New Orleans Auction important Estates
Auction: October 14-16
333 St. Joseph Street, New Orleans, LA 70130
504-566-1849 |

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1. Extensive and Important Collection of Art Glass, including works by Émile Gallé, Tiffany, Handel, Daum Nancy and others;
2. Pedro Friedeberg (Mexican, b. 1936), “Left Hand” and “Right Hand”, pair of chairs, gold leaf over carved wood, each signed, each h. 35-1/2”;
3. Exceptional Rococo Revival Gilt-Lacquered Brass Six-Light Gasolier, mid-19th century, attributed to Henry Hooper, Boston;
4. Joan Miró (Spanish, 1893-1983), “L’Aigrette Rouge”, 1976, etching with aquatint in colors on Arches pa-per watermarked “Maeght” on reverse, pencil signed and numbered, plate 45-1/4” x 29-1/4”, sheet 54” x 30-3/4”;
5. Paul Sawyier (American/Kentucky, 1865-1917), “Mayme Bull Canoeing on the Elkhorn Creek, Frankfort, Kentucky”, watercolor, signed, 11-3/4” x 20-1/4”;
6. Paul Sawyier (American/Kentucky, 1865-1917), “Mackinaw [sic] Island, Michigan”, watercolor, signed, 11” x 16-5/8”;
7. Conradyn Cunaeus (Dutch, 1828-1895), “Waiting for Mistress”, oil on canvas, signed, 34-1/2” x 27-3/4”;
8. Sandra Koop (American/Contemporary), “The Victor-American Bald Eagle”, patinated bronze, in-cised signature, copyright marked, and numbered, overall, h. 36-3/8”;
9. Collection of 18th- to early 20th-Century Continental and British Carved Wood Artist’s Lay Figures and Models, including fully-articulated male and female forms, heads, and hands;
10. American Neo-Grec Marquetry-Inlaid and Bronze-Mounted Rosewood Cabinet, attributed to Pot-tier & Stymus, New York, ca. 1869-1870;
11. Fine American Classical Parcel-Gilt and Ebonized Mahogany Center Table, ca. 1825, attributed to Anthony Quervelle;
12. William and Mary Style Walnut and Seaweed Marquetry Chest, 18th century;
13. Imposing Bronze Fountain of Classical Inspiration

1. Extensive and Important Collection of Art Glass, including works by Émile Gallé, Tiffany, Handel, Daum Nancy and others;
2. Pedro Friedeberg (Mexican, b. 1936), “Left Hand” and “Right Hand”, pair of chairs, gold leaf over carved wood, each signed, each h. 35-1/2”;
3. Exceptional Rococo Revival Gilt-Lacquered Brass Six-Light Gasolier, mid-19th century, attributed to Henry Hooper, Boston;
4. Joan Miró (Spanish, 1893-1983), “L’Aigrette Rouge”, 1976, etching with aquatint in colors on Arches paper watermarked “Maeght” on reverse, pencil signed and numbered, plate 45-1/4” x 29-1/4”, sheet 54” x 30-3/4”;
5. Paul Sawyier (American/Kentucky, 1865-1917), “Mayme Bull Canoeing on the Elkhorn Creek, Frankfort, Kentucky”, watercolor, signed, 11-3/4” x 20-1/4”;
6. Paul Sawyier (American/Kentucky, 1865- 1917), “Mackinaw [sic] Island, Michigan”, watercolor, signed, 11” x 16-5/8”;
7. Conradyn Cunaeus (Dutch, 1828-1895), “Waiting for Mistress”, oil on canvas, signed, 34-1/2” x 27-3/4”;
8. Sandra Koop (American/Contemporary), “The Victor-American Bald Eagle”, patinated bronze, incised signature, copyright marked, and numbered, overall, h. 36-3/8”;
9. Collection of 18th- to early 20th-Century Continental and British Carved Wood Artist’s Lay Figures and Models, including fully-articulated male and female forms, heads, and hands;
10. American Neo-Grec Marquetry-Inlaid and Bronze-Mounted Rosewood Cabinet, attributed to Pottier & Stymus, New York, ca. 1869-1870;
11. Fine American Classical Parcel-Gilt and Ebonized Mahogany Center Table, ca. 1825, attributed to Anthony Quervelle;
12. William and Mary Style Walnut and Seaweed Marquetry Chest, 18th century;
13. Imposing Bronze Fountain of Classical Inspiration

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