:Like many other small museums that dot the shoreline towns of New
Jersey, the one at The Atlantic Heritage Center in Somers Point
can become a beehive of activity when the local historical
society meets there. And so it was on a recent late fall
afternoon when a lecture and slide presentation was offered to
the public.
The museum comprises of three levels - period furniture lines the
walls of the large auditorium upstairs, the business area on the
ground level houses clocks by Solomon Parke and Silas Hoadley.
The main collection is found in the basement section.
Immediately upon entering the lower level there is a looming
presence that dominates the many artifacts in this subterranean
room - an imposing colonial tall case clock. Rarely does one get
to see an Edward Duffield clock in such an intimate setting. It
is even more unusual to have the opportunity to examine the case
and works closely. Most Duffield clocks are in places such as
Winterthur, Colonial Williamsburg, The American Philosophical
Society and the Library Company of Philadelphia.
Duffield (1720-1801) was a man well worth revisiting and
reassessing. During his lifetime he was frequently overshadowed
by two of his close friends, Benjamin Franklin and clockmaker
David Rittenhouse. Little information appears in the horological
literature about this clockmaker of Philadelphia, who worked
during the golden age of furniture making in that city, in the
years just prior to the Revolution. There was a paper written at
the University of Delaware in 1963 by Ian Quimby titled "Edward
Duffield: Gentleman Artisan." The manuscript now resides at
Winterthur, and much of what follows is taken from that source.
At the same time, we will take a look at some of Duffield's
horological masterpieces.
Two of Duffield's greatest masterpieces representing the
consummation of the Delaware River Valley style of cabinetry
reside at Winterthur and Colonial Williamsburg, shown left and
right, respectively. Both feature mahogany cases, broken arch
pediments with hand carved terminals and flamboyant finials.
Both cabinets also use rocaille carvings in the tympanum of the
hood. Rocaille is a form of Eighteenth Century rococo carving
based on rock and shell forms.
Many picture the life of a colonial clockmaker as that of a
man squirreled away in a small, dimly lit room, the odor of oil and
metal filings in the air, working laboriously at the bench, having
little interest beyond his workshop, being neither terribly worldly
nor broadly educated. Even Simon Willard, who became a friend to
presidents, had little interest outside of clockmaking. Such was
not the case with Edward Duffield, who worked in Philadelphia
County from 1741 until the end of his life. He was described by
John Fanning Watson in his 1909 Annuals of Philadelphia as a
"very intelligent reading man." He was held in high esteem by his
fellow citizens of Philadelphia, not only for his horological
genius, but as a man involved in civic duties, religious activities
and charitable work. Duffield also proved quite skilled in the
mechanical sciences.
Duffield's grandfather, Benjamin, emigrated from England and was
granted land in Philadelphia County in 1682. This family estate
became known as "Benfield" and was actually located in Moreland
Township, Philadelphia County. It was the birthplace of Edward's
father, Joseph (1692-1747), and of Edward himself. Unfortunately
little is known of Duffield's training, but judging by his superb
craftsmanship and fine eye for detail, along with his
acknowledged use of the best cabinetmakers, one would have to
assume his apprenticeship likely took place in Philadelphia
during the 1730s. Peter Stretch, Joseph Wills and John Wood Sr,
among others, were then practicing their craft in that city.
Edward set up shop in the northwest corner of Second and Arch
Streets in 1741 as a clock and watchmaker. He is said to have
produced one of the first watches ever made in the colonies.
It was during these early years that he became a close friend of
Benjamin Franklin. Franklin founded the American Philosophical
Society (APS) in 1743, and Duffield became one of its charter
members, along with their mutual friend Rittenhouse. Legend has
it that either Franklin (the rare owner of a pocket watch) and/or
Duffield were often asked by passersby for the correct time,
since watches then belonged only to those of means. As a result,
Duffield decided to construct a two-faced timepiece that he
completed in the late 1740s, and placed it outside the second
story window of his shop. This became the first public clock in
Philadelphia. (It was not until 1752 that Thomas Stretch built
the famous State House clock).
As a further indication of the friendship between the two men,
there is evidence that Franklin owned at least two of Duffield's
clocks. The most famous example is now in the APS and is a petite
tall case clock, height 6 foot 11 inches, constructed of mahogany
in the Queen Anne style, likely dating from 1750-55. Its early
features include a sarcophagus top, blind pierced fretwork in the
frieze at the base of the pediment, colonnettes as part of the
hood door, a small revolving moon dial, cherub head spandrels and
simple straight bracket feet. Two brass plaques on the front of
the waist door list the ownership of the clock starting with
Benjamin Franklin and tracing it down through his family to 1933
when it passed into the hands of a family of financiers, the
Morgans. It was gifted to the APS in 1954.
