:On view from November 19 through February 12, the Walters Art
Museum will present "Sacred Arts and City Life: The Glory of
Medieval Novgorod," featuring approximately 290 objects,
including about 35 iconic artifacts, that examine the art and
culture of Russia's oldest medieval city - Veliky Novgorod or
Novgorod the Great.
The exhibit will trace the artistic and material culture of
Novgorod from the Ninth Century, through its Golden Age in the
Fourteenth Century, to its eclipse by Moscow in the Sixteenth
Century. Ecclesiastical objects from Novgorod's many churches
highlight its cultural achievements. This exhibition was
organized by the Walters Art Museum in collaboration with The
State Russian Museum, St Petersburg, and the Novgorod Museum
Federation.
"As the only US venue of the exhibition, the Walters Art Museum
is pleased to present Novgorod's magnificent heritage," said
Walters director Gary Vikan. "Visitors will see the
transcendental world of religious art juxtaposed with a vivid
window into the rugged everyday life of people, who some 800
years ago inhabited the frosty Russian North."
Novgorod's early history is well documented, and the city remains
one of the world's centers for studying medieval urban life. The
exhibition begins by examining the walled city's geography.
Recorded as early as 859, Novgorod - 100 miles south of St
Petersburg - was founded on the banks of the Volkhov River, the
principal water route uniting the Baltic and the Black Seas.
In 988, the Byzantine-Orthodox form of Christianity was accepted
in Russia. Novgorod's adoption of Christianity from the Byzantine
Empire determined the Eastern orientations of its religious
culture and supplanted indigenous pagan cults. Objects marked
with pagan symbols and totems gradually were replaced by
Christian imagery and amulets.
Twelfth Century necklace, pressed and welded bronze. Courtesy
Novogrod State Museum.
One of the most important sites in Novgorod is the Cathedral
of St Sophia, built in stone from 1045 to 1050. It is the city's
spiritual center and one of its most impressive architectural
monuments. In a city constructed almost entirely of wood, the
erection of stone churches, especially of St Sophia, testify to the
desire to construct religious edifices symbolic of the permanence
of heaven.
A set of monumental gilt-copper doors and an openwork lamp from
the Cathedral of St Sophia will be displayed together with
selected icons and scale models of some of the other churches
that established Novgorod's reputation as a major center of
religious life.
Worshippers used these icons to request the help of the saints
depicted and often looked to these saints for help with specific
activities, including their livelihoods. This is exemplified in
the exhibition by a Fifteenth Century icon of Saints Florus and
Laurus with Saints Blaise and Spyridon, depicted respectively
with a steed of horses and a herd of cattle.
This will be one of the first exhibitions to integrate icons with
objects from daily life, demonstrating the connection between
religious imagery and the concerns of the city's citizens.
Novgorod's soil containing clay deposits has preserved intact
organic materials on a scale unlike any other archeological site
from the Middle Ages. Beginning in the Tenth Century, the
townspeople improved their streets every 20 to 25 years, putting
a new layer of rough-hewn pine logs on top of old ones.

Iconostasis doors with the Annuciation, Saint Basil and Saint
John Chrysostom, late Fifteenth to early Sixteenth Century,
tempera on wood. Courtesy State Russian Museum, St Petersburg.
Each layer can be scientifically dated by means of
dendrochronology (the study of the year-rings in tree trunks);
objects such as wooden toys, leather goods and even birch-bark
letters that have been recovered intact from the soil can be
precisely dated by the layer in which they were found.
In places, as many as 20 to 30 layers have been uncovered. Large
photomurals of the excavation will be part of the exhibition.
Novgorod was a city full of craftsmen who worked to produce
objects used at every social stratum of the burgeoning city.
Excavations have yielded the remains of about 150 artisans'
workshops, offering a glimpse of an advanced and prolific system
of craft production.
Selected objects like musical instruments, minstrels' masks and
toys speak to the experience of urban life and stand in contrast
to the otherworldly character of the city's religious art.
An illustrated catalog accompanies the exhibit and is for sale in
the museum store.
Museum hours are Wednesday to Sunday from 10 am to 5 pm. For
information, 410-547-9000 or www.thewalters.org.