:The stately bronze arched windows had been darkened with black
paint during World War II and remained so. The ornate 20-foot
high plaster ceiling in the main reading room bore scars of
abuse, dirt and age. Equally ornate black walnut wall panels had
been covered with industrial shelving and map cases. The bronze
chandeliers deteriorated. Table lamps impeded the opening of
large books and maps. In short, just less than a year ago, the
map division of the esteemed New York Public Library was a public
disgrace.
On Wednesday, December 14, all that changed when the Lionel
Pincus and Princess Firyal Map Division of the New York Public
Library re-opened, renewed, restored and retrofitted with the
latest in mapping technology.
John Seller, "A Mapp of the World" Color engraving from Atlas
Maritimus (Maritime atlas), London, printed by A. Godbid and J.
Playford for John Seller, 1682.
The renovation is the latest in a decades long project to
restore grandeur to the Carrére and Hastings Beaux Arts building
that dominates Fifth Avenue from 39th Street to 42nd.
Over the years, while the Map Division excelled in the cataloging
of antique and contemporary maps, the facility itself fell into
disrepair, for a variety of reasons. Still, nearly 5,000
architects, archeologists, students and movie makers made do,
enduring the discomforts while sorting through the Map Division's
vast collection of more that 420,000 maps to uncover the
topographical, nautical or geologic information they required.
When the North East corner suite of three rooms was closed nearly
nine months ago, many readers, according to Alice C. Hudson,
Chief of the Lionel Pincus and Princess Firyal Map Division, did
not make the move with the staff across the hall to temporary
quarters.
"We're thrilled to be back," Hudson said. "The renovation allows
us to provide a new level of service to the public."
The re-done facilities incorporate the best of the past with the
needs of the present, and foresee even more technological
advancements. The architectural firm of Davis, Brody, Bond LLC -
responsible for the stunning 1998 recovery of the two block long
Rose Reading Room - used every technique available, from spectral
analysis to hidden high speed wiring, to make the marriage of
architecture and technology work.

Workers restoring the painted ceiling to its original
Beaux-Arts grandeur.
Lou Davis, now in his 80s but very much involved in the
restoration process, stated, "I consider these rooms mine. They're
intimate. Beautiful."
Entering the main reading room from the Library's cavernous stone
corridors, one is immediately imbued with a sense of quiet
harmony. Reglazed windows capture winter's light, making the room
a haven of comfort. Beneath a 20-foot high plaster ceiling that
is matched to the original color palette of green and vermillion
with Dutch metal and copper leaf accents, and finished with
sculptural details of fruit and vegetable forms, seashells,
dragons and cherubs, are tables fitted with flat screen
computers. Readers can not only access a wealth of information
from digitized antiquities to current day satellite images but
also use the geospatial mapping software to create maps and
manipulate datasets to yield geographic, economic and social
information.
Descending from the ceiling, bronze Carrére and Hastings
chandeliers shed light. Pin-point beams from recessed fixtures
render obsolete the need for table lamps. Restored Welsh quarry
tiles hide the electric lines and high-speed cables embedded
below. On the wall, digitized images of antique maps complete the
ambience.

"Sphaerarum Artificialium Typica Repraesentatio (artificial
spheres)," color engraving, from Collection of Maps, 1600s,
Volume 2, Amsterdam.
Adjacent, through a broken pediment arched doorway, is the
reference room, to which entrance is limited to credentialed
scholars, authors and students. Residing on one of the long map
tables is the earliest known pair of English library globes.
Overhanging the rectangular room is a balcony with ornamental
railings that recall the Golden Age in which they were designed.
Reinforced structural support makes it possible for this balcony to
float in space, unsupported from below, while bearing the weight of
flat files designed for only one purpose - holding books of maps.
Everywhere the eye fixes, original details, like the highly carved
black walnut panels, recently stripped of paint and refurbished,
speak of the glory that was and the pride of place that is.
The re-done rooms are a stunning gateway to the remarkable map
collection that dates from the Library's inception, with holdings
from the Astor and Lenox libraries. It was named a division in
1947.
During the press preview preceding the ribbon cutting, Hudson
showed viewers a 1664 Bleau atlas, one volume of nine that
demonstrated just how far the cartographer's craft has advanced.
"We think a Times atlas set is a big thing," Hudson mused, "but
it took nine of these to cover the world." Open to England, the
side panels depict the per-Arthurian kings. The landscapes,
however, are Dutch, because the mapmaker was Dutch. "It just
depends on who was creating the map," Hudson concluded.
For those who love architecture at its best, the Lionel Pincus
and Princess Firyal Map Division is a "must see." For collectors
whose passion encompasses cartography, the New York Public
Library offers holdings from important early European makers such
as Jean Baptiste Bourguignon d'Anville, Jacques Nicolas Bellin,
Willem Janszoon and Joan Bleau, Alexander Darlymple, Hendrick
Mercator, Abraham Ortelius, and more.

Entering the main reading room one sees bronze Carrére and
Hastings chandeliers that shed light and reglazed windows
capture outside light. The 20-foot-high plaster ceiling is
matched to the original color palette of green and vermillion
with Dutch metal and copper leaf accents, and finished with
sculptural details of fruit and vegetable forms, seashells,
dragons and cherubs. The tables are fitted with flat screen
computers.
Notable antiquarian items include a 1661 map by Andreas
Cellarius depicting Ptolemy's theory of a geometric universe, in
which planets revolve around the earth. There is also a 1705
directional map by Edmund Haley that was the first to use the arrow
as a directional signal.
Of the modern world, The Map Division is particularly acclaimed
for its New York City and tri-state maps. From the first use of
house and building numbers in Nineteenth Century New York City to
topographical identification of underground streams and wetlands,
there is very little about the Big Apple that has not been
charted or that does not reside in the NYPL Map Division.
Most items have been assembled through gifts, and government
deposit. A notable addition was the 1997 gift of the Lawrence H.
Slaughter collection of maps, atlases, and books about English
colonial North America. Collecting, conserving and storing the
mostly oversize and often fragile maps is the Division's
preeminent challenge and responsibility.

Robert Greene, "A New Mapp of the World," hand colored
engraving from Samuel Thornton, Sea Atlas, London 1686.
Times change and with them, mapping. As consumers, we are now
so position conscious that even cars have digitally voiced maps
based on global positioning satellites. Yet the need for study
continues. Sands shift. Ocean floors move. Space bends to
measurement.
Cartographers work for oil companies, governments, developers -
the list is endless. From one map can come multiple opinions
about site location, how to proceed, how not to. As long as
mankind advances, the need for detailed maps will continue. Now,
there is place of splendor as well as substance in which to fuel
the fervor for topographical research and nautical charting. It
is the restored Lionel Pincus and Princess Firyal Map Division.
And, in front of the New York Public Library, the lions that New
Yorkers know as "Patience" and "Fortitude" appear to be smiling.
It's good to know that one of the most recognizable landmark
buildings in the world, housing an unparalleled collection, is
being restored, room-by-room.