Romare Bearden, "Before the First Whistle," circa 1972,
lithograph on paper, 15.75 by 11.825 inches, courtesy of Jerald
Melberg Gallery, Charlotte, N.C.
DOYLESTOWN, PENN. - The James A. Michener Art Museum will
present "Romare Bearden: Enchanter in Time," an exhibition of works
on paper by one of America's great artistic innovators. This
exhibition of Bearden's works on paper will be on view in the
Wachovia Gallery from October 29 through February 5. The exhibition
was organized by the Jerald Melberg Gallery in Charlotte, N.C., and
is sponsored by Audrey Long Interior Design, Bucks County Economic
Development Corporation, Bucks Country Gardens, Bucks County
Herald, Bucks County Digital Printing, Charter Management
Corporation, First Federal of Bucks County, GMG Insurance Company,
Paganini Trattoria, Peddler's Village and Pennswood Village.
Romare Bearden (1911-1988) filled his work with the symbols and
myths of the American black experience. Bearden worked in a
variety of media, but was best known for the collages in which he
fused elements of past and present; fragments of his boyhood in
Harlem and vivid images of the American South, along with
historical, literary and musical references to create rich,
multilayered works that both reflect and transcend his era.
To create his collages, Bearden blended painting, magazine
clippings, old paper and fabric, like a jigsaw puzzle in
upheaval. But unlike a puzzle, each piece of a Bearden collage
has a meaning and history all its own. Shortly before he died of
cancer in 1988, Bearden said working with fragments of the past
brought them into the now.
"When I conjure these memories, they are of the present to me,"
said Bearden. "Because after all, the artist is a kind of
enchanter in time."
Bearden was born in North Carolina, and as a young man moved with
his family to New York City's Harlem where he came of age during
the Harlem Renaissance, surrounded by writers, artists and
musicians in a time of extraordinary creative ferment. Bear-den's
mother was a reporter for a leading black newspaper, and the
family's circle of friends included luminaries such as Langston
Hughes, W.E.B. DuBois, Duke Ellington and Paul Robeson. The
Harlem of his youth was very much influenced by the mass
migration of blacks moving north from the rural South, which may
have contributed to his many-layered memories and visions of
home.

Romare Bearden, "Evening Lamp," 1986, gouache, watercolor, ink
and collage on paper, 14 by 10.875 inches, private colelction,
North Carolina.
Bearden drew from many diverse sources and influences in
creating his work - from European masters to African art, history
and literature, religious subjects and ritual practices, jazz and
the blues, along with the landscapes and atmospheres of the places
he lived - including Pittsburgh, New York City, the rural South and
the Caribbean island of St Martin. From a young age, Bearden
developed a passion for jazz, a form whose rhythms and intervals
seems to have influenced his visual art work. His practice of
employing repeated motifs, often with slight variations, echoes the
"call and response" aspect of jazz.
In addition to the collages, Bearden produced watercolors,
gouaches and oils, and in the 1960s, he created a number of
"Projections" (or photostats), in which he used photographic
techniques to enlarge some of his smaller collages. These works
received considerable acclaim for their visual daring and nearly
cinematic impact. Throughout his career Bearden also made forays
into abstraction, usually with musical associations.
The exhibition "Romare Bearden: Enchanter in Time" consists of
some 38 works on paper, spanning religious themes ("Salome and
Noah," "The Third Day"), historical references ("Prologue to
Troy" and "Slave Ship") and musical tributes ("Introduction for a
Blues Queen" and "Bopping at Birdland"), among other subjects.
Bearden's work is included in many important public collections,
and he was recently honored with a nationally touring exhibition
organized by the National Gallery of Art in Washington, D.C. He
was also a noted writer and intellectual who authored several
books on African American art and artists.
In conjunction with this exhibition, there will be a lecture
presented by Jerald Melberg, entitled "Romare Bearden
Remembered," on December 11 from 3 to 4 pm.
The James A Michener Art Museum is at 138 South Pine Street.
For information, www.michenerartmuseum.org or 215-340-9800.