:The Heckscher Museum of Art will present an exhibition of
watercolors by Arthur Dove from July 11 to September 3. Organized
by the Alexandre Gallery, 41 East 57th Street in Manhattan, in
association with the Heckscher Museum of Art, "Arthur Dove
Watercolors" offers a comprehensive survey of the best examples
of the artist's watercolors from 1930 through the mid-1940s, with
particular emphasis on his works from the mid-1930s through the
early 1940s.
Long regarded as a pioneer of American Modernism, Dove first
explored the medium of watercolor on Long Island - down New York
Avenue in Halesite - where he lived for nine years with his life
companion and second wife, the artist Helen Torr. Although Dove's
preliminary efforts with watercolors date back as early as 1927
or 1928, the medium became a regular part of his painting process
around 1930, when he began including his watercolors in annual
exhibitions at Alfred Stieglitz's gallery, An American Place.
Works created in Halesite include the Heckscher Museum's "Boat"
from 1932, an image that may actually represent Dove's own
sailboat, the Mona, as well as a splendid view of the sun
shining over Huntington Harbor titled "Sun Drawing Water."
Dove returned to his hometown of Geneva, N.Y., in 1933, where he
began exploring the rural upstate terrain in the medium of
watercolor, painting barns and fields on the family property. As
was Dove's practice, these frequently served as the basis for
larger oils, the images enlarged to canvas size with the
assistance of a pantograph or magic lantern. As the first
expression of the painter's creative impulse, the watercolors
have an immediacy and freshness that remain compelling today.
As prolific as Dove was in Geneva, it was not until his
relocation with Torr to Centerport, N.Y. - to the small one-room
cottage now owned by the Heckscher Museum of Art - that he
entered into a final, tremendously productive phase of
exploration of the watercolor medium.
Taken ill almost immediately upon moving back to Long Island in
April 1938, Dove remained a semi-invalid for the remainder of his
life. Periodically incapacitated for extended times, he was often
unable to paint in oils, instead creating a significant body of
more than 300 small watercolors. Often inspired by the views out
his window, across Titus Mill Pond, or down toward Camp Alvernia,
Dove's last body of work, even as it approaches total
abstraction, relates closely to the artist's physical
surroundings.
Several watercolors from the Heckscher Museum's renowned
permanent collection are included in this exhibition, as are
archival materials from the collections of the Newsday Center for
Dove/Torr Studies - including the artist's own paintbrushes and
paints, his paint box and Max Doerner's Materials of the
Artist, a book that served as Dove's primary resource as he
experimented endlessly with his painting mediums.
"Arthur Dove Watercolors" is accompanied by an illustrated
catalog with essays by Anne Cohen DePietro, project director of
the Newsday Center for Dove/Torr Studies and a consultant for
this exhibition, and Debra Bricker Balken, noted Modernist
scholar and lead curator of the 1998 traveling Dove
retrospective.
The museum is in Heckscher Park, Main Street (Route 25A) and
Prime Avenue in Huntington Village. For information,
www.heckscher.org or 631-351-3250.