:Yellow shiny slickers and figures huddled under umbrellas did not
bode well for the opening of the 27th annual antiques show
sponsored by The North Castle Historical Society and organized by
The Last Detail Antiques Shows, which was held on April 23 and
24. Although it was quiet on Saturday, hampered by the weather -
or so several dealers thought - Sunday's sun brought out many
customers who were looking at the variety of items on display -
and buying. Sales were made from the high-end art at the booth of
Galerie d'Art Européen to the industrial revolution era molds
offered by Lew Allessio and Jim Shaffer at Plenty and Grace.
According to Mr Shaffer, "The weather did not cooperate on
Saturday, but turnout was much better on Sunday."
Byram Hills High School was decked out with a great variety of
items from the 50 dealers participating. They brought fine
European Art from the Eighteenth-Twen-tieth Centuries, Art Deco
and estate jewelry, vintage posters, Nineteenth and early
Twentieth Century French furniture, Deco design furniture,
antique maps and photographs of Native Americans by Edward
Curtis, silver, rugs, smalls, country and Americana and even some
reproduction furniture, just to mention a sampling of what was on
view.
Martin Greenstein of Last Detail Antiques, who organized and
managed the show, worried that there were several things working
against it - first, the rain, and then it was the Passover
holiday - but he felt that many dealers had a good show with some
excellent sales. Talks with several dealers confirmed his
thoughts, especially about the second day of the show.
A 1940s European platinum and diamond (30 carats) necklace was
sold by Brad Reh of Brad Reh Fine Estate Jewelry in Southampton.
Among his antique and vintage estate jewelry were a couple of
strands of South Sea matched color natural pearls in an unusual
peacock gray that, according to Reh, possibly took more than six
months to collect as pearls that match so perfectly in color and
size are quite rare.
Jaffe and Thurston, Wawarsing, N.Y.
Down a long hallway festooned with Chinese lacquer, toleware,
leather couches, decoys, vintage croquet sets, trade signs and
umbrella stands was the booth Lunatiques. It featured French and
American country furniture and a pair of planters from an Upstate
New York estate that could each hold three plants in decorative
wire motifs.
The planters were prominently displayed and had several people
eyeing them at the very start of the day, even as a buyer
snatched up a large paisley vintage shawl for $100.
In what is a gymnasium is during the week but was well
partitioned for the show, was Maile Allen of Maile's Antiques.
She brought her Sixteenth and Seventeenth Century maps and
botanicals but featured a collection of Native American
photographs by Edward Sheriff Curtis. Some of the historic
photographs were framed and each covered different Native
American tribes and historic events.
Writing about these photographs, President Theodore Roosevelt
said, "I regard the work you do as one of the most valuable works
which any American could now do," President Theodore Roosevelt in
a letter to Edward S. Curtis, December 16, 1905, showing the
photography of Curtis was significant even when it was being shot
in the early 1900s. Allen acknowledged, "The photographs were
attracting a lot of attention, but it was the historic maps that
sold well, with many people purchasing them as graduation gifts -
especially if the map was from the area or state where the
recipient lives." She concluded, "It was a well run and well
organized show," a comment repeated by many people at the show.
David Beauchamp, who has just moved his antiques business from
Hancock to Walpole, N.H., had many lovely pieces with him.
Beauchamp, who specializes in the neoclassical period (circa
1800-1840s) Federal, American Empire and formal mahogany
furnishings, decorative accessories and antique boxes, had an
especially interesting worktable by Samuel McIntyre on display.
With a price tag of $16,000 it had delicate carved clusters and
leaf punch work on decorated ground with turned and tapered legs.
Beauchamp believed it was the same table seen in a 1977
Antiques article. He had it displayed surrounded by black
lacquer Chinese Export boxes that seemed to come in every shape
and size imaginable.

Plenty and Grace, Greene, Me.
Around the corner from his booth was a painting in Jesslyn
James' Galerie d'Art Européen that stuck a foreign chord among the
Nineteenth Century European artists' work - it looked remarkably
like Martha's Vineyard! In fact, Ann Albinski, the Polish-born
artist who lived and worked in France, had come to the United
States and spent several summers studying in Provincetown, Mass.,
and the subject was indeed a lighthouse on Martha's Vineyard.
Painted in the early 1920s in a refreshingly slightly abstract
style, it was unmistakably an American sea and landscape; it
shown like a beacon among the other drawings and paintings. The
tag read $3,800 for this signed oil on canvas.
James mentioned that the show had been easy to set up and that
"Marty is so well organized and prepared, it makes for a
wonderful show." Perhaps the 70-plus signs all pointing the way
to the high school helped. Greenstein has learned from past
experience that signs, placed just in the right spot, make a
world of difference.
The Last Detail Antiques Shows, Ltd's next show will be in
November at the Fox Lane High School in Bedford, N.Y., followed
by shows in January and February in White Plains and Bedford,
respectively.