The Library Company of Philadelphia (LCP) was founded in 1731 by
Franklin and some friends to promote learning. It was doubtless
made use of by Duffield, who was invited to become a member in
1760. Recently one of his classic Queen Anne clocks, circa 1760,
was gifted to the library. This clock, of superb proportions and
condition, stands 9 feet tall and is made of walnut. Period
findings include the sarcophagus top, signed dial boss, tombstone
door and straight bracket feet. Interestingly, this clock was
donated by the gentleman who currently holds Duffield's original
membership share in the LCP.
In 1762, the city of Philadelphia chose Duffield to succeed
Stretch in the care of the town clock located in the State House
(now known as Independence Hall). Stretch had constructed the
clock in 1752, and it seemed to require frequent repair. This was
in great part due to the fact that the two faces of the clock
were located at opposite ends of the building and were each
connected to the movement by long rods, a rather unusual and
awkward mechanism. Duffield was paid 20 pounds per year and
remained in charge of the clock until 1775 when he left the city,
being replaced by Rittenhouse in the performance of this
particular duty.

The Baltimore Museum of Art's example of Duffield's work is
this clock standing 8 feet 10 inches high made of mahogany with
pine, tulip and sweet gum secondary woods. The brass dial,
shown inset, is engraved rather than having applied spandrels
and chapter rings. This suggests a date after the Revolution,
perhaps 1780-1790.
Duffield was also held in high esteem by the silversmiths of
Philadelphia. He was chosen in 1767 to evaluate the quality of all
gold and silver in the province. He had previously cut the dies for
the first medal of honor in the colonies in 1756 (for valor in
military service) and the first peace medal in 1757.
In 1762, he was elected a member of the APS, and became an
officer of that society in 1773. In 1769, he was requested to
construct a clock for the APS observatory, which is still in the
possession of the society. This clock was under Duffield's
supervision until he left Philadelphia in 1775, when it came
under the care of Rittenhouse.
By 1771, Duffield was appointed a "warden of the city," in charge
of certain aspects of city management and taxation, and was
involved with issuing paper currency. In 1774, he was chosen to
oversee construction of the Walnut Street Prison. For several
years leading up to the Revolution he donated his time and money
while managing the "Charity School for Negro Children." He took
part in activities leading to the First Continental Congress in
September 1774, and when the British blocked the port of Boston
he was placed on a committee to decide upon a course of action to
protect Philadelphia.
Perhaps his two greatest masterpieces reside in Winterthur and at
Colonial Williamsburg. Both cases are mahogany and represent the
consummation of the Delaware River Valley style of cabinetry.
Both clocks exhibit broken arch pediments with hand carved
terminals and flamboyant finials. Both cabinets use rocaille
carvings in the tympanum of the hood (the Winterthur example
employs a rarely seen hand carving on the hood door also). There
are free standing fully fluted colonnettes adjacent to the dial,
fluted quarter columns in the waist and base, shaped waist door
and base panel, ogee bracket and tombstone-shaped side-lites
(glass windows) in the sides of the hood. The dials are brass
with applied brass spandrels and chapter rings, with a boss in
the lunette of the Williamsburg example and a rotating moon dial
in the one from Winterthur.
It is known that Duffield used the finest cabinetmakers in
Philadelphia. Little, however, is known about who created each
case. There are recorded business dealings with cabinetmaker
Benjamin Randolph. Others linked closely with this clockmaker are
Thomas Affleck, who also made cases for Rittenhouse, and Solomon
Fussell. Jonathan Gostelowe (1744-1806) worked between Arch and
Market Streets and married Edward Duffield's niece in 1768.
Family ties in the clock business seemed to matter and Gostelowe
was known to have constructed clock cases. It therefore appears
likely that he must have done work for our clockmaker. Duffield
also had business ties outside of Philadelphia. He owned 20 acres
of land in Burlington County across the Delaware River. Clocks,
as well as watches, were sold in neighboring New Jersey.
In 1775, at the age of 55, he left Philadelphia and retired to
his ancestral estate at Benfield in Moreland Township,
Philadelphia County. During the British occupation of his city,
Duffield gave shelter to the family of Ben Franklin for an
extended period of time. During the winter of 1779, Sarah
Franklin Bache wrote to her father in France, "I think myself
lucky to have had such a friend." The two men remained very
close. Franklin chose Duffield as one of the executors of his
estate (along with John Jay, the first chief justice of the
Supreme Court and an author of the Federalist Papers). Upon
Franklin's death in 1790, he left his cherished French-made
weywiser, a carriage odometer, to his old friend.
The Baltimore Museum of Art owns an example of Duffield's work
during this time period. Its clock stands 8 feet 10 inches and is
made of mahogany with pine, tulip and sweet gum secondary woods.
