:In 2002 the Museum of Arts and Design launched "Changing Hands:
Art Without Reservation, 1: Contemporary Native American Art from
the Southwest," the first of three major exhibitions that place
contemporary art by Native North American artists within the
context of international art and culture. The series documents
the renaissance that has taken place in recent decades among
Native American artists working in both traditional and
nontraditional materials such as wood, clay, glass, metal, fiber
and mixed media.
"Changing Hands: Art without Reservation, 2: Contemporary Native
North American Art from the West, Northwest and Pacific," will
run from September 22 through January 22 at the museum, 40 West
53rd Street, between Fifth and Sixth Avenues. It will then travel
nationally to six museums through 2007.
"Changing Hands 2" will focus on more than 300 works by 190
Native American artists from the Plains, Prairie, Plateau and
Pacific regions in both the United States and Canada, as well as
artists from Alaska and Hawaii, all of whom are breaking new
ground within their respective cultural communities.
The exhibition, funded by a grant from the National Endowment for
the Arts, will fill the museum, with additional works on view in
Gallery W52, which is in the ground floor lobby of the adjacent
Deutsche Bank building, 31 West 52nd Street. Gallery W52 is free
and open to the public daily, 8 am to 9 pm.
Pahponee, "New Age," 2003, white clay, wheel-thrown, burnished,
sculpted and kiln fired, 23 by 8 inches.
"Changing Hands 2" presents contemporary Native American art
that transcends ethnographic and anthropological interpretations.
The selected artists both acknowledge and contemplate the more
classic indigenous art forms as they challenge previous definitions
of Native American art and how it is perceived. These artists
examine and confront their past with both critical and creative
eyes; the exhibition emphasizes three-dimensional objects,
exploring how these artists often work in more unexpected or
nontraditional mediums including installation and performance arts.
"From the inception of this important series," says Holly
Hotchner, director of the Museum of Arts and Design, "our goal
was to underscore this museum's commitment to recognizing
emerging artists with a synergistic approach to the fields of
craft, art and design. Many of these artists will be presented in
New York, and indeed in a museum, for the first time."
"Changing Hands 2" raises questions about cultural identity in a
changing world. It delves into the question about the interface
of tradition and innovation that informs con-temporary Native
American art today, and about the juxtaposition of reservation
life with contemporary urban life.
Co-curators of the exhibition are Ellen Napiura Taubman, former
head of the department of Native American art at Sotheby's, and
David Revere McFadden, chief curator of the Museum of Arts and
Design. During the past five years, they have sought out a
diverse group of Native North American artists, many of whose
work has been un-known or underrecognized by the larger and more
wide-spread fine arts community. "Changing Hands 2" also features
many artists who al-ready have distinguished histories of
exhibitions at major art museums, and who are currently
represented in museum and private collections in North America
and Europe.
For information, 212-956-3535 or madmuseum.org.