buyers for good material. We
sold seven pieces of furniture including a stretcher base tavern
table, a Queen Anne drop leaf with tiger maple top, six
plank-seat chairs in old green with paint decoration, a tall case
clock and a paint decorated blanket chest."
The dealers also sold a Prior-type portrait of a young girl
seated in a paint decorated chair and holding flowers, a large
Hartford County map, redware, stoneware, baskets, Staffordshire
and quite a few other early accessories.
Among the new dealers to the show this year was Jan Whitlock. The
Chadds Ford, Penn., dealer offered a varied assortment of
needlework pictures and textiles including an Eighteenth Century
crewel Queen Anne coverlet and a large indigo resist panel
coverlet that carried an impressive Cora Ginsburg provenance. The
dealer also offered two needlework pictures including a family
portrait and a picture titled "The Old Homestead" executed in
silk and metallic thread.
Another item on the floor that had surfaced from the recent JFK
auction at Sotheby's was a great pair of banister back side
chairs in wonderful early paint. "They are virtually untouched,"
stated Woodbury dealer Don Heller.
Several dealers in the show offered fine art with Bradford Trust
reporting a good show. Early sellers from its booth included a
Martha Cahoon picture of a sailor and mermaid holding hands on a
beach with a bay filled with sailing vessels in the background.
Also sporting a sold sign was an unsigned folky portrait of a
boy.
Harold Cole was one of the dealers that presented prime pieces of
furniture in paint along with select examples of original finish
"brown furniture." The Woodbury dealer offered a nice Mohawk
Valley step back cupboard in a crusty old red paint that was
shown alongside a stylish Queen Anne highboy in original finish.
Mr Cole was up in the air as to origin of the highboy, stating
that the fan carved lower drawer had characteristics associated
with New London, while the legs resembled those made in
Litchfield. A three-dimensional lobster weathervane in old red
paint that the dealer had hidden under the cupboard was spotted
by collectors. The piece, thought to have been from the 1920s or
1930s, was one of a couple vanes offered by the dealer.
A prime selection of pewter was presented by Bette and Melvyn
Wolfe with a selection of Hartford-made measures made for the New
York market and marked by Boardman and Hart. The dealers also
offered a rare Eighteenth Century pewter sugar bowl with beaded
decoration by Philadelphia maker Parks Boyd.
Another pewter dealer in the show, Ron Chambers, commented that
one collector waltz into his booth and purchased four nice pieces
of pewter - a Boardman covered sugar bowl along with a tea pot
and waste bowl by the same maker, and also a classic coffee pot
by Maine maker Allen Porter. The Higganum dealer also offered a
nice banister back armchair with carved heart crest that had been
purchased at the Lillian Cogan auction many years ago. The piece,
along with an early blanket chest, had been long ago sold to a
client, who sold them back to Chambers recently as he was moving
to smaller quarters.
A wonderful assortment of redware and stoneware was presented by
Ohio dealers Sam Forsythe and David Good including an Essex,
Mass., jar in wonderful mottled green glaze. A green glazed
pitcher was also available as was a great stoneware cooler with
applied and incised cobalt filled decoration. One piece of
redware that never made it to the show floor was a jar by
Nathaniel Rochester with multicolor slip decoration splashed
about the vessel. The dealers had advertised the piece in the
special Hartford show section in Antiques and The Arts
Weekly and sold it as soon as the paper hit on February 25.
Connecticut coin silver pieces from towns throughout the state,
offered by North Hill Antiques, were well received by local
collectors and historical associations. The Suffern, N.Y.,
dealers displayed a wide selection of Eighteenth and Nineteenth
Century spoons, ladles, tongs and eyeglasses from the eastern
village of New London to the western border town of Danbury.

Daniel and Karen Olson, Newburgh, N.Y.
Included in the selection was a large assortment of spoons,
several of which had been made by John Avery of Preston. The rare
pieces, late Eighteenth or early Nineteenth Century, were purchased
by a direct descendant of the maker. A set of spoons by Gideon
Botsford, Woodbury, circa 1820, were snapped up by a representative
of the Glebe House, a historic home open to the public in Woodbury,
according to dealer Burt Billings.
Bob and Claudia Haneberg reported a strong preshow and sales
continued for the dealers throughout the weekend. A nice
astral-end sewing table that had been positioned at the entrance
to their booth along with a pair of Philadelphia shield back
chairs were noticeably missing soon after the show opened. The
dealers also brought along a prized Chapin-school four-drawer
chest with blocked ends. The furniture of Eliphalet Chapin and
his Connecticut River Valley contemporaries is currently on view
at the Concord Museum.
Everyone was in attendance was complimentary regarding the Haddam
Historical Society show committee and its revitalized efforts for
this show. "They brought in a lot of local younger people and
that is a very good thing for the show," stated one dealer.
Educational programs and booth chats were also new to the show
this year and were a big hit with a lecture on Norwalk pottery
being presented to a full house on Saturday, a talk on fine art
conservation presented on Sunday, and well attended booth chats
presented by Peter Eaton and Joan Brownstein on Sunday afternoon.
The show is a benefit for the Haddam Historical Society.