:For the first time, The Baltimore Museum of Art will display the
more than 25 wool trade blankets in its textile collection in
"Woven Rainbows: American Indian Trade Blankets."
On view November 9 through May 14, these geometric patterned
blankets were produced by American woolen mills for sale and
trade to Native Americans between the late Nineteenth and early
Twentieth Centuries. Inspired by Indian designs, they quickly
became objects of prestige for tribal members, preferred over
their own weavings.
At trading posts, Native Americans would trade their own
handwoven blankets, baskets and other goods for these machine
made blankets produced by non-Indian manufacturers, including
such famous woolen mills as Pendleton, Oregon City and J. Capps
& Sons. Native Americans found these commercially produced
pieces with their brilliant colors, stylized arrowhead and tepee
motifs and geometric designs to be more colorful and more
practical than their own blankets.
Yarns were available to factory designers in a variety of hues,
from hot pink to chartreuse and the lighter weight and more
flexible drape of the blankets produced on sophisticated jacquard
looms made them more adaptable than native weaves.
Worn in a variety of ways, as robes for men and shawls for women,
the blankets were as much articles of clothing as bedding.
Universally embraced by Indians throughout America, trade
blankets were owned by Nez Pierce Chief Joseph and Apache leader
Geronimo.
Their quality, unique patterning and association with Native
Americans made these blankets popular with Anglo Americans. They
became items of dramatic and exotic decorations, as will be
illustrated by the transformation of one of the museum's period
rooms into a circa 1920 Arts and Crafts-era living room accented
with trade blankets and Native American pottery, baskets and
textiles from the BMA's collection.
Ranging from ancient Coptic fragments to innovative late
Twentieth Century Japanese and American fabrics, the museum's
collection of more than 5,000 textiles spans nearly 2,000 years
and features objects from American, European and non-Western
cultures.
Nine Element Arrowhead robe or blanket, circa 1920s, made by
Pendleton Woolen Mills. American. Wool weft, cotton warp; 761/4
by 59 inches. The Baltimore Museum of Art; gift of Dena S.
Katzenberg, Baltimore.
Highlights include examples of early American needlework, a
distinguished collection of Baltimore album quilts, significant
English and French printed textiles from the Eighteenth through
Twentieth centuries (including designs by Christophe-Philipe
Oberkampf, William Morris and Raoul Dufy), and an excellent group
of tapestry-woven Kashmir shawls.
In recent years, the museum has concentrated on acquiring
Twentieth Century works, with emphasis given to obtaining designs
from recognized artists, craftspeople and design centers, as well
as fabrics created for seminal events or iconic buildings. Recent
acquisitions include textiles by Owen Jones, Alphonse Mucha and
Jack Lenor Larsen. Ongoing displays of textiles are featured in
the museum's Berman Textile Gallery.
The Baltimore Museum of Art is open Wednesday through Friday, 11
am to 5 pm; Saturday and Sunday, 11 am to 6 pm; and to 8 pm on
the first Thursday of every month.
Admission is $10 for adults; $8 for seniors 65 and over; $6
for college students; and free 18 and under. Admission is free on
the first Thursday of every month and for related Free First
Thursday activities. The BMA is on Art Museum Drive at North
Charles and 31st Streets. For information, 410-396-7100 or
artbma.org.