Riveting stripes and shining stars in red, white and blue have taken over the galleries at Hancock Shaker Village where “The Stars and Stripes: Fabric of the American Spirit” is now on view. Some 80 different historic examples in the exhibition document the history of the American flag. The flags, each of which has its own distinct story, are parade flags from the collection of vexillologist (one who studies flags) and co-curator of the exhibition, J. Richard Pierce. Parade flags, such as those on view, were made generally to celebrate, memorialize or advertise particular events or entities; most were handmade and many were inscribed. Because they were occasional flags, they were not bound by the strict guidelines prescribed for the nation’s flag. Although all incorporated the essential elements and colors of the stars and stripes, the folky variety of their design is stunning, and each attests to the freewheeling creativity of its maker. Quite a few are accompanied by notes documenting their origins. Some were made of cotton, some silk and others of paper, and they were highly perishable. Accordingly, few survived and those that did are truly treasures of Americana. “The Stars and Stripes: Fabric of the American Spirit” is a colorful tracery of the embellishments that patriotism and history lent the flag. The flags on view have stories as intricate as their stitching. Pierce has long had an interest in the flag. He confesses to a lifelong fascination with history and politics, having earned a degree in political science in college and served in the US Army and the Army Reserve thereafter. His career, however, took him into technology and finance. He and his wife began collecting flags only in 1991. Since then, though, it has been full-steam ahead. Pierce’s collection numbers around 200 pieces today and he is still searching. He acquired much of his collection in the last four or five years, he says, buying at shows and auctions and from the two principal dealers in the United States. The collection, which normally adorns the walls of his New Jersey home, boasts many overprint and signature flags and abounds with flags with unusual star patterns. Many relate to the Civil War, political campaigns, military events and advertising. Price has written a book about parade flags, The Stars and Stripes: Fabric of the American Spirit, which will be published in July. Featuring images of the flags on view along with an additional 30 or so from his collection, it will be available at Hancock Shaker Village and at retail bookshops. The simple elements of crisp white stars against a deep blue ground and the stirring red and white stripes have prevailed since the beginning on June 14, 1777, when the first flag act decreed a formal arrangement. The act specified a union or canton of 13 white stars on a blue ground, signifying the new constellation, and 13 stripes. The composition was pretty much freelance, depending on the maker. As the nation grew, stars were added for each new state and the design shifted dramatically. The number of stripes was boosted to 15 in 1795 but was restored to 13 in 1818. No order of the number of points on the stars or their composition against the blue union was specified until much later. Some stars had six points and others had eight, but most had five. While Philadelphia seamstress Betsy Ross is commonly thought to have produced the first flag, that story is apocryphal, put about by her grandson nearly a century after the fact. Ross did make standards for the Commonwealth of Pennsylvania and she made a design of a flag for George Washington, but it was not produced until years later. It is Francis Hopkinson, patriot, delegate to the Continental Congress and signer of the Declaration of Independence, artist, poet and lawyer from New Jersey (like Pierce) who holds the first flag honor. Appointed to the Continental Navy Board in 1776, Hopkinson designed a flag for the new nation along with several ornaments, seals and devices that appeared on official documents. He submitted a bill for his services for a quarter-cask of public wine. After nearly 18 months of bureaucratic wrangling with the new government over payment, Hopkinson resigned in disgust. His political enemies may have blocked payment, but journals of the Continental Congress confirm that he designed the flag. It was not until the Twentieth Century that the flag assumed the basic layout we see today. Under Executive Order of President William Howard Taft on June 24, 1912, the proportions and arrangement of the stars were established. President Dwight D. Eisenhower modified the arrangement twice in 1959 with the addition to the union of Alaska in January and Hawaii in August. Today’s official flags have five-sided stars with a single point straight up, two pointing left and two pointing right. The number of stripes remains at 13. The official colors are Old Glory Red (PMS 193C), white and Old Glory Blue (PMS 281C). The earliest example on view in the Hancock Shaker Villageexhibition is a hand sewn silk flag with 24 embroidered stars thatwas made sometime between 1822 and 1836. Another early specimen isa 14-star flag made in Maine for Ossian Preston Ingraham, who wasborn in 1847. The flag has a full-width canton with four-pointedstars and has 14 stripes, with a white one on the top. Another early flag is the rare 26-star flag that was printed on homespun between 1837 and 1845. It has a double medallion, or circle, of stars with a large central star and one star in each corner. It is thought to be one of the few surviving examples of the 26-star configuration. Another 26-star flag is one with a great star pattern of a large central star surrounded by smaller stars to form an overall star image. Overprinting on flags was common in the Nineteenth Century. Five Lincoln mourning paper flags with 34 stars were overprinted with images of Lincoln and expressions of sorrow and were held by mourners as the president’s funeral procession passed. One bears the legend, “We Mourn! Our Chief Has Fallen.” Another proclaims, “The Nation Mourns a Martyred Father.” The 34-star flag was known as Lincoln’s flag because he refused to acknowledge the secession of seven southern states and the flag retained its 34 stars. A 35-star flag with a great star within a wreath of stars probably came from a soldier assigned to the 24th Massachusetts Infantry Regiment. It was accompanied by a note that affirmed, “They are singing to my flag at a torchlight parade of Lincoln’s men with their pickaxes and spades in 1864. As I stood on the porch waving this flag, the company of men opposite the house turned and saluted my flag and sang ‘Rally Round the Flags Boys.’ Florence G.S.” Florence is assumed to have created the handsome flag. Another 35-star flag, one with an embroidered diamond pattern of stars in the canton, was waved on the occasion of the 1865 return of George N. Bliss, commanding officer of the First Rhode Island Regiment, from the Shenandoah Valley campaign, Gettysburg and Washington. Yet another example dates from 1918, and its stripes bear thenames and some of the hometowns of company officers and enlistedmen of the Camp Colt Tank Corp at Gettysburg where members of theArmy Tank Corps trained and Dwight D. Eisenhower was the commandingofficer. An inscription within the stars memorializes Leo Cleary. Parade flags were popular advertising objects during political campaigns. An anti-Teddy Roosevelt campaign flag from the 1912 presidential election is included in the show. A 36-star flag on view promoted the candidacy of William Henry Harrison. A 45-star flag autographed July 3 and 4, 1899, lists the names of seven residents of Lowell, Mass., and one from Providence, R.I., who celebrated the Fourth of July in Lowell. A prime piece of Americana, a 1903 48-star flag, records a baseball game between Lexington and Kingfield, Maine, and Fourth of July fireworks at the Harlow family farm. An inscription on the flag provides the details that bespeak the quintessential American celebration. A mid-Twentieth Century example is a 48-star flag that commemorates the 1945 surrender of the Japanese. “The Stars and Stripes: Fabric of the American Spirit” remains on view through October 31 at the Hancock Shaker Village. The 2,100-acre Shaker village is located on Route 20, just west of the junction of Routes 20 and 41. For information, 413-443-0188 or www.hancockshakervillage.org.