Oscar Bluemner, "Jersey Silkmills (Paterson),” 1911, repainted in 1917; private collection.
:Discover how Cézanne transformed American art at the beginning of the Twentieth Century. "Cézanne and American Modernism," on view at the Baltimore Museums of Art February 14–May 23, brings together 16 of the French master's paintings and watercolors with more than 80 works by 33 American artists, including Marsden Hartley, Maurice Prendergast, Alfred Stieglitz and Man Ray.
Along with the BMA's two great Cézanne paintings, "Mont Sainte-Victoire Seen from the Bibémus Quarry" and "Bathers," the exhibition showcases outstanding works from public and private collections throughout the United States, including The Metropolitan Museum of Art, Art Institute of Chicago and Museum of Fine Arts, Boston. This nationally traveling exhibition is co-organized by the Montclair Art Museum and the Baltimore Museum of Art.
Paul Cézanne (1839–1906) is acclaimed as the father of Modern art for his revolutionary use of flattened perspective, carefully structured compositions and his signature technique of painting with patches of color.
Paul Cézanne, "Self-Portrait with a Beret,” circa 1898–99, Museum of Fine Arts, Boston. Charles H. Bayley Picture and Painting Fund and partial gift of Elizabeth Paine Metcalf.
This exhibition is the first to reveal how a small group of pioneering American artists championed the reclusive French artist before he gained international prominence. Although these painters and photographers never met Cézanne in person, his long and prolific career provided many avenues of influence for them to explore.
The transformative impact of Cézanne's painting is vividly illustrated by the American artists' adaptations of his stylistic hallmarks and subjects. Marsden Hartley was introduced to Cezanne's work in 1911, moved to the south of France in 1925 to be closer to the native countryside of his mentor, and produced his own rugged and colorful modern landscapes.
Cézanne's powerful images of bathers in the landscape moved Man Ray to pay homage in his Cubist-inspired compositions of the same topic. The French artist's strong and powerful portraits motivated Stanton Macdonald-Wright to produce an image of his brother in a colorful and confident style.
Marsden Hartley, "Mont Saint Victoire,” 1927, private collection of Elaine and Henry Kaufman.
John Marin's free-flowing watercolors are notable for their suggestive power, freshness and immediacy. Artists such as Patrick Henry Bruce, Andrew Dasburg and Charles Demuth were inspired by Cézanne's still life compositions and variously reflect his affinity for vibrant colors, tilted tabletops, multiple views and complex structures.
Cézanne's influence on early Twentieth Century American photography is examined for the first time with examples by Alfred Stieglitz, Edward Steichen, Paul Strand and others who played a pivotal role in introducing Modernism to America. Their experimentation included closely cropped portraits, abstract still lifes, and nudes and bathers in landscape settings.
The museum is at 10 Art Museum Drive. For information,
www.artbma.org
or 443-573-1700.
