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‘Quiet Spirit, Skillful Hand’ At Mint Museum May 17

Clare Leighton (American, b England, 1898–1989), "Dressing the Bride,” 1940, wood engraving, 7 by 4 7/8  inches, Mint Museum of Art, gift of Gabby Pratt.
Clare Leighton (American, b England, 1898–1989), "Dressing the Bride,” 1940, wood engraving, 7 by 4 7/8 inches, Mint Museum of Art, gift of Gabby Pratt.
:On view May 17–September 14, the Mint Museum of Art will originate a major traveling exhibition of more than 100 rare and unique works by British-born artist and writer Clare Leighton.

This collection of Leighton's work, assembled and donated to the museum by Charlotte resident Gabby Pratt, is one of the largest in the country and includes more than 180 of the artist's detailed engravings, drawings and watercolors, spanning her career from 1923 to 1965.

"Quiet Spirit, Skillful Hand: The Graphic Work of Clare Leighton" will provide a full survey of Leighton's career, from her earliest prints in the 1920s that depict the labors of the English working classes to a selection of her rarely seen watercolors.

Unique to the Pratt collection is a set of 12 Wedgwood plates, titled "New England Industries," for which Leighton designed the transfer-printed images.

Among the exhibition's highlights will be the prints that resulted from Leighton's early visits to North America, including "The Breadline, New York" and "Snow Shovelers, New York," as well as the artist's entire "Canadian Lumber Camp" series.

Born to an artistic family, Leighton studied wood engraving in Great Britain before moving to the United States during World War II. Settling first in Baltimore, Md., she moved to Chapel Hill, N.C., in 1943 and served as a visiting art lecturer at Duke University from 1943 to 1945.

Joe Jones (American, 1901–1963), "Threshing No. 1,” 1935, oil on Masonite.
Joe Jones (American, 1901–1963), "Threshing No. 1,” 1935, oil on Masonite.
During her career, Leighton wrote 15 books and created more than 700 intricate prints. The Pratt collection includes numerous examples of her critically acclaimed scenes of agrarian life in both England and the American South.

During her lengthy career, Leighton illustrated her own writing as well as classic and contemporary literature, including notable commissions for books written by Thomas Hardy, Emily Brontë and Thornton Wilder. The exhibit will feature numerous wood engravings that Leighton created specifically as book illustrations, including those for her own book Southern Harvest , and those commissioned for the seven-volume set of The Frank C. Brown Collection of North Carolina Folklore .

Clare Leighton (American, b England, 1898–1989), "Scything,” 1935, wood engraving, 6 7/8 by 4¾ inches,  Mint Museum of Art, gift of Gabby Pratt.
Clare Leighton (American, b England, 1898–1989), "Scything,” 1935, wood engraving, 6 7/8 by 4¾ inches, Mint Museum of Art, gift of Gabby Pratt.
To accompany the exhibition, the museum will present "Coming Home: Selections from the Schoen Collection," featuring 22 paintings from the collection of Jason Schoen of Miami. Schoen's holdings of American Scene painting trace the social, economic and political changes that occurred across this country between World Wars I and II — roughly the same era in which Leighton created her compelling engravings.

The paintings from the Schoen collection, by artists such as Thomas Hart Benton, John Steuart Curry, Joe Jones, Robert Gwathmey, Kenneth Hayes Miller and Ben Shahn, will provide a broad national context for the themes and subjects found in Leighton's work. This exhibition promises to be not only a rare opportunity for visitors to see numerous works from one of the top collections of American Scene paintings held in private hands, but also to reflect upon the nation's history as seen through the eyes of some of its most important artists.

Both exhibitions include illustrated catalogs. For information, www.mintmuseum.org or 704-337-2000.

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