: - People would kill to be first in the door at the New Hampshire
Antiques Show, and that is only a mild exaggeration.
Stephen Score should know. He was struck by a car outside the
Center of New Hampshire Holiday Inn, where the expo got underway
for three days on August 7.
Bruised and shaken but otherwise unhurt, the Boston dealer and
his wife, Eleanor, forged ahead, among the hundreds of driven
buyers who surged through the double glass doors of the
convention center at 10 am on Thursday.
"We're ecstatic with results so far," chairman Terri Steingrebe
said Friday afternoon. "Many people have told me that it's their
best show ever."
Magic being magic, it is hard to calculate the spell that the New
Hampshire Antiques Show, now in its 46th year, casts. Much of its
enduring appeal can be ascribed to the show's 65 exhibitors, all
members of the New Hampshire Antique Dealers Association. Where
others promise, they deliver, stocking their booths with fresh,
honest, unusual examples of country American furniture, folk art
and accessories, much of it moderately priced and tucked away
months before the show.
Attendance figures were not yet available early on August 9, but
all indications pointed to a banner show.
"I do the gate money, and there is quite a lot of it," exhibitor
Don Piatt said from his home Saturday morning, before leaving to
join his wife Gail, the fair's assistant chairman, at the show.
"Eyeballing the cash, I'd say we're ahead."
After writing slips for two blue blanket chests, a chintz quilt
and other treasures, the Piatts had returned to Contoocook, N.H.,
to replenish their stock.
An hour after opening on Thursday, Massachusetts dealer Pam
Boynton was wrapping up a small Nantucket basket for New York
collector Eric Maffei. For most exhibitors, the Boyntons
included, the New Hampshire Antiques Show gets going the moment
they load in on Wednesday and reaches a crescendo around noon on
Thursday.
"It's our tradition to bring in fresh merchandise on Thursday,
before the show opens," said Cheryl Scott, whose booth was never
without a crowd from the moment the Hillsborough, N.H., dealers
arrived. A snapshot at opening would have showed a Massachusetts
Queen Anne walnut side chair, $4,700; a Chippendale six-drawer
maple chest, $8,500; and a Massachusetts Chippendale walnut slant
front desk with a fan carved interior.
Thomas Longacre was another exhibitor who cleaned up. He sold his
most arresting item, a large red Louis Nathanson cigar sign
painted with the profile portrait of a gypsy woman, $4,300; a
Windsor settee; a primitive oil on board portrait of a gentleman;
a sheet metal dachshund weathervane; and a hooked rung.
Hardly before the first coffee break, Phil and Jane Workman
parted with a step back pewter cupboard in red paint; garden
antiquarian Kate Alex wrote up a limestone compote of fruit and
several floral decorated mirrors; Portsmouth, N.H., dealer
Constance Greer said adieu to a pair of fancy painted Federal
armchairs and a primitive decoy; Jim and Judy Milne tagged a
rooster weathervane and a blue step back cupboard; and Linda
Whittemore ticketed a corner cupboard and blanket chest, among
other items.
"It's been amazing," acknowledged Steve Corrigan.
Stephen-Douglas's back wall was a papered over version of the
Bermuda Triangle. One high ticket item after the next --
including a primitive portrait attributed to John Usher Parsons
of Maine and an 1807 painted tavern sign for the L. Wood Coffee
House -- disappeared from the spot.
"I love that red hat box," roving shopper Ron Bourgeault was
overheard to say as he passed the Stephen-Douglas display. As
everyone knows, Bourgeault was a New Hampshire show dealer long
before he even thought of being an auctioneer.
Sold effortlessly, the red hat box was just one of dozens of
boxes, carriers, baskets and miniature chests in every size,
shape and color that turned up at the fair. Massachusetts dealers
Don Walters and Mary Benisek featured a rare Albany, N.Y.,
volunteer fireman's band box. Circa 1835, it was $14,500. Another
hat box, blue and a rotund 21 inches in diameter, appeared at
Estelle M. Glavey. The Ipswich, N.H., dealer exhibited it with a
cherry Hepplewhite high chest of drawers, $5,500, labeled as the
property of Mary Lyon, founder of Mount Holyoke College.