There is a delicately carved floral cartouche as the center
finial flanked by two urn and flame finials. There is a broken
arch pediment with carved rosette terminals, a shaped door in the
waist and a similarly shaped panel in the base, both flanked by
fluted quarter columns. Ogee bracket feet support the base. The
brass dial is engraved rather than having applied spandrels and
chapter rings. This suggests a date after the Revolution, perhaps
1780-1790. It contains a rotating moon dial. The form and
proportions of the clock appear to be near perfect.
In 1785, Duffield was elected a delegate to the first Protestant
Episcopal Church Convention, and he became a member of the
Philadelphia Agricultural Society, where he wrote a paper on the
use of plaster of Paris as a fertilizer. He helped found the
Lower Dublin Academy and became a trustee and its first
president. He donated the old two-faced clock that he built
during the 1740s to the academy. It became the standard
timekeeper not only for the school but for the village as well.
Today it no longer exists and the physical structure is a private
residence. A circular window can still be seen above the front
entrance. At one time it housed the dial of what was then
Philadelphia's first public clock.

The Duffield tall case clock at Somers Point is made of richly
grained and deeply colored walnut. Features demonstrating the
fully developed style of Delaware Valley case construction
include an imposing hood structure with a heavy broken arch
pediment and carved terminals (shown bottom right), fluted hood
colonnettes, fluted quarter columns that run the full length of
the waist and the full length of the base, a shaped waist door
and shaped tablet in the base. The brass dial (shown top right)
retains an old patina, with Roman hour numerals and Arabic
five-minute markers. The hands are of beautifully cut steel,
and the break arch of the dial is roughened and worked.
The Duffield tall case clock at Somers Point is made of
richly grained and deeply colored walnut. The case includes most of
the features of the fully developed style of Delaware Valley case
construction. These include an imposing hood structure with a heavy
broken arch pediment and carved terminals, fluted hood colonnettes,
fluted quarter columns that run the full length of the waist and
the full length of the base, a shaped waist door and a shaped
tablet in the base. The three ball and spire finials have a
mahogany stain and appear to be later replacements, as is a
circular rosette and a strip of applied scroll decoration placed
just below the center finial. The feet, likely of the ogee bracket
type, are missing.
The brass dial retains an old patina, with Roman hour numerals
and Arabic five-minute markers. The hands are of beautifully cut
steel, and the break arch of the dial is roughened and worked.
The boss contains the name and place of the clockmaker in a
script that matches his other clocks. The spandrels give a clue
as to the date, since all six contain elaborately shaped
C-scrolls, which mimic the wood carvings found on Philadelphia
tall case clocks in the years approaching the Revolution. The
spandrels around the boss do not contain the usual dolphin forms
that one associates with England and likely indicate a date very
close to the war with England (circa 1770-1775).
The brass eight-day time and strike movement is placed on a seat,
which contains old shims and holes indicating that the seat board
always sat on these shims. The movement exhibits brass plates,
which, although thick, seem less so than those found in English
movements. There are grooved winding drums, well formed tapered
and turned brass pillars and deeply cut teeth. The lack of a tail
on the gathering pallet and the central placement of the strike
hammer suggest American manufacture. The spandrels appear to be
riveted in place.
Over the course of his lifetime as a clockmaker, Duffield
advertised little. This may have been because of the abundance of
horological work in his shop and his involvement in a host of
ancillary activities. In his early years, when business was not
nearly as brisk, it is recorded that he sold in his shop "olives,
anchovies and lemons." He died at Benfield in 1801 at age 81. His
estate was valued at $23,000, a goodly sum in those times. But
that did not count his real estate holdings, which were
substantial and included 20 acres in Burlington County, N.J., and
land in Nova Scotia. Benfield itself had to be rather large.
Today it no longer exists, but the land is now occupied by the
North Philadelphia airport, a golf course and a housing project.
Duffield's estate contained five servants, unfinished clocks, 200
pounds of sheet brass (clock plates, gears and dials), 15 pounds
of whale teeth and five pounds of turtle shell (both for
watches). These latter items are further evidence that he
continued as a clock and watchmaker until his last years.
It would have been sufficient if Duffield had simply left us his
clocks, which rank among the finest ever produced anywhere in
this country. But as Ian Quimby concludes in his manuscript, what
comes across about this man is that he was an active,
intelligent, well-read citizen with interest in the life about
him, the needs of his fellow man and a desire to improve the lot
of all mankind.
The Museum of the Atlantic County Heritage Center (formerly The
Atlantic County Historical Society Museum) is at 907 Shore Road.
It is open to the public Wednesday through Saturday, 10 am to
3:30 pm, and the first Thursday each month, 6 pm to 9 pm.
Admission to the museum is free. For information, 609-927-5218.
David A. Sperling, MD, of Father and Son Antiques
(www.homestead.com/fatherandsonantiques), Sussex, N.J., is a
longtime collector of Americana. He lectures for the New Jersey
Council for the Humanities on the history of early American
clockmaking. He writes for several antiques publications and does
appraisals for museums, insurance companies and private
individuals. He can be reached at horology@att.net.