The long and narrow kitchen is elegant and eminently workable.
Photo courtesy of the Landmarks Preservation Council of
Illinois.
David Bahlman, president of LPCI, said in a recent interview,
"Had any one player dropped out, we couldn't have done it. The
house would have been lost."
Farnsworth House is now officially open to the public, owned by
the National Trust and operated as a museum by the Landmarks
Preservation Council. An historic easement has been put in place
to prevent any inappropriate changes to the house and the
property without the preservation groups' permission in
perpetuity regardless of ownership.
Commissioned as a weekend home by Edith Farnsworth, a Chicago
physician, the house in Plano sits above the Fox River about 60
miles southwest of Chicago. Farnsworth House typifies Mies's
"less is more" philosophy. It measures 2,000 square feet,
comprises two steel framed precast concrete slabs, the ceiling
and the roof, and is suspended 5 feet 3 inches above the ground
by eight steel columns in two parallel rows.
The all-glass rectangle is simple and austere. Nothing is
superfluous. Form surely follows function.
Simply put, it floats. The walls are of perfectly rectangular
sheets of quarter-inch floor-to-ceiling glass attached to the
beams by steel mullions. Every weld in the frame was ground and
polished. The interior is open except for a central core that
houses the kitchen, two bathrooms, a fireplace and utilities. The
columns and decks are precisely plumb and level. Heating is
through radiant coils in the concrete. The interior and exterior
flooring is of Italian travertine limestone. The demarcation
between outdoors and the inside of the house is indistinct. A
screened exterior space adjacent to the interior intensifies that
absence of definition. The outdoors flows indoors, and the
indoors flows outdoors as the house appears to hover above the
meadow. A lower platform serves as an entry and a terrace. It,
too, is suspended, about two feet above the ground. Broad steps
lead from one pavilion to the other.
The elevation of the house is not merely aesthetic. Because the
house was built on a flood plain, it was elevated to keep it
above any flooding from the Fox River. Rampant development in the
area, the fastest growing county in Illinois, since the house was
completed in 1951 has contributed to higher waters each year.
Farnsworth House is one of only three residences Mies designed in
the United States. It was completed in 1951 after six years of
planning and construction at a cost of $73,000, which equates to
about $500,000 in today's terms. As some said then, it was a lot
of money for one room, especially since it was built on land
Farnsworth inherited. The recent auction price really represents
a lot of money for a one-room house. It is, however, a one-room
house that had a profound impact on American design.
Mies designed the Farnsworth House as a clear span building, a
concept he applied to the design of the German Pavilion at the
International Exposition in Barcelona in 1928-29, Tugendhat House
in the Czech Republic and at S.R. Crown Hall at Illinois
Institute of Technology (IIT) in Chicago.
Born Ludwig Mies in Aachen in 1886, he added his mother's name
"van der Rohe" in 1921 after his first marriage ended. Mies came
to the United States at the strong urging of his friend and
colleague architect Phillip Johnson at a time when Chicago was
where it was happening, architecturally speaking. IIT had
recruited Mies, then head of the Bauhaus, as director of its
school of architecture in 1938 as the political climate in his
native Germany darkened. IIT had merged with another school and a
new campus was in order.
Mies designed the master plan for the 120-acre campus of which
Crown Hall is the jewel. The campus includes 20 Mies buildings
and the school celebrates his birthday annually with a party and
a cake in the form of Crown Hall.
Like Farnsworth House, the 26,000-square-foot Crown Hall has an
open, flexible space that flows without the distractions of
interior columns and walls. It, too, has a central core for
services and utilities.
Farnsworth House took six years to design and build, during which
time Mies and the owner met frequently to consult on design and
execution. When the house was finally finished, Farnsworth was
unhappy with the cost and the result, and their relationship
ended abruptly. Lawsuits resulted that ended in Mies's favor and
unpleasant publicity followed. When Farnsworth gained no legal
victory, she took to the popular press and a lot of negative
print was generated about the house. One popular shelter magazine
in 1953 decried Mies, Walter Gropius, Le Corbusier and the
International style in general, suggesting that it was a threat
to America and that communist ideology inspired the buildings.
Even Frank Lloyd Wright hopped aboard the antimodernist
bandwagon, calling the practitioners of the International style
"totalitarians."
Farnsworth continued to use the house although she made some
changes. One of her major objections was that at night the house
was like a beacon attracting all manner of bugs and moths. She
engaged Chicago architect William E. Dunlap to design removable
bronze-framed screens to deter the wildlife. She sold the house
in the early 1970s to Lord Palumbo, who restored it to its 1951
state, bought additional surrounding acreage and added furniture
designed by Mies van der Rohe.
Lord Palumbo, a British arts patron and former chairman of the
Arts Council of Great Britain, was Farnsworth House's very own
angel. Without his careful stewardship, the house would certainly
have passed into oblivion.
Farnsworth House was the first in the collection of significant
houses that Palumbo acquired. He went on to buy Le Corbusier's
Maisons Jaoul in Neuilly outside Paris and Kentuck Knob, a 1954
Frank Lloyd Wright house near Falling Water in Chalk Hill, Penn.
He also proposed a tower in London designed by Mies.

Graceful steps leading from one plane to another intesify the
floating experience that is Farnsworth House. Photo by Hederich
Blessing.
Not long after he bought Farnsworth House, Lord Palumbo
retained architect Dirk Lohan, Mies's grandson, to restore the
house to its 1951 integrity. He also acquired a dining table, a
desk, a bed and a footlocker, all by Lohan, for the house that he
also furnished with about 13 chairs, a glass coffee table and a
daybed that are all Knoll reproductions of Mies pieces. He also
removed the screens and installed subtle air-conditioning to
eliminate the insect problem and to ventilate the house.
Lord Palumbo engaged American landscape architect Lanning Roper
and installed a sculpture park in the grounds with pieces by such
artists as Harry Bertoia, Jim Dine, Wendy Taylor, Andy
Goldsworthy, Anthony Caro and Richard Serra.
After devastating floods in 1996 and again in 1997 shattered some
glass and damaged the woodwork and the contents, Lord Palumbo
engaged Lohan again to restore the house, this time at an
estimated cost of $500,000.
After the second flood and subsequent restoration, Lord Palumbo
opened the house to limited tours. He erected a prefabricated
white metal visitor center on the grounds about a ten-minute walk
along the river from the house. It was renovated for the recent
reopening of the house to the public and houses a theater, a
bookstore and a gift shop.
What is frequently described in textbooks and architectural
circles as "a perfect house" is just like any other building in
its maintenance requirements. Painting and rust removal are
nearly constant projects, the travertine decks need weekly
cleaning and stains left by falling leaves in autumn need to be
bleached. Like any other property, the grounds at Farnsworth
require regular maintenance.
Barely pausing for breath after their triumph at auction, the
Friends of the Farnsworth, the National Trust and LPCI are
working to raise $5 million to establish an endowment to support
Farnsworth House. Since taking ownership the groups have
renovated the visitor center, tidied up the landscape that has
been neglected for several years and made minor repairs to the
house that is anticipated to be an international destination.
Farnsworth House is at 14520 River Road. It is open during the
summer Tuesday-Sunday, 10 am to 4 pm. It is open by appointment
only from December through March. For information, 312-922-1742
or .