Hunting exquisite pieces of New Hampshire furniture is one of the
NHADA show's chief pleasures. Peter Sawyer and Scott Bassett of
Exeter, N.H., featured a tall-case clock by Levi Hutchins of
Concord, N.H., $22,000, along with two one-drawer Sheraton stands
with turret corners and reeded legs. The more dramatic of the
two, from central New Hampshire and in original red paint, was
snapped up shortly after opening.
Kate Alex & Co. Antiques, Warner, N.H.
In a figured birch case, another Concord tall clock was
$24,000 at Peter Eaton. The Newburyport, Mass., dealer wasted no
time selling a New Hampshire two-drawer stand, a small Queen Anne
drop leaf table and a Queen Anne japanned mirror. Against his back
wall was a Massachusetts Queen Anne flattop high chest of drawers,
circa 1750, $32,000.
Yarmouth Port, Mass., dealers Suzanne Courcier and Robert Wilkins
offered a rare Canterbury, N.H., Shaker sewing desk, $25,000,
along with a beautiful set of early Nineteenth Century New
England step down Windsor side chairs, painted in a cream ground
with green, yellow and black decoration, $19,500.
Notable pieces of finished furniture included, at Wayne Pratt
Antiques, an assembled set of six Queen Anne Boston or Newport
side chairs; the Allen Family of Newburyport bonnet-top high
chest of drawers, $157,000; and a Boston blockfront kneehole
bureau table, circa 1760, price on request
Clearly made by the same individual, two nearly identical
Sheraton bow front chests with ivory escutcheons were $5,200 at
Ferguson & D'Arruda, Swansea, Mass. Betty Willis featured an
Eighteenth Century Pennsylvania walnut Dutch cupboard, $16,000.
Merrimack, N.H., dealer Jeannine Dobbs priced her early
Eighteenth Century gate leg table $20,000.
Candlewick Antiques of Milford, N.H., sold a classic Vermont
cherry graduated four-drawer chest, $5,950, with inlays,
two-board top and French feet. Buyers were quick to seize a tiger
maple six-legged drop leaf table, $4,800, at Craig and Nancy
Cheney, Newark, Ohio.
Connecticut dealer Lewis Scranton offered a New Hampshire lift
top, two-drawer blanket chest in lively red and black paint.
Other painted furniture, for which the New Hampshire Antiques
Show is perhaps best known, included a small two-piece corner
cupboard in splashy orange and red paint, at Jef and Terri
Steingrebe, New London, N.H.; a pair of painted Queen Anne
chairs, $975, at Michael Whittemore, South Woodstock, Conn.; and
a grain painted cannonball bed, probably from South Paris, Maine,
$7,500, at Yankee Smuggler, Richmond, N.H.
There were two Riley Whiting tall clocks in painted cases on the
floor. Rindge, N.H., dealer Sandy Jacobs sold hers. Still
available, Russ and Karen Goldberger's was $13,500.
Classical met county in the booth of Newton, N.H., dealer Steven
Rowe, who sold a Nineteenth Century settee, $2,600, with
pineapple carvings, and a low-slung Victorian club chair with
carved dog's head terminals, $4,400.
Of primitive portraits, there were plenty. Walters/Benisek
unveiled a portrait of a literate looking Nineteenth Century
woman with books by H.K. Goodman of Vermont, $32,500. Dublin,
N.H., dealer Nancy Sevatson's oil on canvas portrait of child
with a wheel and rattle against a landscape background was
$19,000. And Meryl Weiss of American Classics, Canaan, N.H.,
combined a vibrant picture of a lavishly dressed young woman by
Samuel P. Howes, $8,800, with several school girl watercolors,
including a pair of early Nineteenth Century fantasy scenes of
Lake Champlain, Vt., $7,500.
