:The mere mention of the Island of Nantucket conjures up grandiose
thoughts and stirs memories of fine white sand beaches, wind-worn
shaked cottages, cobblestone streets, culinary treats, good
friends and, naturally, antiques. So it is with little surprise
that one of the gems of the Antiques Council's circuit of shows
takes place on this historic island smack in the midst of tourist
season.
The show, a benefit for the Nantucket Historical Association
(NHA), was especially befitting this year as NHA celebrates not
only its 75th anniversary, but also the opening of its newly
expanded museum. With strong support from NHA and the crowd of
locals and summer residents that crowd around them, this show has
gained popularity not only on the island, but throughout the
region as well.
Huge crowds made their way to the preview party on Thursday,
August 4, for what is one of the most exciting and enjoyable
events on the circuit. Live music, gobs of gourmet food ranging
from oysters on the half shell to lamb chops, libations galore
(including some delicious Nantucket-produced vodka) and an
overall festive atmosphere under a huge circus-style three-ring
white tent make this an event to remember.
Rare carvings by Elmer Crowell, lower left, and a Nantucket
shorebird from the Folger rig were among the offerings of
sporting art by Stephen O'Brien Jr, Boston.
The evening started off with an "early" preview and champagne
reception that was warmly received by a moderate-sized crowd from
5:30 to 6:30. Once the regular preview party begins at 6:30,
however, the flood gates open up and the crowd swells many fold.
While large crowds are certainly milling about in the food tent,
the aisles of the multifloored show are also packed with
previewers. Sales were reported strong by several of the dealers
including Mo Wajselfish of Leatherwood Antiques, Sandwich, Mass.,
who said it was the best opening night he has ever had. "We sold
a little bit of everything and a lot of some things," said the
tired dealer the following morning just before the show opened to
the general public.
The well-rounded show offers something for most tastes, but there
is a strong slant toward island life and the decorating trends
for the summer and year-round homes. Nautical items are always
popular and given the history of the island and the history buffs
that reside there, it is of little wonder. Nantucket was a huge
whaling community from the Eighteenth Century well into the
Nineteenth Century and those staunch businessmen virtually
controlled the lighting industry in both the colonies and later
in America with the making of candles and whale oil production.

A selection of rare fruit and vegetable form tea caddies from
Sallea Antiques, New Canaan, Conn.
It is rumored that there is a carving of a whale or some kind
of whale memento in every home on the Island. There are always a
few holdouts, however, newbies or people not content with just one
whale; accordingly, dealers come prepared. Several whale carvings
were seen in many of the booths, in others just a couple. One booth
that featured a fine selection was Nina Hellman and we noticed one
nice piece sporting a sold tag shortly after the show opened
preview night.
Nantucket items are also extremely popular throughout the show,
with the selection including baskets, decoys, furniture and
paintings with provenance. Nantucket baskets were prevalent in
many of the booths around the floor including a wonderful nest of
baskets seen in the booth of Hyland Granby. The nest of seven
baskets, each bearing the label of maker Ferdinand Sylvaro and
made circa 1925, were in a fine original state with a mellow
honey colored patina and were priced at $85,000.
A couple of other Nantucket baskets of note were seen in the
booth of local dealers Forager House. The nice oval swing handle
examples were early pieces with wonderful dark coloration and
delicate handles. The dealers also offered a wonderful pair of
flying mallard decoys.
An extremely rare Nantucket shorebird from the Folger rig was
offered by Boston sporting art dealer Stephen O'Brien Jr. "This
is without question one of the finest Nantucket shorebirds we
have ever handled," commented O'Brien. The rare turned-head
golden plover decoy was carved in the "light as a feather" style
and featured raised wing carving. Priced at $50,000, the decoy
was attracting a great deal of attention from shoppers.

A prime selection of American furniture included the Eastern
Massachusetts bonnet-top highboy, the slant front from the
school of Job Townsend, and the Queen Anne tray-top tea table
in the booth of Wayne Pratt, Woodbury, Conn., and Nantucket.
While the Cahoon family is officially from Cape Cod, the art
of Ralph and Martha is extremely popular on the islands as well.
Amidst the pristine examples of Queen Anne and Chippendale
furniture displayed by Wayne Pratt, such as the Eastern
Massachusetts bonnet-top highboy in walnut that was priced at
$125,000, a Federal inlaid mahogany Pembroke table of New York City
origin at $68,000, or a slant front desk from the Townsend School
priced at $48,000, was a wonderful mid-Nineteenth Century commode
with lift top that had been paint decorated by Martha Cahoon
(1905-1999).
Two other Cahoon paintings, a pair by Martha, also graced the
booth, one with a two gentleman on horseback approaching two
mermaids, the second depicting one rider having dismounted and on
one knee proposing to the luscious mermaid.
A painting of a Nantucket sea captain was hung amid an impressive
assortment of art displayed by Adelson Galleries, who maintain
galleries in both New York City and Nantucket. The painting by
Eastman Johnson, an oil on panel measuring 131/2 by 91/4 inches,
was a portrait of Captain Manter, circa 1873. At $350,000, it was
far from the most expensive painting in the booth, nor were
either of the John Singer Sargent oils, the Abbot Fuller Graves,
the Childe Hassam or the Marsden Hartley. The most expensive
piece in the booth was a stunning William Merritt Chase oil on
wood titled "The Old Road," circa 1895, that was priced at $1.8
million. Also offered from the booth was the only known extant
drawing by John Singleton Copley from "Watson and the Shark" that
carried a $1.5 million sticker.

A wonderful nest of Nantucket baskets from the booth of Hyland
Granby, Hyannis Port, Mass.
G.K.S. Bush, Americana dealers from New York City and
Nantucket, offered a variety of merchandise ranging from a stylish
Connecticut River Valley Queen Anne highboy in figured maple with a
fan carved drawer, to a Rhode Island tall chest of drawers in tiger
maple. The nautical theme also appeared in this booth as well with
the offering of a rare ship's figurehead in the form of a woman.
The piece appeared to be from an American ship and it retained a an
early untouched painted surface. The dealer also offered a
wonderful banner-form tailboard with ruffled tailings from a ship
named Modeste.
The prime piece of Americana from Bush's booth was a large Fiske
weathervane in the form of a fish that had been used later in its
life as a trade sign as it was painted over in large letter
advertising "Tackle." "Fiske made these in three sizes and this
is the largest and most unusual," stated Guy Bush.
A stellar assortment of porcelains and pastes were offered by New
York City dealer Paul Vandekar of Earle Vandekar of
Knightsbridge. Liverpool pitchers with nautical transfers,
Staffordshire figures, soft paste rewards of merit cups and
pearlware plates were among the assortment. Chappaqua, N.Y.,
dealer Charles Washburn was also attracting crowds with his
assortment of majolica and Palissy wares, including a grand
assortment of animal forms including a rare tureen with fox
handle lid, a crane with fish ewer, an unusual grasshopper, and
an even more unusual large tan warty toad that measured
approximately a foot long.
The Nantucket show was a rounding success and a tribute to the
efforts of the Nantucket Historical Association's membership.