:The James A. Michener Art Museum will present "Radical Vision:
The Revolution in American Photography," at the Doylestown
location from January 14 through May 28. This exhibition will
explore the radical changes in American photography from the late
1940s through the late-1970s from the work of the best-known
photographers of the time, as well as some important figures
whose work deserves to be better known.
The decades after World War II were a time of incredible growth
and change in the American photography scene. Parallel to the
rise of Abstract Expressionism, American photography in the
postwar years was marked by innovation and discovery and, like
Abstract Expressionism, it made the United States the center of
the art world in photography.
John Szarkowski from the Museum of Modern Art in New York City
recognized and championed photographers from Robert Frank to
Diane Arbus, from Lee Friedlander to Gary Winogrand, whose work
is featured in this exhibition. In 1967, Arbus, Friedlander and
Winogrand all had work mounted in the "New Documents" show at the
Museum of Modern Art. These photographers questioned the old
social order to expose racism and alienation in the nation's
midst and the old esthetic order in photography.
Allen Ginsberg, "Jack Kerouac," 1953/1990s, gelatin silver
print on paper, 20 by 16 inches. David Sestak family
collection.
They also challenged the domination of the sharply focused
print that exhibited a full range of tones from white through gray
to black, championed by Ansel Adams and Edward Weston. They
explored oblique framing, radical cropping and the use of the
natural grain of the film, extreme closeups and subject matter that
ranged from the dispossessed to the freakish to the oddly normal in
American society.
The exhibition consists of 71 images from 16 photographers drawn
from the collection of David Sestak, and curated by the noted
area photographer critic, and editor Stephen Perloff. Sestak is a
photographer and collector of postwar American street
photography. His photography is published in national magazines
and exhibited in galleries in the Mid-Atlantic states. Perloff is
the founder and editor of The Photo Review and editor of
The Photograph Collector. His photographs have appeared in
numerous exhibitions and private collections.
Arbus (1923-1971), born in New York City, was one of the most
original and influential American artists of the Twentieth
Century. Arbus's photographs document people living on the fringe
of social acceptance and harshly portray the cracks in "normal"
people's public masks.
Frank (born 1924), a Swiss-born photographer, has had an
extraordinary influence on photography. Frank became one of the
photographers to document the bohemian subculture of the 1950s
and 1960s through the publication of his photographs in The
Americans. In the words of Beat poet Jack Kerouac, "Robert
Frank, Swiss, unobtrusive, nice, with that little camera that he
raises and snaps with one hand he sucked a sad poem right out of
America onto film, taking rank among the tragic poets of the
world."
Winogrand (1928-1984), born in New York City, created
photojournalistic shots of disturbing moments, which won him
acclaim as an important chronicler of contemporary American life.
He worked exclusively with small-format cameras and available
light to capture telling moments in a casual, "uncomposed"
manner. His use of wide-angle lenses and tilted framing creates
images both satirical and disturbing.
Friedlander (born 1934), born in Aberdeen, Wash., is known for
dense and often visually witty black and white streetscape views
of the American scene. Characteristically filled with shadows or
reflections, they frequently reveal the alienation and complexity
of modern life.
In connection with the exhibition, the museum will present a
number of programs, including the Curator's Exhibition Lecture on
Tuesday, February 7, from 1 to 2 pm, presented by guest curator
Perloff. On Tuesday, February 28, from 1 to 2 pm the museum
presents "Meet the Collector: David Sestak," an informal gallery
tour of the exhibition.

Lee Friedlander, "Route 9 W, New York," 1969/1990s, gelatin
silver print on paper, 11 by 14 inches. Collection of David
Sestak. Image courtesy of the Fraenkel Gallery, San Francisco.
In addition, there will be a video screening of Masters of
Photography: Diane Arbus and Fire in the East: A Portrait of
Robert Frank on Sunday, March 5, at 3 pm, with introductory
remarks by Perloff.
Masters of Photography: Diane Arbus is a 30-minute,
out-of-print documentary that explores Arbus's work and ideas in
her own words, spoken by a close friend who narrates her
pictures. Fire in the East; A Portrait of Robert Frank is
an award-winning, 28-minute documentary that presents an intimate
view of four decades of Frank's life, films and photographs,
including interviews with many of his collaborators and
contemporaries, including Emile de Antonio, Allen Ginsberg,
Walter Gutman, June Leaf, Jonas Mekas, Duane Michals, John
Szarkowski and Rudy Wurlitzer.
The James A. Michener Art Museum is at 138 South Pine Street. For
information, www.michenerartmuseum.org or 215-340-9800.