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‘Portraits, Pastels, Prints: Whistler In The Frick’ Opens June 2

James Abbott McNeill Whistler (1834–1903), "Harmony in Pink and Grey: Portrait of Lady Meux,” 1881–82, oil on canvas, 76¼ by 36 5/8 inches.
James Abbott McNeill Whistler (1834–1903), "Harmony in Pink and Grey: Portrait of Lady Meux,” 1881–82, oil on canvas, 76¼ by 36 5/8 inches.
:From June 2 to August 23, The Frick Collection will present a focus exhibition dedicated to the colorful and often controversial artist James Abbott McNeill Whistler (1834–1903).

The Frick's ensemble of four full-length portraits by Whistler will be displayed in the museum's Oval Room alongside his evocative seascape, "Symphony in Grey and Green: The Ocean," 1866. The presentation will include a cabinet installation of 15 pastels and etchings from his Venetian sojourn of 1879–80. These works show Whistler's command of three distinct media and demonstrate his concern for the harmony of form, color and composition. Whistler's oeuvre clearly had a special appeal for Henry Clay Frick, who acquired more works by this artist than by any other.

This presentation, drawn from the institution's celebrated holdings and accompanied by several gallery talks, marks the first time in more than 20 years that they will be exhibited together.

Senior curator Susan Grace Galassi noted, "Perhaps because we have not shown these paintings, etchings and pastels together for more than 20 years, it may come as a surprise that Whistler — an American and a near contemporary to Frick — is actually one of the best represented artists in our collection."

"We look forward to welcoming the public to enjoy these works together this summer in galleries adjacent to the Old Master paintings for which the institution is best known."

The installation is organized by curatorial assistants Joanna Sheers and Caitlin Henningsen, in conjunction with Galassi.

James Abbott McNeill Whistler (1834–1903), "First Venice Set: The Doorway,” 1880, etching and drypoint, printed in dark brown ink with tone on dark cream-colored antique laid paper 11½ by 7 7/8 inches.
James Abbott McNeill Whistler (1834–1903), "First Venice Set: The Doorway,” 1880, etching and drypoint, printed in dark brown ink with tone on dark cream-colored antique laid paper 11½ by 7 7/8 inches.
The movement of the main full-length Whistler portraits into the Oval Room this summer has been arranged in connection with a project to refurbish the East Gallery, where they customarily hang.

In August and September, the floors there will be refinished and the paneling will be treated and waxed. A new rose-colored velvet mohair wall covering will be installed. The East Gallery, which has not been renovated in more than 20 years, will reopen on September 8.

The Frick Collection is at 1 East 70th Street. For information, www.frick.org or 212-288-0700.

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