:In honor of its 50th anniversary, the National Museum from
Musical Clock to Street Organ, will present an exhibit of "Royal
Music Machines." With loans from museums around the world, the
museum will host a collection of some of the most famous musical
automata of the last 500 years. The exhibit opens on April 13 and
will run through July 30 at the museum, Steenweg 6.
Over the centuries only the crowned heads of Europe and Asia
could afford to acquire music machines that crossed the border
between art, music and technology. Unique pieces from collections
of the Habsburgs, Romanovs, Bourbons, Esterházys and the Oranjes
will be on view during the exhibition.
Several of the pieces on loan have never before left their home
countries, including "La Musicienne," an almost full-size
mechanical lady, 233 years old, who plays a pipe organ with her
own automated fingers, she breathes (her chest moves) and her
eyes follow the movement of her fingers. When she finishes her
performance, she curtsies to her audience.
Royal houses and emperors wanted to display their wealth and
power, so as ultimate proof of their good taste and status, they
instructed instrument makers to construct the most exclusive
automatons, often as presents for special guests or dear friends.
Spectacular examples from the Renaissance include a ship automata
that moved along the table as a showpiece during royal banquets.
Only three of these royal toys are left, one of which is the
solid silver and fire-gilt ship automaton that was in all
probability made for Emperor Rudolf II of Hapsburg.
From Russia comes a royal carriage that was made for Catherine
the Great by a serf who won his freedom for his creation. Sixteen
years in the making, it is equipped with an odometer and an
automatic organ that could be switched on during a ride to
entertain the passengers. The musical cylinders had a wide
variety of music and new ones could be made.
Carriage with odometer and automatic organ, Egor Kuznetsov,
circa 1795, The State Hermitage Museum, St Petersburg, Russia.
From the Far East comes a pair of Eighteenth Century elephant
automata that stand more than 8 feet high. The two elephant clocks
with bell music and automata were made by atelier James Cox in
London, circa 1780; they are on loan from a private collection.
Undoubtedly they were made for royalty, with the quality of the
music mechanisms and the delicacy of the 150 water cascades, but
first and foremost it is the sheer size of the bronze patinated
and fire-gilt bodies of the elephants that is remarkable.
The National Museum from Musical Clock to Street Organ is housed
in a mediaeval parish church in the historic city center. For
information, The Netherlands board of tourism and conventions,
212-370-7360, or in The Netherlands 31(0) 30 232 6093 or
www.museumspeelklok.nl.