:The Orange County Museum of Art is presenting, through October 2,
"Villa America: American Moderns, 1900-1950," featuring major
paintings by key American Modernists including Georgia O'Keeffe,
Arthur Dove, Stuart Davis, Charles Demuth and Marsden Hartley,
who reshaped the view of American art at the beginning of the
Twentieth Century.
The exhibition continues with artists such as Ben Shahn, Philip
Evergood, Paul Cadmus, Reginald Marsh, Philip Guston and Romare
Bearden, who celebrated an "American Scene" and created powerful
images of everyday American life.
"Villa America" also includes works by American Regionalists
Grant Wood and John Curry, as well as Charles Sheeler and Niles
Spencer, who returned to a form of classical realism to celebrate
the American landscape in their paintings of the period. A
diverse selection of major figurative works and artist portraits
and self portraits is also featured in this outstanding
exhibition.
"Villa America" presents for the first time one of the most
celebrated private collections of American art from the first
half of the Twentieth Century," says museum director Dennis
Szakacs. "Over the last 30 years, Myron Kunin has assembled over
400 works, including many of the finest paintings by virtually
every significant artist of the era.
"Yet some of the most exciting revelations here are Kunin's
interest in less recognized but highly illuminating works by
well-known figures," he continued, "such as wonderful early
landscapes and portraits by Stuart Davis, as well as his
attraction to complex artist self portraits and an affinity for
intimate, often unnerving nudes. Kunin's maverick sensibility
melds with a devotion to great painting and offers a highly
personal entry into the American century."
"Villa America: American Moderns, 1900-1950" is organized by
Elizabeth Armstrong, deputy director for programs and chief
curator. It is accompanied by a 150-page catalog with
contributions by William Agee, Elizabeth Armstrong, Patricia Sue
Canterbury, Wanda Corn, Bram Dijkstra and Karal Ann Marling. For
the first time, the museum will introduce an iPod audio tour of
the exhibition.
The exhibition begins with a look at key American Modernists
working in Europe and New York during the first quarter of the
century.
The exhibition's title is taken from the name of Murphy's home in
southern France, which served as a gathering place for American
and European Modernist alike. Symbolizing the creative
cross-germination spawned by artists, writers and other cultural
movers and shakers during these critical years, "Villa America"
is also the title of a Murphy painting in the exhibition.
After World War I, as New York began to eclipse Europe as the
destination for creative people, American artists returned and
many artists from abroad moved to the United States.
"Self Portrait among the Churchgoers, 1939," Ben Shahn, tempera
on Masonite, collection of Curtis Galleries, Inc, founder Myron
Kunin.
The first section of the exhibition includes more than 20
paintings from the early "Villa America" years - from the first
wave of American modernists who traversed the Atlantic and explored
new avenues of expression opened up by their European counterparts,
to a second and large wave of progressive artists who emerged
following the Armory Show, many of whom exhibited with Alfred
Stieglitz at his famous 291 Gallery.
A strong "regionalist" movement in painting was also one of the
results of the Depression and it can be seen as a grassroots
reaction to the cosmopolitanism of the preceding two decades.
Grant Wood's painting "Return from Bohemia," 1935, which gives
its name to this section of the exhibition, captures the
endorsement of rural life and local customs. At the same time, an
artist such as Charles Sheeler, who had experimented with Cubism
earlier in the century, brought a photographic clarity and
realism to his work of the 1930s and 1940s. Other artists working
in a realistic mode - such as Ben Shahn, Bernard Perlin and
Andrew Wyeth - are also well represented in this section of the
exhibition.
In addition to offering a chronological overview of American art
of the first half of the Twentieth Century, "Villa America"
highlights a selection of major figurative works that span the
entire period, from early American masterpieces by Robert Henri
and George Luks to midcentury nudes by Milton Avery and Andrew
Wyeth.
Finally, the exhibition includes a gallery devoted to self
portraits by Paul Cadmus, Arthur Carles, Joseph Stella and George
Tooker, together with portraits by Stuart Davis, Alice Neel,
Morgan Russell, David Smith and Pavel Tschelitchew of friends,
acquaintances and other notable sitters.
Newport Beach-Orange County Museum of Art in Newport Beach is at
850 San Clemente Drive. Hours are 11 am to 5 pm Tuesday-Sunday,
with extended hours Thursdays from 11 am to 8 pm. Admission is
$10.
For information, 949-759-1122, or www.ocma.net.