:The Milwaukee Art Museum will present some of the greatest
drawings and paintings ever produced by Netherlandish artists in
the exhibition "Rembrandt and His Time: Masterworks from the
Albertina, Vienna." Including 112 drawings and prints from the
Albertina and a number of related paintings, the exhibition on
view from October 8 to January 8, explores the pivotal and
influential role of Rembrandt as a draftsman in mid Seventeenth
Century Holland.
Visitors have the unprecedented opportunity to see 27 of
Rembrandt's drawings and prints - the largest number of Rembrandt
works ever lent by the Albertina. The exhibition is organized in
conjunction with the 400th anniversary of Rembrandt's birth in
2006; Milwaukee is the only venue.
Rembrandt is universally accepted as one of the greatest artists
of all time, and the works on view demonstrate his exceptional
facility as a draftsman with different media. The exhibition
includes iconic images such as "Young Woman with a Child in a
Harness," "Three Studies of an Elephant" and "Young Woman at Her
Toilet." Dutch landscape is also represented with such important
works as "Cottages under a Stormy Sky" from the mid 1630s and
"View of the Pesthuis from the Ramparts" from the late 1640s.
Rembrandt's "Landscape with the Good Samaritan" - one of only
eight landscapes painted by the artist - has never before
traveled to North America. Lent by the Czartoryski Museum in
Poland, this painting belongs to the pivotal midpoint of the
artist's career and provides an excellent point of comparison for
the landscape drawings. Other paintings include works by Philips
Koninck, Gerbrand van den Eeckhout, Willem van de Velde the
Younger and Ludolf Bakhuizen.
Willem van de Velde the Younger (1633-1707), "A Dutch Ship at
Anchor Drying Sails and a Kaag under Sail," circa 1660, oil on
canvas, 68.7 by 92 centimeters. Mr and Mrs.Frederick Vogel,
III.
Equally significant are a number of early drawings by Roelant
Savery, David Vinckboons, Jacques de Gheyn II, Hendrick Avercamp,
Jan van Goyen and Esaias van de Velde that provide the earliest
examples of an emerging naturalism. There are also works by
Rembrandt's contemporaries, followers and by later artists whose
innovative approach to recording the Dutch world takes the work of
Rembrandt a step further. These artists include Jan Lievens,
Lambert Doomer, Philips Koninck, Nicolaes Maes, Salomon de Bray,
Govaert Flinck and Adriaen van Ostade. Marine themes and Italianate
landscapes are also explored as a means of fully explaining
Rembrandt's broad influence.
Rembrandt van Rijn (1606-1669), the most prominent artist of the
Golden Age of Dutch art, was a multifaceted painter, draughtsman
and etcher. The son of a prosperous miller, Rembrandt enrolled at
Leiden University at age 14. His passion for art soon overtook
his scholarly studies; however, he apprenticed himself to the
local figure painter Jacob Isaakz van Swanenburgh for three years
before entering the studio of Amsterdam artist Pieter Lastman in
1624.
Rembrandt settled in Amsterdam in 1631 and established a studio,
where he hired assistants and educated large numbers of pupils.
He quickly became the most fashionable portrait painter in
Amsterdam, presenting his subjects as authentic, real-life
characters in intimate settings. Although he achieved greatest
fame during his lifetime for his portraits, Rembrandt had a
boundless curiosity and explored a great variety of subjects,
including biblical and mythological themes, genre scenes,
landscapes, figure and nature studies.
Rembrandt excelled as an etcher and draughtsman. His drawings
were often produced in series as a way to familiarize himself
with his subjects and range from intimate, human observations of
daily life to stormy landscapes, to monumental and complex scenes
from the imagination. A prodigious worker, Rembrandt continued to
create paintings, drawings and etchings until his death in 1669.
The Milwaukee Art Museum is at 700 North Art Museum drive. For
information, 414-224-3200 or www.mam.org.