A selection of framed, Eighteenth Century prints at Hollis
Brodrick, Portsmouth, N.H., included a fascinating plan of
Philadelphia, $2,850, dated 1777 and showing the locations of
homes of such prominent families as the Whartons and the
Cadwaladers.
"We think they were salesman's samples," Russ Goldberger said of
the pair of small, cast-iron whippets, $19,500, that he sold
almost immediately. The 40-pound examples are attributed to Fiske
and date to about 1875. Other notable sales of folk art included
a boldly carved eagle from Ohio, marked $38,500 at
Walters/Benisek.
Ron and Penny Dionne's vibrant display played two geometric
hooked rugs against three weathervanes, among them a ram; a
banner with weathered verdigris patina, $3,500; and a Jewel
rooster, $25,000. The Connecticut dealers sold the ram vane, a
sawbuck table; a painting, and a hanging cupboard, among other
items.
Hawks Nest Antiques of Hinesburg, Vt., featured a Cushing 44-inch
cow weathervane, 1868, $75,000; and a Colonel Patchen 38-inch
Harris vane, $11,000.
"They were meant to impress onlookers with America's wealth and
might," Paul DeCoste said of two robustly carved circa 1830
ship's gangway boards, one decorated with an eagle, the other
with a cornucopia full of coins. The West Newbury, Mass., dealer
also offered a rare Nantucket desk and bookcase once owned by
pioneering nautical antiques dealer Sam Lowe of Boston.
Barbara Ardizone of Salisbury, Conn., mounted three carved and
painted Odd Fellows relics with superb salmon paint accented with
gilt and black. The group included an eternal flame, $850; ram's
horns, $1,800; and a quiver, $6,900.
Among the most spectacular textiles on the floor was a Nineteenth
Century New England hooked runner from the Gloucester, Mass.,
area. The inventive pictorial rug is composed of 27 panels, some
depicting life in a small New England village. Maine dealer
Newsom and Berdan was asking $45,000 for the exceptional,
21-foot-long piece.
"I'd read about them but I'd never seen one," Linda Tate said of
the New Hampshire weft-loop coverlet on her wall. It was woven by
Hannah Wilson in 1852 for Cordelia T. Downing of Farmington, N.H.
"There are related coverlets at the Shelburne Museum, the Henry
Ford Museum and the Wadsworth Atheneum," said the Sambornton,
N.H., dealer, who was asking $2,200 for the rare piece.
Coverlet maven Melinda Zonger's colorful selection was
highlighted by a Palmyra, N.Y., example woven by James Van Ness
for Mary Sayles. The $3,500 double weave in blue and white was
emblazoned with American eagles, shields and, appropriately, the
New Hampshire show's logo, beehives.
As a preeminent venue for Americana, very little slips into the
New Hampshire Antiques Show that is nonnative. Notable exceptions
were found at Cara Antiques, where Langhorne, Penn., dealers
Constance and Richard Aranosian arrayed English and Dutch pottery
by Moorcroft, Gouda, Clarice Cliff and others. Highlights
included a Minton India vase, $9,500, a Grecian figure with a
book centerpiece, $20,000, and a George Jones bee skep, $15,500.

Russ & Karen Goldberger, Rye, N.H.
The most stunning piece of American stoneware on the floor
belonged to Dennis and Ann Berard of Dennis and Dad Antiques,
Fitzwilliam, N.H. The incised pitcher, $170,000, was inscribed
"Jonathan Montaque," dated December 8, 1828, and decorated with an
American eagle, a sailing ships, flowers and a tree.
Many visitors incorrectly assumed that Dennis and Dad had
replaced Pennsylvania dealer Bea Cohen, known for her colorful
spongeware and spatterware.
"Both Bea Cohen and Bill Lewan were ill. We're hoping that
they'll both be back next year," Terri Steingrebe said of the
only two longtime exhibitors not present this time.
The New Hampshire Antiques Show represents the hard work of
literally dozens of people, seasoned professionals who regard
their once-a-year project as a labor of love. No wonder the
buying public returns that love.